Adel Abdessemed, Algeria

adel-abdessemed

 

Adel Abdessemed (b. 1971) left Algeria in 1994, and he considers his act a political one: When there is no peace at home, one must go elsewhere, otherwise the soul will die. The most important thing is to act, to resist, and to create in order to change the world. Abdessemed’s work draws from a multiplicity of media, including sculptural installation, video, animation, and photography. While some critics label his controversial pieces inappropriate due to their often graphically violent nature, the acts as Abdessemed calls his politically committed artworks, consistently interact with larger global realities. Abdessemed’s apparent rage permeates throughout, calling viewers’ attention to expressions of brutality and frequently referencing failed immigration policies, exile, and displacement. His work has been widely exhibited.

With Public Delivery Exhibition Utopian Days, 2014

  • Adel Abdessemed

The Sea, 2008
Total Museum of Contemporary Art, Seoul, South Korea


About
Utopian Days – Freedom was an exhibition at one of Korea’s leading art museums

Spaces
Total Museum of Contemporary Art, Seoul, South Korea
Nowon Culture and Arts Center, Seoul, South Korea

Artists
Adel Abdessemed
Lida Abdul
Phil America
Ivan Argote
Chim↑Pom
Minerva Cuevas
Chto Delat?
Cyprien Gaillard
Yang-Ah Ham
Andre Hemer
Tehching Hsieh
Zhang Huan
Jani Leinonen
Klara Liden
Armando Lulaj
Matt McCormick
Filippo Minelli
Wang Qingsong
Andres Serrano
Manit Sriwanichpoom
Clemens von Wedemeyer
Kacey Wong
Xijing Men
He Yunchang

More


The Sea, 2008
10 sec (loop), color, sound
Courtesy the artist and David Zwirner, New York/London

Exhibited: The Sea, 2008

The sea, by Adel Abdessemed, is a video in which the artist faces the ocean on a rough slab of wood. A work that speaks about the role of the artist and questions of survival, The sea documents Abdessemed’s efforts to balance on his hands and knees on the wooden slab as it pitches with the ocean waves while he attempts to write the phrase Politically Correct.

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Public Delivery

Public Delivery