Chim↑Pom, Japan

chim-pom

Tokyo-based artist collective Chim↑Pom formed in 2005 in Tokyo while they were still in their twenties. Members Ushiro Ryuta, Hayashi Yasutaka, Ellie, Okada Masataka, Inaoka Motomu and Mizuno Toshinori respond instinctively to the real of their times, continuously releasing works that intervene in contemporary society with strong social messages. Although video is their primary medium, they work in a range of media, from installation to performance. While based in Tokyo, they develop their activities globally in exhibitions and projects in various countries. More recently, they have expanded their activities further to include the direction of art magazines, and exhibition curation.

With Public Delivery Exhibition Utopian Days, 2014


Chim Pom, Ki-Ai 100, 100 Cheers, 2011, Total Museum of Contemporary Art, Seoul, South Korea

Andres SerranoSigns of the Times, 2013, Chim↑Pom – Ki-Ai 100 (100 Cheers), 2011
Total Museum of Contemporary Art, Seoul, South Korea


About
Utopian Days – Freedom was an exhibition at one of Korea’s leading art museums

Spaces
Total Museum of Contemporary Art, Seoul, South Korea
Nowon Culture and Arts Center, Seoul, South Korea

Artists
Adel Abdessemed
Lida Abdul
Phil America
Ivan Argote
Chim↑Pom
Minerva Cuevas
Chto Delat?
Cyprien Gaillard
Yang-Ah Ham
Andre Hemer
Tehching Hsieh
Zhang Huan
Jani Leinonen
Klara Liden
Armando Lulaj
Matt McCormick
Filippo Minelli
Wang Qingsong
Andres Serrano
Manit Sriwanichpoom
Clemens von Wedemeyer
Kacey Wong
Xijing Men
He Yunchang

More

 



10min 31sec
Courtesy of MUJIN-TO Production, Tokyo

Exhibited: KI-AI 100 (100 Cheers), 2011

This video work was made in Fukushima in May 2011 and shows the members of Chim↑Pom members together with friends they made in Soma city doing 100 sequential yells of 100 KI-AI (100 Cheers), which is Japanese for shouts showing a fighting spirit. As Soma city was one of the affected areas of the Great East Japan earthquake, these people lost loved ones, their houses were washed away, and they spent over two months in the destroyed city despite fear of radiation. Unlike other areas intensively covered by mass media, this area had suffered from a shortage of volunteers probably due to it being so close to the Fukushima Daiichi Nuclear Power Station. These were real shouts filmed all in one-cut and ad-libbed, by the young locals who, although being victims themselves, had continued to provide relief and help towards reconstruction.

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Public Delivery

Public Delivery