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Why are hundreds of shirts flying in the air?

Why are hundreds of shirts flying in the air?

Kaarina-Kaikkonen-Hanging-Clothes-Helsinki
Kaarina Kaikkonen – Helsinki, Finland

Kaarina Kaikkonen is an artist best known for creating sculptural works using recycled materials, notably second-hand clothing seen in her memorable jacket installations. The environment is incorporated into these installations in some way, resulting in a beautiful, colorful cloth landscape. Each garment individually tells a story as an extension of its past wearer, and as a group they come together to create a history and visual retelling of their space.

About Kaarina Kaikkonen

Kaarina Kaikkonen (b. 1952) began as a painter, but has become known as a sculptor who shapes the urban landscape and makes installations emphasizing the sense of community. Kaikkonen studied at the Finnish Academy of Fine Arts School in 1978-1983. Kaikkonen’s first installation was on display in Helsinki in 1988. In Finland, one of her most famous works is the Way -installation, which she built on the steps of Helsinki Cathedral in 2000.

Kaarina Kaikkonen - Networking, 2009 - Piazza Calderini, Bologna, Italy
Kaarina KaikkonenNetworking, 2009 – Piazza Calderini, Bologna, Italy

Kaarina Kaikkone - Prato contemporanea - Crossing Borders - 1
Kaarina Kaikkonen – Prato contemporanea – Crossing Borders, 2014, Firenze, Italy

Kaarina Kaikkone - Prato contemporanea - Crossing Borders - 2
Kaarina Kaikkonen – Prato contemporanea – Crossing Borders, 2014, Firenze, Italy

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Stonehenge has never been this much fun: Inflated & bouncy

Stonehenge has never been this much fun: Inflated & bouncy

Jeremy Deller - Sacrilege, in West Kowloon Cultural District Promenade, Hong Kong
Jeremy DellerSacrilege, in West Kowloon Cultural District Promenade, Hong Kong

Sacrilege is a life-sized, inflatable replica of Stonehenge, the British heritage and pagan site and popular tourist attraction. It is a bouncy castle, an interactive inflatable pillow that viewers may walk and jump on. It is an energetic, humorous work that Jeremy Deller describes as a way to get reacquainted with ancient Britain with your shoes off. It is a touring project visiting 33 sites across the UK and launched at the Glasgow International Festival of Visual Art.

Jeremy Deller - Sacrilege, in Heartlands, Cornwall (UK)
Jeremy DellerSacrilege, in Heartlands, Cornwall (UK)

Jeremy Deller - Sacrilege, in Hong Kong, West Kowloon Cultural District Promenade
Jeremy DellerSacrilege, in West Kowloon Cultural District Promenade, Hong Kong

Jeremy Deller - Sacrilege, in West Kowloon Cultural District Promenade, Hong Kong
Jeremy DellerSacrilege, in West Kowloon Cultural District Promenade, Hong Kong

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Profane messages hammered into rocks in stunning scale

Profane messages hammered into rocks in stunning scale

Wim Delvoye - Sweetheart, 2003
Wim DelvoyeSweetheart, 2003

With the advancement of technology, delivering messages has never been this easy. All we do is create emails, text messages and even twitter posts, and it’s just a click away! Except for the Belgian artist who puts great effort in delivering such message, Wim Delvoye.

Delvoye, puts an iconic work of art by inscribing messages on mountains in a massive scale. Just a simple message, he puts a great effort of putting reminders beyond the ordinary. Instead of painting a canvas to put out his creativity, he sets out a statement by making an effort to connect with nature.

Come to think of it, he sets out a message to everyone by being aware that each significant human experience correlates with the forces of nature.

Wim Delvoye - Waited Till 9
Wim DelvoyeWaited Till 9

Wim Delvoye - Rude but Cute
Wim DelvoyeRude but Cute, 2000

Wim Delvoye - Walking the Dog
Wim DelvoyeOut Walking the Dog, 2000

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Complete castle covered with photorealistic print

Complete castle covered with photorealistic print

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

Bettina Pousttchi is a German-Iranian artist, living and working in Berlin. She works equally in the field of media, photography, video and sculpture, often involving architecture in urban and historical contexts. Her exhibition at the Städtische Galerie Wolfsburg is a site-specific photo installation called “The City”: an artwork covering the façade of the city’s castle. This work is a reference to the history of the 20th century planned city Wolfsburg.

Working on architecture about architecture allows for an artistic practice between architecture, sculpture, and photography. It is a different way to materialize a photographic file and to bring back the digital to the physical world.

Castle of Wolfsburg
The northern wing of the castle before the renovation (photo by Städtische Galerie Wolfsburg)

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

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Entire museum buildings covered by jute sack

Entire museum buildings covered by jute sack

Ibrahim Mahama - Untitled (K.N.U.S.T.)
Ibrahim MahamaUntitled (K.N.U.S.T.), 2013 (Detail), Jute coal sacks, dimensions Variable

Ibrahim Mahama is an artist born and working with Ghana. His installation works using Jute sacks (reappropriated material he has purchased from markets, which were first cocoa sacks and then coal sacks) are the result of his investigation of the conditions of supply and demand in African markets. Torn, patched, stamped with PRODUCT OF GHANA, and written over with owners’ names, the bags are variously marred, marked, and transformed. These installations are displayed in Ghanaian markets as well as galleries, thus defying the artifacts’ intrinsic value system. Ibrahim uses the coal sacks as a device to explore process, material, value, and meaning. He creates an artistic vision out of a commonplace material, repurposing them and exhibiting them in the very marketplaces from which they came.

Ibrahim Mahama - Installation at Accra’s National Theatre, Central Ghana
Ibrahim Mahama – Installation at Accra’s National Theatre, Ghana

Ibrahim Mahama - Installation at Accra’s National Theatre
Ibrahim Mahama – Installation at Accra’s National Theatre, Ghana

Ibrahim Mahama - Civil Aviation, Airport. Accra, Ghana, 2014
Ibrahim MahamaCivil Aviation, Airport. Accra, Ghana, 2014

Ibrahim Mahama - Civil Occupation, 2014, Jute coal sacks, Installation view
Ibrahim MahamaCivil Occupation (installation view), 2014, Jute coal sacks

Ibrahim Mahama - Juli Baw, 2015, Coal sacks, dye sack with makins and creen print, 548 x 767 cm
Ibrahim MahamaJuli Baw, 2015, Coal sacks, dye sack with makins and creen print, 548 x 767 cm

Ibrahim Mahama - K.N.U.S.T Library. Occupation and labour. Kumasi, Ghana, 2014
Ibrahim MahamaK.N.U.S.T Library. Occupation and labour. Kumasi, Ghana, 2014

Ibrahim Mahama - Untitled
Ibrahim Mahama – Untitled, Jute coal sacks, dimensions Variable

Ibrahim Mahama - Markings and body on coal sacks
Ibrahim Mahama – Markings and body on coal sacks

Ibrahim Mahama - Nyhavn Kaplang. Installation View, Kunsthal Charlottenborg, Denmark
Ibrahim MahamaNyhavn Kaplang (installation view), Kunsthal Charlottenborg, Denmark
Photo by Anders Sune Berg

Ibrahim Mahama - Nyhavn Kaplang. Installation View, Kunsthal Charlottenborg, Denmark
Ibrahim MahamaNyhavn Kaplang (installation view), Kunsthal Charlottenborg, Denmark
Photo by Anders Sune Berg

Ibrahim Mahama - Nyhavn Kaplang. Installation View, Kunsthal Charlottenborg, Denmark
Ibrahim MahamaNyhavn Kaplang (installation view), Kunsthal Charlottenborg, Denmark
Photo by Anders Sune Berg

Ibrahim Mahama - Out of Bounds (detail), 2015, Venice Biennale
Ibrahim MahamaOut of Bounds (detail), 2015, Venice Biennale, Italy

Ibrahim Mahama - Out of Bounds (Installation view), 2015, 56th Venice Biennale
Ibrahim MahamaOut of Bounds (installation view), 2015, Venice Biennale, Italy

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Parisian Art on the Loose

Parisian Art on the Loose

Etienne Lavie - <em>Le Songe
Etienne LavieLe Songe

Why visit a museum if you can just roam around the streets of Paris just to appreciate art?
Through the hustle and bustle of the streets in Paris, it’s not hard to notice such unique placement of the classical French paintings, namely, La Liberté guidant le peuple by Eugène Delcacroix, Souvenir de Mortefontaine by Jean-Baptiste-Camille Corot, and Le sommeil d’Endymion by Anne-Louis Girodet,.

OMG, Who Stole My Ads? : An interesting campaign series by turning billboards and other advertisements in to classical paintings brought by the mind of Etienne Lavie. It’s not a misplaced art, it’s a work of art. It’s a way of paying attention to what surrounds you by just taking a pause, and appreciate the beauty around you. Rather than the usual persuasion of ads, these French classic paintings, replaces an inspiration and a cultural immersion for everyone.

Etienne Lavie - Gabrielle1
Etienne LavieGabrielle1

Etienne Lavie - Immaculee
Etienne LavieImmaculee

Etienne Lavie - Liberté
Etienne LavieLiberté

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Artificial lake installed on top of museum

Artificial lake installed on top of museum

Gelitin – Normally, Proceeding and Unrestricted With Without Title

Gelitin – Normally, Proceeding and Unrestricted With Without Title
Gelitin – Normally, Proceeding and Unrestricted With Without Title

Starting a rainy day, a day filled with grey shades, feels empty but it will slowly fade.

Nothing but a monotone day is the first impression in the city of London. But with such gloomy ambiance, comes an experience, a life where beauty lies in every aspect. That beauty is art. It is when you enter a different world, appreciating such fine intricacy with a colorful explanation, its secrecy, the intimacy and the mystery behind the piece of work: The Gelitin – Normally, Proceeding and Unrestricted With Without Title.

The voyage around the Hayward buildings give you an art adventure, having to merely roam around like it was an artist’s playground. Not knowing what’s next and what surprises you in the end. There lies a pond, where you can bring back your childhood memory of riding a boat in a bizarre architectural art, filled with amusement comes an immersing experience of appreciation. That’s beauty, where a day is filled with shades of grey that turns its meaningless ambiance to countless appreciation and vibrant elucidation with familiarity in art.

About Gelitin

Gelitin is an Austrian artist collective and comprised of four artists. They met first in 1978 when they all attended a summer camp. They have been playing and working together. 1993 they began exhibiting internationally.

Gelitin - Normally, Proceeding and Unrestricted With Without Title

Gelitin - Normally, Proceeding and Unrestricted With Without Title

Gelitin - Normally, Proceeding and Unrestricted With Without Title

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