Archive: sculpture
Bridging cultures with influential sculptures & furniture

Bridging cultures with influential sculptures & furniture

Isamu Noguchi - Red Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA 1

Isamu Noguchi - Red Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA 1
Isamu NoguchiRed Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA

A walk through Japan reveals the close correlation between nature and aesthetics. Amid the natural setup are works of art that remind everyone about the history, beliefs and affiliations of the Japanese people. The modern art concept of creating spectacular pieces to create an art park is becoming rather common owing to the pioneer work of artists like Isamu Noguchi. Having been an artist for 60 years, he has helped shape the aesthetic and cultural appearance of Japan and the US through the creation of sculpture parks. Even in death, Noguchi is still recognized for his artwork on furniture, gardens, ceramics and architecture. Although considered subtle and bold during his time, his work is now the standard for modern and expressionist art.

Owing to his mixed heritage, Isamu Noguchi was an internationalist and it is during his travels that he picked up the inspiration to express himself in sculptures. His inspiration for large scale sculpture works with a story actually came from Mexico. He would then incorporate Japanese tranquil garden and earthy ceramic setup as well as the Chinese light ink brushing technique into his work. As one would imagine, what he created from bringing together these different aspects was epic creativity. Once he had settled in his trade, he would maintain studios in New York and Japan, perhaps to declare allegiance to his roots. The works of Isamu Noguchi are evidently aimed at enhancing harmony in human coexistence. The blend of Western and Eastern cultures, modern and traditional life, organic and geometric alignment of nature are some of the efforts Isamu Noguchi made to create tranquility in his work.

Isamu Noguchi - Red Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA 2
Isamu NoguchiRed Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA

Isamu Noguchi - Red Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA 3
Isamu NoguchiRed Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA

Isamu Noguchi - Octetra, High Museum of Art, Atlanta, USA
Isamu NoguchiOctetra, High Museum of Art, Atlanta, USA

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Attractive & repulsive – Detailed models of cathedral-like trucks

Attractive & repulsive – Detailed models of cathedral-like trucks

Wim Delvoye - Caterpillar nr. 5, Beaufort Triennial, Middelkerke, Westende, Belgium

Wim Delvoye - Caterpillar nr. 5, Beaufort Triennial, Middelkerke, Westende, Belgium
Wim DelvoyeCaterpillar nr. 5, at Beaufort Triennial, Middelkerke, Westende, Belgium

Wim Delvoye is a neo-conceptual artist that is well known for his innovative and sometimes out-of-the-box projects. He connects the attractive and the repulsive in an effortless way, creating works that are inherent contradictions. When you see his pieces for the first time, you almost feel repulsed, then seduced, and finally held in awe of his craftsmanship and aesthetic.

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Unpredictable paintings on walls inside of museums

Unpredictable paintings on walls inside of museums

Karina Smigla-Bobinski - ADA, 2010, Garage Museum of Contemporary Art in Moscow, Russia, 2013

Karina Smigla-Bobinski - ADA, 2010, Garage Museum of Contemporary Art in Moscow, Russia, 2013
Karina Smigla-BobinskiADA, 2010, Garage Museum of Contemporary Art, Moscow, Russia, 2013

ADA, a kinetic sculpture by Karina Smigla-Bobinski, stands out for being interactive and unpredictable; Imagine a giant ball that is filled with helium gas and its surface covered with charcoal spikes. The helium causes the ball to be suspended in the air and the charcoal sticks provide grips and a medium with which to create art.

Through numerous exhibitions ADA is getting immense attention from visitors and the best part is, you do not have to be an artist yourself to enjoy the experience. Visitors get to push the ball which moves freely in space because it is not attached to anything and as the ball comes into contact with the surrounding walls, the charcoal sticks draw ambiguous lines on them. The result of what is drawn is never predictable and it is perhaps this feeling of suspense that keeps visitors coming back.

ADA is a transparent globe that resembles a molecular hybrid. The helium inside it and the hedgehog like surface give it an autonomous bounce from wall to wall. The ball is covered with 300 charcoal sticks with a spacing of 10 inches from one another. The technique behind it was developed by Smigla-Bobinski purposely for this art piece. Moving the ball to create patterns on the wall is interesting but what is even more enjoyable to do is to watch as people try to control the ball with their weight.

While the charcoal sticks come into contact with the white walls, every stroke is unique because of the direction in which the ball is thrust, the force applied, the level to which it is bent and the angle of contact with the wall. You will be frustrated if you approach this activity with intelligence so visitors are advised to just flow with the energy of the ball as their energy floats with it.

The artist Smigla-Bobisnki might never fully understand the therapeutic nature of what she had created but here is a canvas that was started by an expert and is being completed by anyone who has the interest and time to play with a floating ball of helium.

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Karina Smigla-Bobinski - ADA, 2010, The Lowry, Manchester, UK, 2015
Karina Smigla-BobinskiADA, 2010, The Lowry, Manchester, UK, 2015

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Karina Smigla-Bobinski - ADA, 2010, Garage Museum of Contemporary Art in Moscow, Russia, 2013
Karina Smigla-BobinskiADA, 2010, Garage Museum of Contemporary Art, Moscow, Russia, 2013

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Video

https://www.youtube.com/watch?v=qSjajlm3Bk0


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Colorful artwork in Las Vegas desert

Colorful artwork in Las Vegas desert

Ugo Rondinone - Seven Magic Mountains Las Vegas, Nevada, 2016
Ugo RondinoneSeven Magic Mountains Las Vegas, Nevada, 2016

Seven Magic Mountains by Swiss artist Ugo Rondinone sits comfortably in the desert south of Las Vegas in Nevada. The colossal work is made up of seven towering sculptures of stones weighing up to a ton each. The huge limestone boulders are stacked on top of one another. Each tower is made up of three to six stones and each stone has a specific colour with each stack standing as high as 9 to 10.5 meters. Seven Magic Mountains is now one of the largest land-based art installations in the United States in the last 40 years.

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Artist mocks Koons highest priced work using garbage bags

Artist mocks Koons highest priced work using garbage bags

Gimhongsok - Canine Construction, 2009, bronze
GimhongsokCanine Construction, 2009, 164x231x90cm

This Canine Construction by South Korean artist, Gimhongsok is one that anyone would fall in love with, coupled with the enigmatic quality it has. This work is the sculpture of a dog remains one of the artist’s most well-known works in recent times. The creation involved using garbage bags, balloons, cardboard boxes, all assembled with expensive materials like resin.

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Would you pay $58m for this shiny dog?

Would you pay $58m for this shiny dog?

Jeff Koons - Balloon Dog (Orange), executed in 1994-2000

Jeff Koons - Balloon Dog (Orange), executed in 1994-2000
Jeff KoonsBalloon Dog (Orange), executed in 1994-2000, mirror-polished stainless steel with transparent color coating, 307 x 363 x 114cm, one of five unique versions (Blue, Magenta, Orange, Red, Yellow)
Sold at Christie’s in 2013 for US$ 58,405,000

The Balloon Dog by Jeff Koons is a work of art that is about celebration for different purposes and times; A simple artwork which in its elegance would evoke a cheery scream from children if showcased at a children’s party. The Balloon Dog sculpture is made from very simple materials – stainless steel and covered with different colours: blue, magenta, orange, red and yellow. There was nothing left out of the creation even though it stands ten feet and weighs a ton. The artwork looks like a balloon twisted to shape to form a dog.

The Balloon Dog was a part of Jeff Koon’s well-known Celebration series from the early 1990s. It has been exhibited all around the world and these sculptures have been sold at huge amounts of money at different auctions. Koons said he only wanted to create a piece that showed the joys of having a celebration when he created the sculpture. As much as his own ideals were different, his work, the Balloon Dog has gone on to make him the creator of the most expensive artwork sold at auction by a living artist. Each edition of the series has sold for a different price at different times but the one that sold at the highest amount of money remains the Balloon Dog (Orange) which sold for $58,405,000 in November 2013, the highest ever paid for a piece of art by a living artist at auction anywhere in the world.

The Balloon Dog (Orange) has a very beautiful colour on a giant swollen body that has a reflective surface. This sculpture depicts weightlessness despite its huge size and heavy weight of one ton. The balloon form was made while paying utmost attention to precise details. There is a knot which serves as the nose, the twists and crimps that show the limbs are well placed and the dog’s tail which is erect and yet looks like rubber. The artist is known for making use of exact standards in his work and the Balloon Dog (Orange) is not an exception. This faultless and flawless creation is admired and loved by the audience. As much work was put into this work of art, the result is an extraordinarily beautiful sculpture which is pleasing to the eyes and makes it an enjoyable sight to behold.

Jeff Koons - Balloon Dog (Orange), 1994-2000 mirror-polished stainless steel with transparent color coating, Christie’s, NYC
Jeff KoonsBalloon Dog (Orange), executed in 1994-2000, mirror-polished stainless steel with transparent color coating, 307 x 363 x 114cm, one of five unique versions (Blue, Magenta, Orange, Red, Yellow), Christie’s, NYC, USA
Sold at Christie’s in 2013 for US$ 58,405,000

Jeff Koons - Balloon Dog (Orange), 1994-2000 mirror-polished stainless steel with transparent color coating, The Brant Foundation Art Study Center, Greenwich, Connecticut
Jeff KoonsBalloon Dog (Orange), executed in 1994-2000, mirror-polished stainless steel with transparent color coating, 307 x 363 x 114cm, one of five unique versions (Blue, Magenta, Orange, Red, Yellow), The Brant Foundation Art Study Center, Greenwich, Connecticut, USA
Photo: Tom Powel Imaging

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20 tons of incense ash to create 5m statue

20 tons of incense ash to create 5m statue

Zhang Huan - Sydney Buddha, 2015, aluminum, 5m height, Carriageworks, Sydney, Australia

Zhang Huan - Sydney Buddha, 2015, aluminum, 5m height, Carriageworks, Sydney, Australia 1
Zhang HuanSydney Buddha, left: Aluminium Buddha, 370x290x260cm, right: Ash Buddha, 350x480x290cm, Carriageworks, Sydney, Australia, 2015

Zhang Huan, born in 1965, started out his career as a painter and then moved to performance art and then resorted back to painting. He is also a sculptor and photographer, but his main focus is being a performance artist. Throughout his career, he has made extensive use of ash, and even built a few sculptures with it. Zhang says that he considers ash to be symbolic as it represents the hopes and the prayers of those who usually burn the incense. To him, the ash sculptures represent collective blessing, memory, and soul of the Chinese people. The ash is collected from various temples in Shanghai, a time-consuming process that involves many hands.

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