SAMPLE I – III

A geometrical, pure form, a cube, was built as a container containing the sampling of previous works produced during the period of 3 months at residency Recycl-art.

This object/installation refers to the conservation-storing-archiving of art-works, that are highly valued and reserved for future use. Stacking different artworks, pre-serving them together. Balanced on one side, quasi in motion/in progress, the cube tends to fall, but is form-fixed. Every side of the cube presents a different narrative. Wood as a structural element, artworks as content, street-furniture and found objects, all are multi-laterally equal in this one work. An all-concealing spatial Dada construction, as an ode to the Constructivists (see title). When moving the position of the cube, the outlook of the work will change as a result of the re-use of different media (lightbox, textures, materials, moving LED-letters, etc.)

This spatial Dada-object (ca. 2 x 2 x 2m) was created in 2010 in collaboration with Walt van Beek and Roeland Huys.

Used material
- Recycled wood, screws
- Moving LED (Hail the Constructivists, too much curators, too less art, Because there’s never gonna be enough space…)
- World Without Strangers-lightbox by Roeland Huys
- GLÄSO, pieces of previous sculpture/project by Walt van Beek
- Special Offer-tape bought in Guangzhou, used and presented as sculpture/art by Walt van Beek
- Triptych of curtains, schoon motiefke by Jon Leung
- found objects: street-pole/- fence (thanks to the city of Brussels)

Presented at Sorry I was busy doing art at Recyl-art artcenter / Bruxelles, Belgium.

Sample I

In it’s multitude the entire cube/object presents itself -again- as an installation that is one work on itself, taking three artists and their preconceptions into account. A new diversified and all-concealing work rather than three different and separate works and visions.

Sample III

A derivation of #I. On permanent display at the Michelin star awarded restaurant Lam & Yin in Antwerp, Belgium.