Edward Burtynsky – Manufacturing #17, Deda Chicken Processing Plant, Dehui City, Jilin Province, China, 2005
For Edward Burtynsky, photography is much more than immortalizing a scene; while his focus is on taking photos, he is keen on sharing his point of view with the rest of the world. One of the most outstanding aspects of his works is his ability to connect to the real world. China for instance is a massive country, comprised of 3.7-million-square-miles of manufacturing landscape and that means people are busy all the time. What is a picture of China without a hint of humanity? The many pictures Burtynsky has taken of China appear to be carefully thought out; each one makes use of a location that not only captures what is happening on a large-scale, but also the people who make it happen.
Nadav Kander – The Polygon Nuclear Test Site I (after the event), Kazakhstan, 2011
If it were possible to take a picture of the entire earth’s surface, the mosaic of human co-existence would be a sight to behold. Some areas are military grounds, mining cities or tourist destinations while others are education hubs just to mention a few. It is hard to appreciate that in the midst of all that are secrets as deep as the mystery of death. In the Dust series, as created by Nadav Kander’s, images of crows illuminated against the light of the moon in the darkness symbolizes how difficult it is to hide the truth. These images appear in the first three spreads, perhaps to prepare one’s mind to the secrets about to be uncovered.
Huang Qingjun – Family Stuff
Normally, life is viewed from the perspective of people as they appear in public. It is not unusual to come across a rich looking individual only to realize that their background or where they call home is not as lavish. When what we consider to be normal is transformed inside out, then a whole new dynamism of sights emerges. When Huang Qingjun took his first family picture of such nature in 2003, it would be the beginning of a new view in photography. Together with Ma Hongjie, they have for 10 years now been capturing scenes of life in its fragility.
Oliver Wainwright – National Drama Theatre, Pyongyang, 2015
Oliver Wainwright North Korean Interiors documents the unique architecture and the interiors of various regions of North Korea and its capital Pyongyang. Not many photographers get the opportunity to explore this isolated country owing to its closed state; however, Wainwright took the opportunity and ran with it. The interiors that he documented were very kitsch and retro as they were originally created to adorn important theaters and buildings that were designed during the Soviet era.
Mitch Epstein – Amos Coal Power Plant, Raymond City, West Virginia, 2004
Photographer Mitch Epstein has taken part of his time to bring light into the social and moral fabric of the United States. One of the works that has earned him a lot of praise is his American Power project.
In American Power Mitch travels through America to bring images of how America is being powered. He was inspired by the evacuation of an environmentally contaminated town in Ohio between 2003 and 2008 which messed up lives of the former inhabitants of the city.
Qiu Zhijie – Tattoo 2, 1994
Qiu Zhijie is well known for his capacity to add provoking new meanings to traditional Chinese calligraphy. In many of his works, Qiu incorporates calligraphy into modern media as a way of fusing important elements from his culture into his art. His Tattoo series that was released in 1994 explores the state of one’s independence and invisibility.
Andreas Gursky – Kuwait Stock Exchange II, 2007
Photo: Andreas Gursky/VG Bild-Kunst, Courtesy Sprüth Magers, Berlin London
Andreas Gursky is a German photographer and professor. He is most well known for large format architecture and landscape color photos, and following the 1990’s; Gursky has been using technology and computers for editing and enhancing his photos.
Gursky is known for using an elevated vantage point as his main perspective. This allows the audience to view the scenes from a place that is both peripheral and central. Using each subject to create an unconventional geometry, he organizes the world fitting in with his personal visual logic. He began his portrayals of stock exchanges in 1990 and has continued this project throughout his career.