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Would you consider these gigantic blow-up sculptures art?

Would you consider these gigantic blow-up sculptures art?

FriendsWithYou - Light Cave, The Standard High Line Plaza, NYC, USA 4

FriendsWithYou - Happy Rainbow, Tuen Mun Town Plaza, Hong Kong, 2012
FriendsWithYouHappy Rainbow, Tuen Mun Town Plaza, Hong Kong, 2012

Highly interactive visual art has forged its way into the hearts and minds of the public. This new caliber of art is quirky, but it manages to so effortlessly fuse art, technology, and fashion in a trendy way that has us all captured.

One such collective is run by Samuel Borkson and Arturo Sandoval III, who were born in Florida and Havana respectively. The Los Angeles based duo is more commonly referred to by their moniker, FriendsWithYou. The pair has collaborated since 2002 to produce joyful pieces of work intended to “spread Magic, Luck, and Friendship.

FriendsWithYou brings a flair of kid-friendly fun to any proceeding with its bouncy castles, smiling and at times, glowing celestial bodies, brightly colored balloons and blow up structures. The pair uses a broad range of pop-infused media including extensive experiential installations, sculptures, paintings, playgrounds, published artwork, as well as live performances to exhibit their installations.

The two collaborative artists embrace play while subtly highlighting themes of technological innovation, iconography and religion. Their works challenge the progression of mechanical innovation while effectively juxtaposing human feelings such as delight and gratification. This art is effectively bringing change to how people socially experience places, spaces and other people around them, therefore supplying individuals with an enriching experience every time.

Often, Samuel Borkson and Arturo Sandoval have been aptly described as progenies of Takashi Murakami and Yayoi Kusama. Since their work is so calculatingly playful, it might be difficult for some people to classify it as fine art. Instead, the artists represent their art disguised as bouncy castles or as anthropomorphized items. Recently, the crew introduced the first wave of a virtual reality experience aimed at giving people the opportunity to explore their emotions. For instance, their virtual reality ‘Light Spirit’ piece occurs in a metaphysical plane designed to affect people’s sentiments.

When asked why the size of their installations matter, the pair feels that size is essential as it dwarfs the audience, which helps in cultivating a sense of serenity and peace. At the end of it all, their pieces are intended to inspire emotions such as love, magic, and peace into the hearts of the audience. The pair continues to produce art that creates a blur between reality and imagination. Their focus remains to supply people with an active experience that is also interactive at the same time. So if you feel the need to undergo a calming and delightful experience that makes you yearn for light and love, watch out for the duo’s next installation.

FriendsWithYou - At This is not a toy exhibition Design Exchange - Toronto, 2014 2
FriendsWithYou – at This is not a toy exhibition, Design Exchange, Toronto, Canada, 2014

FriendsWithYou - Super Moon, 2016, Seokchon Lake, Seoul, South Korea
FriendsWithYouSuper Moon, 2016, Seokchon Lake, Seoul, South Korea

FriendsWithYou - Super Moon, 2016, Seokchon Lake, Seoul, South Korea 3
FriendsWithYouSuper Moon, 2016, Seokchon Lake, Seoul, South Korea

FriendsWithYou - Super Moon, 2016, Seokchon Lake, Seoul, South Korea 2
FriendsWithYouSuper Moon, 2016, Seokchon Lake, Seoul, South Korea

FriendsWithYou - Starry Eyes - Inflatable by FriendsWithYou 15 feet H x 10 feet W, 2006
FriendsWithYouStarry Eyes, 2006, inflatable, 15 feet H x 10 feet W

FriendsWithYou - Mafli heads- Inflatable, 8 feet x 8 feet, 2006
FriendsWithYouMafli heads, 2006, inflatable, 8 feet x 8 feet

FriendsWithYou - Starburst, Inflatable Sculpture- Ripstop Nylon, 300 inch diameter, Unique Piece, Brookfield Place Toronto 2013, Photo Ernesto DiStefano 4
FriendsWithYouStarburst, 2011, inflatable sculpture, ripstop nylon, 300 inch diameter, Brookfield Place Toronto, Canada, 2013
Photo: Ernesto DiStefano

FriendsWithYou - Starburst, Inflatable Sculpture- Ripstop Nylon, 300 inch diameter, Unique Piece, Brookfield Place Toronto 2013, Photo Ernesto DiStefano 2
FriendsWithYouStarburst, 2011, inflatable sculpture, ripstop nylon, 300 inch diameter, Brookfield Place Toronto, Canada, 2013
Photo: Ernesto DiStefano

FriendsWithYou - Starburst, Inflatable Sculpture- Ripstop Nylon, 300 inch diameter, Unique Piece, Art Basel Miami Beach 2010
FriendsWithYouStarburst, 2011, inflatable sculpture, ripstop nylon, 300 inch diameter, Art Basel Miami Beach, 2010

FriendsWithYou - Starburst, 2011
FriendsWithYouStarburst, 2011

FriendsWithYou - Somewhere Over the Rainbow, Art Basel Miami, USA, 2013 2
FriendsWithYouSomewhere Over the Rainbow, Art Basel Miami Beach, USA, 2013

FriendsWithYou - Somewhere Over the Rainbow, Art Basel Miami, USA, 2013 1
FriendsWithYouSomewhere Over the Rainbow, Art Basel Miami Beach, USA, 2013

https://vimeo.com/146832545
FriendsWithYouLight Spirit

FriendsWithYou - Rainbow city, Miami Basel 3
FriendsWithYouRainbow city, Art Basel Miami Beach, USA

FriendsWithYou - Rainbow city, Miami Basel 1
FriendsWithYouRainbow city, Art Basel Miami Beach, USA

FriendsWithYou - Rainbow city, Highline
FriendsWithYouRainbow city, Highline, NYC, USA

FriendsWithYou - Rainbow city, Highline 3
FriendsWithYouRainbow city, Highline, NYC, USA

FriendsWithYou - Light Cave, The Standard High Line Plaza, NYC, USA
FriendsWithYouLight Cave, 2014, inflatable, 55ft x 25ft x 14ft, The Standard High Line Plaza, NYC, USA

FriendsWithYou - Light Cave, The Standard High Line Plaza, NYC, USA 4
FriendsWithYouLight Cave, 2014, inflatable, 55ft x 25ft x 14ft, The Standard High Line Plaza, NYC, USA

FriendsWithYou - Light Cave, The Standard High Line Plaza, NYC, USA 3
FriendsWithYouLight Cave, 2014, inflatable, 55ft x 25ft x 14ft, The Standard High Line Plaza, NYC, USA

FriendsWithYou - Light Cave, The Standard High Line Plaza, NYC, USA 2
FriendsWithYouLight Cave, 2014, inflatable, 55ft x 25ft x 14ft, The Standard High Line Plaza, NYC, USA

FriendsWithYou - Light Cave, The Albright-Knox Art Gallery
FriendsWithYouLight Cave, 2014, inflatable, 55ft x 25ft x 14ft, The Albright-Knox Art Gallery, Buffalo, NY, USA

FriendsWithYou - Light Cave, The Albright-Knox Art Gallery 1
FriendsWithYouLight Cave, 2014, inflatable, 55ft x 25ft x 14ft, The Albright-Knox Art Gallery, Buffalo, NY, USA

FriendsWithYou - Light Cave, 2014, inflatable approximately 55ft x 25ft x 14ft, Photo Alyssa Ringler
FriendsWithYouLight Cave, 2014, inflatable, 55ft x 25ft x 14ft
Photo: Alyssa Ringler

FriendsWithYou – Inflatable by FriendsWithYou,
FriendsWithYou – 2006, inflatable, 10 feet x 8 feet

FriendsWithYou - At This is not a toy exhibition Design Exchange - Toronto, 2014
FriendsWithYou at This is not a toy exhibition, Design Exchange, Toronto, Canada, 2014

FriendsWithYou - Wish Come True Festival, Luminato 2010, Toronto, Canada 2
FriendsWithYou – at Wish Come True Festival, Luminato 2010, Toronto, Canada

FriendsWithYou - Wish Come True Festival, Luminato 2010, Toronto, Canada 2
FriendsWithYou – at Wish Come True Festival, Luminato 2010, Toronto, Canada

FriendsWithYou - Wish Come True Festival, Luminato 2010, Toronto, Canada 2
FriendsWithYou – at Wish Come True Festival, Luminato 2010, Toronto, Canada


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Photos of world’s biggest statues taken from unusual angles

Photos of world’s biggest statues taken from unusual angles

Fabrice Fouillet - Colosses - Jibo Kannon Kagaonsen, Japan 73 m (239 ft) Built in 1987
Fabrice FouilletColosses, Jibo Kannon, Kagaonsen, Japan, 73m (239ft), Built in 1987

Through several centuries, there have been different statues erected around the world. These statues vary in sizes and what they represent. Photographer Fabrice Fouillet embarked on a tour to study and take photographs of the biggest and most imposing statues in the world; A project he named Colosses. The project brings about a change in how these monuments are viewed, in other words, the idea of the project is not entirely to capture images of the statues or show off their sizes or the symbol they represent. The project however is to show these figures in the environment they are in and how they fit into the landscape and their connections to their immediate surroundings. Colosses is a study of the landscape in which monuments and commemorative statues are erected, and tends to bring out another perspective from which these symbolic representations can be viewed.

There can be different reasons why statues are erected and these include political, ideological or religious. Most times, statues are erected to keep alive the memory of a person or event and with the passing of the years, the statue will eventually become a symbol for the community.

As the series Colosses is all about the landscapes in which these statues are sited, we get to see the connections these gigantic declarations have with their immediate environment. A lot of statues were erected around the world in the 1990s with many of them located in Asia. Right now the world’s highest statue is undergoing construction in India and it will go as high as 182 meters which will be almost twice the size of the statue of liberty.

For this project, Fouillet took photographs of the statues outside their surroundings totally detaching them from their natural environment thereby giving a wider view and perspective to how these huge monuments fit into the landscape. He captures the monuments from a perspective we don’t usually get to see every day. Some of these monuments include the Dai Kanon in Sendai, Japan which he framed from a few blocks away. Christ the King monument in Swiebudzin, Poland was framed from behind. For some of the monuments, Fouillet shoots wide enough to capture the details of the things in the environment of these looming monoliths. For example, in the image of the Grand Byakue Kannon in Takazai, Japan, there is a Coca-Cola machine just down the hill away from the monument. According to Fouillet, his intention is to take out the monument from its regular touristic and religious setting which we are already used to.

So far, the project has spanned through ten countries and Fouillet thinks the project would not be complete if he does not capture the monument of Genghis Kahn riding on horseback which is located on the banks of the Tuul River in Mongolia and the Sardar Patel statue which is under construction in India. For the biggest statue in the world at the moment, the Spring Temple Buddha in Henan, China, Fouillet said he was unable to find a satisfying angle.

Fabrice Fouillet - Colosses - African Renaissance Monument Dakar, Senegal 49 m (161 ft) Built in 2010
Fabrice FouilletColosses, African Renaissance Monument, Dakar, Senegal, 49m (161ft), Built in 2010

Fabrice Fouillet - Colosses - Alyosha Monument Murmansk, Russia 35.5 m (116.5 ft) Built in 1974
Fabrice FouilletColosses, Alyosha Monument, Murmansk, Russia 35.5 m (116.5 ft), Built in 1974

Fabrice Fouillet - Colosses - Amitabha Buddha Ushiku, Japan 110 m (360 ft) Built in 1993
Fabrice FouilletColosses, Amitabha Buddha, Ushiku, Japan, 110m (360ft), Built in 1993

Fabrice Fouillet - Colosses - Ataturk Mask Buca, Izmir, Turkey 40 m (132 ft) Built in 2009
Fabrice FouilletColosses, Ataturk Mask, Buca, Izmir, Turkey, 40m (132ft), Built in 2009

Fabrice Fouillet - Colosses - Christ Blessing Manado, Indonesia 30 m (98.5 ft) Built in 2007
Fabrice FouilletColosses, Christ Blessing, Manado, Indonesia, 30m (98.5ft), Built in 2007

Fabrice Fouillet - Colosses - Christ the King Świebodzin, Poland 36 m (120 ft) Built in 2010
Fabrice FouilletColosses, Christ the King Świebodzin, Poland, 36m (120 ft), Built in 2010

Fabrice Fouillet - Colosses - Dai Kannon Sendai, Japan, 100m (330 ft) Built in 1991
Fabrice FouilletColosses, Dai Kannon, Sendai, Japan, 100m (330 ft), Built in 1991

Fabrice Fouillet - Colosses - Grand Bouddha Sakayamunee. Ang Thong, Thailande 92 m (301 ft) Built in 2008
Fabrice FouilletColosses, Great Buddha of Thailand, Ang Thong, Thailand, 92m (301ft), Built in 2008

Fabrice Fouillet - Colosses - Grand Byakue Takazaki, Japan 42 m (137 ft) Built in 1936
Fabrice FouilletColosses, Grand Byakue, Takazaki, Japan, 42m (137ft), Built in 1936

Fabrice Fouillet - Colosses - Guan Yu Statue Yuncheng, China 80 meters (262 ft) Built in 2010
Fabrice FouilletColosses, Guan Yu Statue, Yuncheng, China, 80m (262ft), Built in 2010

Fabrice Fouillet - Colosses - Guanyin Foshan, China 62 m (203 ft) Built in 1998
Fabrice FouilletColosses, Guanyin, Foshan, China, 62m (203ft), Built in 1998

Fabrice Fouillet - Colosses - Laykyun Setkyar Monywa, Myanmar 116 m (381 ft) Built in 2008
Fabrice FouilletColosses, Laykyun Setkyar Monywa, Myanmar, 116m (381ft), Built in 2008

Fabrice Fouillet - Colosses - Mao Zedong Changsha, China, 32 m (105 ft), Built in 2009
Fabrice FouilletColosses, Mao Zedong, Changsha, China, 32m (105ft), Built in 2009

Fabrice Fouillet - Colosses - Mother of the Fatherland. Kiev, Ukraine, 62 m (203 ft). Built in 1981
Fabrice FouilletColosses, Mother of the Fatherland, Kiev, Ukraine, 62m (203ft), Built in 1981

Fabrice Fouillet - Colosses - The Motherland Call. Volgograd, Russia 87 m (285 ft) Built in 1967
Fabrice FouilletColosses, The Motherland Call, Volgograd, Russia, 87m (285ft), Built in 1967


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See the city through new eyes when colorfully dressed people stack on top of each other

See the city through new eyes when colorfully dressed people stack on top of each other

Willi Dorner – Bodies in Urban Spaces
Willi DornerBodies in Urban Spaces

“Bodies in Urban Spaces” by Willi Dorner is an example of when art comes to life, it is a trail that is ever changing, choreographed specifically for a group of dancers. The dances bring the art to life and take the audience through selected parts of public and semi-public spaces. What the audience experiences is the corporeal elements of a chain of physical interventions that are set up very quickly and briefly, as their existence is only temporary, thus allowing the audience to perceive a space in a completely different way through brand new eyes.

The special quality of each place at various times of the day creates unique presentations. The purpose is to emphasize urban functional structure while also serving to “uncover the restricted movement possibilities and behavior as well as rules and limitations.”

Willi Dorner does this by placing the bodies in specific places in which his interventions serve to provoke a cognitive process and produce the emotional reaction of irritation. The performers bodies, skillfully choreographed by the artist invokes a sense of awe and somewhat disbelief in the audience, as the bodies contort into each other, similar to the non-biological structures we see in the urban settings. Individuals who pass by this work of art, can reflect upon their urban surrounding in addition to their own behavior and habits. What the audience sees is a mouthful, however, most are too stunned or left at a loss of words as they see the brutal beauty yet complicated frustration of the living piece. “Bodies in urban spaces” encourages local residents to play the part of the audience and walk though their own city in order to facilitate a stronger relationship to their neighborhood, or their region. It doesn’t only make people see space differently, but their own place within that space on a deeper level.

Willi Dorner – Bodies in Urban Spaces
Willi DornerBodies in Urban Spaces

Willi Dorner – Bodies in Urban Spaces
Willi DornerBodies in Urban Spaces

Willi Dorner – Bodies in Urban Spaces
Willi DornerBodies in Urban Spaces

Willi Dorner – Bodies in Urban Spaces
Willi DornerBodies in Urban Spaces

Willi Dorner – Bodies in Urban Spaces
Willi DornerBodies in Urban Spaces

Willi Dorner – Bodies in Urban Spaces
Willi DornerBodies in Urban Spaces

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Is this bus falling off a roof?

Is this bus falling off a roof?

Richard Wilson - Hang On A Minute Lads... Ive Got A Great Idea - Peninsula Hotel, Hong Kong, 2015 - Day time - 1
Richard WilsonHang On A Minute Lads… Ive Got A Great Idea, full-sized 11 meters replica coach, 2015, Peninsula Hotel, Hong Kong

The sculptural installation by Richard Wilson titled Hang On A Minute Lads, I’ve Got a Great Idea showcases a full-sized replica of a old-fashioned twin-axel Harrington Legionnaire coach that looks as if it is teetering precariously on the edge threatening to fall off The Peninsula’s seventh-floor.

The sculpture was inspired by classic 1969 British heist movie ‘The Italian Job’. The dynamic sculpture weighs six tons at its core, and uses hydraulic equipment that is makes the coach rock by up to 12 degrees at random periods, making it seem that the coach could very well plunge of the ledge to the ground at any moment from. The installation draws onlookers’ attention to the hotel’s distinctive architecture, serving to highlight and accent the building in different and unanticipated ways.

Seeing the piece causes onlookers a surge of adrenaline- and rightfully so, seeing such a large vehicle perched “insecurely” (no fear, it is secure) and seemingly unsteadily should bring everyone a hint of that natural fight or flight reaction. Once the shock associated with the spectacle subsides you can embrace the creativity, the unique building designer, and the contrast between the coach and the hotel in what is undoubtedly awe.

This project was a collaboration between Richard Wilson, The Royal Academy and the Peninsula Hotel, Hong Kong. The Peninsula Hong Kong is a historic and well-known hotel. The Royal Academy is an artist-led organization, with an emphasized focus on presenting British artists and architects abroad.

About Richard Wilson

Richard Wilson, born 1953, is one of Britain’s most renowned sculptors. He is internationally celebrated for his interventions in architectural space, which draw heavily for their inspiration from the worlds of engineering and construction.

Richard Wilson - Hang On A Minute Lads... Ive Got A Great Idea - Peninsula Hotel, Hong Kong, 2015 - Night time
Richard WilsonHang On A Minute Lads… Ive Got A Great Idea, full-sized 11 meters replica coach, 2015, Peninsula Hotel, Hong Kong

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Massive 8min explosive performance made citizens call the police

Massive 8min explosive performance made citizens call the police

Cai Guo-Qiang - Elegy (Explosion Event), The Ninth Wave at Huangpu riverfront of the Power Station of Art, Shanghai, China

Cai Guo-QiangElegy, chapter one of Elegy: Explosion Event for the opening of Cai Guo-Qiang: The Ninth Wave, realized on the riverfront of the Power Station of Art, Shanghai, China, 5:00 p.m., August 8th, 2014, approximately 8 minutes

Cai Guo-Qiang is a New York based artist and one of the furthermost celebrated contemporary artists originating from China. He is known for a remarkable new kind of fireworks spectacles which he calls “explosion events.” He has taken gunpowder, one of China’s Four Great Inventions and led the way in a new impressive form of art that is substantial and metaphorical. His fireworks represent nature, culture, life, and death.

Cai’s captivation with pyrotechnics had origins in weaponry and physics, evolving into an affinity with traditional Chinese brush painting. Thus the violent explosions are transformed into a tool of art, creating a masterpiece in the sky, a masterpiece that only has a short lifetime, and fades away. Cai’s daytime “explosion events,” intimates classical brush painting. Cai involves organic vegetable dyes as opposed to just gunpowder, the smoke from these “explosion events” gradually blurs in the air almost as ink from a brush stroke is absorbed by rice paper in traditional painting. His daylight skywriting signifies his deep traditionalism and his modernism all at once.

Cai’s work in front of the Power Station of Art in Shanghai, China is eight minutes of colors filing the sky, in a ritualistically sincere elucidation of the ‘death of nature’. The show personifies the natural world with remembrance, looking back on the past and the transitory nature of time through a display of colorful smoke. The smoke fades away until nothing is left, no reminiscence of the beauty that once was, just like everything that exists in nature.

The police asked the artist not to publicize the event to prevent traffic problems. The fireworks left many people clueless, thinking that the massive, yellow and black-and-green clouds were the toxic results of a serious accident. Aware of recent, non-artistic explosions (factory in Jiangsu, gas pipes in Kaohsiung), widely publicized in the Chinese media, concerned locals started calling the police.

Cai Guo-Qiang - Elegy (Explosion Event), The Ninth Wave at Huangpu riverfront of the Power Station of Art, Shanghai, China
Cai Guo-QiangElegy, chapter one of Elegy: Explosion Event for the opening of Cai Guo-Qiang: The Ninth Wave, realized on the riverfront of the Power Station of Art, Shanghai, China, 5:00 p.m., August 8th, 2014, approximately 8 minutes

Cai Guo-Qiang - Elegy (Explosion Event), The Ninth Wave at Huangpu riverfront of the Power Station of Art, Shanghai, China
Cai Guo-QiangElegy, chapter one of Elegy: Explosion Event for the opening of Cai Guo-Qiang: The Ninth Wave, realized on the riverfront of the Power Station of Art, Shanghai, China, 5:00 p.m., August 8th, 2014, approximately 8 minutes

Cai Guo-Qiang - Elegy (Explosion Event), The Ninth Wave at Huangpu riverfront of the Power Station of Art, Shanghai, China
Cai Guo-QiangElegy, chapter one of Elegy: Explosion Event for the opening of Cai Guo-Qiang: The Ninth Wave, realized on the riverfront of the Power Station of Art, Shanghai, China, 5:00 p.m., August 8th, 2014, approximately 8 minutes

Cai Guo-Qiang - Elegy (Explosion Event), The Ninth Wave at Huangpu riverfront of the Power Station of Art, Shanghai, China
Cai Guo-QiangElegy, chapter one of Elegy: Explosion Event for the opening of Cai Guo-Qiang: The Ninth Wave, realized on the riverfront of the Power Station of Art, Shanghai, China, 5:00 p.m., August 8th, 2014, approximately 8 minutes

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Dog pees on prestigious Californian art collection

Dog pees on prestigious Californian art collection

Richard Jackson - Bad Dog, 2013 - Orange County Museum of Art (OCMA) - 1
Richard JacksonBad Dog, 2013

As part of his retrospective at the Orange County Museum of Art, Richard Jackson has installed Bad Dog, a giant temporary sculpture of a black labrador “urinating” yellow paint onto the side of the museum. It was an immediate hit. Crowds flocked to see it, and it quickly gained notoriety among both the local community and the art world. Accessible, vibrant, and playful, the work has widely achieved Jackson’s main intention: to make the viewer laugh.

The piece calls into question the role of humor in art, and can be seen as a self-reflexive commentary on the state of elitism and exclusivity in the art museum world.

“Bad Dog” lasted the duration of Jackson’s exhibition “Ain’t Painting a Pain”, before it toured Europe.

About Richard Jackson

Richard Jackson (born 1939) has been a pre-eminent figure on the American art scene since the 70s and is influenced by both by abstract expressionism and action painting.

Richard Jackson - Bad Dog, 2013 - Orange County Museum of Art (OCMA) - 2
Richard JacksonBad Dog, 2013

Richard Jackson - Bad Dog, 2013 - Orange County Museum of Art (OCMA) - 3
Richard JacksonBad Dog, 2013

Richard Jackson - Bad Dog, 2013 - Orange County Museum of Art (OCMA)
Richard JacksonBad Dog, 2013

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Why are hundreds of shirts flying in the air?

Why are hundreds of shirts flying in the air?

Kaarina-Kaikkonen-Hanging-Clothes-Helsinki
Kaarina Kaikkonen – Helsinki, Finland

Kaarina Kaikkonen is an artist best known for creating sculptural works using recycled materials, notably second-hand clothing seen in her memorable jacket installations. The environment is incorporated into these installations in some way, resulting in a beautiful, colorful cloth landscape. Each garment individually tells a story as an extension of its past wearer, and as a group they come together to create a history and visual retelling of their space.

About Kaarina Kaikkonen

Kaarina Kaikkonen (b. 1952) began as a painter, but has become known as a sculptor who shapes the urban landscape and makes installations emphasizing the sense of community. Kaikkonen studied at the Finnish Academy of Fine Arts School in 1978-1983. Kaikkonen’s first installation was on display in Helsinki in 1988. In Finland, one of her most famous works is the Way -installation, which she built on the steps of Helsinki Cathedral in 2000.

Kaarina Kaikkonen - Networking, 2009 - Piazza Calderini, Bologna, Italy
Kaarina KaikkonenNetworking, 2009 – Piazza Calderini, Bologna, Italy

Kaarina Kaikkone - Prato contemporanea - Crossing Borders - 1
Kaarina Kaikkonen – Prato contemporanea – Crossing Borders, 2014, Firenze, Italy

Kaarina Kaikkone - Prato contemporanea - Crossing Borders - 2
Kaarina Kaikkonen – Prato contemporanea – Crossing Borders, 2014, Firenze, Italy

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Public Delivery

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