Archive: 2009
This gigantic sculpture resembles Noah’s ark

This gigantic sculpture resembles Noah’s ark

Mark Bradford - Mithra, 2008, Plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect 1, New Orleans, Photo Nicole J. Caruth
Mark BradfordMithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans
Photo: Nicole J. Caruth

Asked to describe himself, Mark Bradford uses the words demolisher and builder in the same breadth and it is easy to see why. Using posters created for promoting merchant goods and services, flyers and general advertising materials, he takes pride in transforming anything he can lay his hands on, into large-scale art pieces. His specialty in the arts is sculpting but to arrive at a final piece that impresses him, he takes advantage of media such as film, photography, and collage. Mithra is one such creation made for the public in 2008 as part of the Prospect.1, the largest biennial of international contemporary art in the United States held in New Orleans. What was the inspiration? Hurricane Katrina.

Mithra, a gigantic sculpture that resembled Noah’s ark was placed at the center of Lower Ninth Ward in the city and this was to deliberately preach restoration that faced this epicenter of the storm.

New Orleans is a special place and especially in light of the terrible storm and so only an artist who had experience in relating to people in a way that made them feel important would drive the message of restoration home. Luckily, Bradford learned this trait early in life, first when he worked at a salon. When he was invited to create an art project for the people of New Orleans, he automatically knew the weight that the art piece he would create needed to bear, and was it heavy? While he purposed to use materials that he was familiar with, it took tons of materials. On the social aspect, he required for the project to create social impact. Three containers stacked one on top of the other was what it would take.

Original pictures of the sculpture show it as it stood in New Orleans in the parking lot of a local religious science church. This would later be dismantled, shipped in the Ninth Ward at a vacant space and reassembled to stand there. For all those who interact with this version of the work and especially those who are familiar with its biblical significance, it symbolizes a quest for salvation or futility. Any way you look at it, it is clear that those who fell victim to Hurricane Katrina need more than came their way in the form of support and government intervention.

Mark Bradford - Mithra, 2008, Plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm 1
Mark BradfordMithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans

Mark Bradford - Mithra, 2008, Plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm 2
Mark BradfordMithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans

Mark Bradford - Mithra, 2008, Plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm 3
Mark BradfordMithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans

Mark Bradford - Mithra (detail), 2008, Plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm
Mark BradfordMithra (detail), 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans

Mark Bradford - Detail, 2009–10 (parts of Mithra reassembled), plywood, found paper, adhesive, 498 x 549 x 914 cm) Installation view at the Wexner Center for the Arts
Mark BradfordDetail, 2009–2010 (parts of Mithra reassembled), plywood, found paper, adhesive, 498 x 549 x 914 cm, Installation view at the Wexner Center for the Arts, Ohio State University

Mark Bradford - Detail, 2009–10 (parts of Mithra reassembled), plywood, found paper, adhesive, 498 x 549 x 914 cm) Installation view at the Wexner Center for the Arts Photo- Sven Kahns
Mark BradfordDetail, 2009–2010 (parts of Mithra reassembled), plywood, found paper, adhesive, 498 x 549 x 914 cm, Installation view at the Wexner Center for the Arts, Ohio State University
Photo: Sven Kahns


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Artist mocks Koons highest priced work using garbage bags

Artist mocks Koons highest priced work using garbage bags

Gimhongsok - Canine Construction, 2009, bronze
GimhongsokCanine Construction, 2009, 164x231x90cm

This Canine Construction by South Korean artist, Gimhongsok is one that anyone would fall in love with, coupled with the enigmatic quality it has. This work is the sculpture of a dog remains one of the artist’s most well-known works in recent times. The creation involved using garbage bags, balloons, cardboard boxes, all assembled with expensive materials like resin.

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The power of laughter

The power of laughter

Yue Minjun - One of 14 A-maze-ing Laughter bronze sculptures in Morton Park, Vancouver, BC

Yue Minjun - Untitled, stainless steel sculpture, 95x197x143cm
Yue MinjunUntitled, stainless steel sculpture, 95x197x143cm

Yue Minjun was born in Daqing in Heilongjiang, China in 1962. For most of his life, Yue moved from place to place, because his family had to move from oilfield to oilfield to find work. Before starting to work as an electrician, he graduated from Hebei Normal University in 1989, where he studied oil painting. 1989 was the same year in which China was left shocked by the infamous student-led demonstrations and the suppression of such on Tiananmen Square. These movements played a large part in the inspiration and mood of Yue’s work. In order to fight the dark mood of the hour, the dark reality of the time, he created vibrant self-images embodying an almost mania; The laughing image.

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Suicide car bomb from Iraq turned into art piece

Suicide car bomb from Iraq turned into art piece

 Jeremy Deller - It is what it is- Conversations About Iraq, 2009, at Joy in People at the Hayward Gallery, Southbank Centre,  Photos: Linda Nylind
Jeremy DellerIt is what it is- Conversations About Iraq, 2009, at Joy in People at the Hayward Gallery, Southbank Centre
Photo: Linda Nylind

In the Imperial War Museum in London, surrounded by some of the most powerful military hardware of the last 100 years rests a rusting, crumpled car. This is a clear example of what war does. The car is a piece by Jeremy Deller, and was a car that was contorted in a street bombing that killed 38 people and wounded many more at Baghdad’s Al-Mutanabbi book market. Al-Mutanabbi book market was at the heart of the Baghdad’s cultural and intellectual life.

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2,000 year old Chinese vases after being dipped in paint

2,000 year old Chinese vases after being dipped in paint

Ai Weiwei - Han Dynasty Vases in Auto Paint, 2014, Photo Sotheby's
Ai WeiweiHan Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
Photo: Sotheby's

The Han Dynasty Vases with Auto-Paint is a work shown as part of Ai Weiwei’s solo exhibition “Evidence”. It is a series of neolithic vases, painted smooth and shining with brightly colored automotive paint. The aged vessels are given new context, evoking the mass marketing and luxurious consumerist appeal of the goods typically adorned with this type of paint, that are highly coveted in China. By destroying their historical value, he creates a highly politicized satire that calls into question the nature of art.

About Ai Weiwei

Born in 1957, Beijing, Ai Weiwei began his training at Beijing Film Academy and later continued at the Parsons School of Design in New York City. He was instrumental in the founding of the Overseas Chinese Artists Foundation as well as laying the groundwork for experimental artists in the East Village. His work has been displayed all over the world in Australia, Belgium, China, France, Germany, Italy, Japan, Korea and the United States and recently has been commissioned by the Tate Modern. Later his name would become famous with projects such as the Bird’s Nest, the Olympic Stadium for the 2008 Beijing Summer Games. His role as an activist deepened, with his infamous probe of the 2008 Sichuan earthquake student deaths and the following closing of his blog.

Ai Weiwei - Han Dynasty Vases in Auto Paint, 2014, Palazzo Strozzi, Italy
Ai WeiweiHan Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable, at Palazzo Strozzi, Italy

Ai Weiwei - Han Dynasty Vases in Auto Paint, 2014, Photo Sotheby's
Ai WeiweiHan Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
Photo: Sotheby's

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This is what flying looks like in the future

This is what flying looks like in the future

Beni Bischof - Handicapped Cars

Handicapped Cars is a series of digitally manipulated photographs created by Swiss artist Beni Bischof depicting hovercraft-like cars that would not look out of place in a dystopian science fiction film. They are colorful, sleek, and operate as digital sculptures that are temporally ambiguous, giving the viewer a disconcerting feeling as though these are other worldly vehicles that are present today. Bischof plays close attention to form and movement, with the smooth, seamless lines seeming to indicate the innate speed of the objects. Like his other work, Bischof takes an everyday object and subtly changes it, calling into question its familiarity and function.

About Beni Bischof

Born 1976, Beni Bischof lives and works in St. Gallen. It all started when he began publishing laser-copied artist’s magazines in 2005 as an independent means of distributing his drawings, collages, and texts. The speed of production suited his impetuous, prolific output. It was not long before he found an additional, three-dimensional outlet for his obsessions by adding sculpture, painting, and installations to his repertoire. Often using everyday objects, Bischof creates bizarre objects whose coherence he reinforces with plaster and paint. He applies similar techniques of combining, reassembling, and reworking to images appropriated from fashion magazines, trivial literature, LP covers, and the like, overpainting them and modifying them digitally or even mechanically.

Beni Bischof - Handicapped Cars

Beni Bischof - Handicapped Cars

Beni Bischof - Handicapped Cars

Beni Bischof - Handicapped Cars

Beni Bischof - Handicapped Cars

Beni Bischof - Handicapped Cars

Beni Bischof - Handicapped Cars

Beni Bischof - Handicapped Cars


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Why are hundreds of shirts flying in the air?

Why are hundreds of shirts flying in the air?

Kaarina-Kaikkonen-Hanging-Clothes-Helsinki
Kaarina Kaikkonen – Helsinki, Finland

Kaarina Kaikkonen is an artist best known for creating sculptural works using recycled materials, notably second-hand clothing seen in her memorable jacket installations. The environment is incorporated into these installations in some way, resulting in a beautiful, colorful cloth landscape. Each garment individually tells a story as an extension of its past wearer, and as a group they come together to create a history and visual retelling of their space.

About Kaarina Kaikkonen

Kaarina Kaikkonen (b. 1952) began as a painter, but has become known as a sculptor who shapes the urban landscape and makes installations emphasizing the sense of community. Kaikkonen studied at the Finnish Academy of Fine Arts School in 1978-1983. Kaikkonen’s first installation was on display in Helsinki in 1988. In Finland, one of her most famous works is the Way -installation, which she built on the steps of Helsinki Cathedral in 2000.

Kaarina Kaikkonen - Networking, 2009 - Piazza Calderini, Bologna, Italy
Kaarina KaikkonenNetworking, 2009 – Piazza Calderini, Bologna, Italy

Kaarina Kaikkone - Prato contemporanea - Crossing Borders - 1
Kaarina Kaikkonen – Prato contemporanea – Crossing Borders, 2014, Firenze, Italy

Kaarina Kaikkone - Prato contemporanea - Crossing Borders - 2
Kaarina Kaikkonen – Prato contemporanea – Crossing Borders, 2014, Firenze, Italy

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