Archive: painting
The exhibition of the year? Giacometti / Bacon at Fondation Beyeler

The exhibition of the year? Giacometti / Bacon at Fondation Beyeler

Installation view of Bacon - Giacometti at Fondation Beyeler, L Homme qui marche by Alberto Giacometti along other works 1
Installation view of BaconGiacometti at Fondation Beyeler, L Homme qui marche by Alberto Giacometti among other works, 2018
Photo: Public Delivery

The Fondation Beyeler sheds light on the exciting relationship between Alberto Giacometti and Francis Bacon. Both artists have created impressive works, which are now among the most expensive artworks.

The age difference between the older Giacometti and Bacon is eight years. Even before meeting him in person, the younger artist worshipped Bergell as “the greatest draughtsman of all time”. Later he was to say that Giacometti was the man who influenced him more than anyone else. Giacometti, on the other hand, was fascinated by the irrepressible energy in the art of Bacon. In addition to Bacon’s portraits, his own portraits would appear more prudish, says Giacometti.

The exhibition includes key works and is supplemented by rarely shown works by both artists, some of which have never before been shown to the public before. A multimedia room offers spectacular insight into the studios of both artists.

Installation view of Bacon - Giacometti at Fondation Beyeler

Installation view of BaconGiacometti at Fondation Beyeler
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Francis Bacon - Triptych Inspired by the Oresteia of Aeschylus, 1981, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm) installation view
Francis BaconTriptych Inspired by the Oresteia of Aeschylus, 1981, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
Photo: Public Delivery

Francis Bacon - Triptych Inspired by the Oresteia of Aeschylus, 1981, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm)
Francis BaconTriptych Inspired by the Oresteia of Aeschylus, 1981, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm)

Francis Bacon - Triptych, 1967 Oil on canvas
Francis BaconTriptych, 1967, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon - Triptych, 1967 Oil on canvas, triptych
Francis BaconTriptych, 1967, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm)

Francis Bacon - In Memory of George Dyer, 1971, Oil and dry transfer lettering on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm) installation view
Francis BaconIn Memory of George Dyer, 1971, Oil and dry transfer lettering on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon - In Memory of George Dyer, 1971, Oil and dry transfer lettering on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm)
Francis BaconIn Memory of George Dyer, 1971, Oil and dry transfer lettering on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm)

Francis Bacon - Portrait of George Dyer Riding a Bicycle, 1966, Oil and sand on canvas
Francis BaconPortrait of George Dyer Riding a Bicycle, 1966, Oil and sand on canvas, 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon - Portrait of George Dyer Riding a Bicycle, 1966, Oil and sand on canvas, 78 x 58 in. (198 x 147.5 cm)
Francis BaconPortrait of George Dyer Riding a Bicycle, 1966, Oil and sand on canvas, 78 x 58 in. (198 x 147.5 cm)

Francis Bacon - Lying Figure, 1969, Oil on canvas, 78 x 58 in. (198 x 147.5 cm) installation view
Francis BaconLying Figure, 1969, Oil on canvas, 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon - Lying Figure, 1969, Oil on canvas, 78 x 58 in. (198 x 147.5 cm)
Francis BaconLying Figure, 1969, Oil on canvas, 78 x 58 in. (198 x 147.5 cm)

Francis Bacon - 1974 - 1975 Oil and dry transfer lettering on canvas 78 x 58 in. (198.1 x 147.3 cm), installation view
Francis BaconTwo Studies from the Human Body, 1974-1975, Oil and dry transfer lettering on canvas, 78 x 58 in. (198.1 x 147.3 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon - Two Studies from the Human Body, 1975
Francis BaconTwo Studies from the Human Body, 1974-1975, Oil and dry transfer lettering on canvas, 78 x 58 in. (198.1 x 147.3 cm)

Francis Bacon - Lying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in), installation view
Francis BaconLying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon - Lying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in)
Francis Bacon – Lying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in).jpg
Francis BaconLying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in), installation view at Fondation Beyeler, Basel, Switzerland

Installation view of paintings by Francis Bacon at Fondation Beyeler
Installation view of paintings by Francis Bacon at Fondation Beyeler, Basel, Switzerland
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Francis Bacon - Head VI, 1949 and Alberto Giacometti - Le nez, 1947-49
Francis BaconHead VI, 1949 and Alberto GiacomettiLe nez, 1947-49
Photo: Fondation Beyeler

Alberto Giacometti - Le nez, 1947-49, 43,6 × 9 × 61,6 cm
Alberto GiacomettiLe nez, 1947-49, 43,6 × 9 × 61,6 cm, installation view at Fondation Beyeler, Basel, Switzerland
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Alberto Giacometti - Grande Tête Mince, 1954, 65.6 x 39.1 x 24.9 cm, installaton view
Alberto GiacomettiGrande Tête Mince, 1954, 65.6 x 39.1 x 24.9 cm, installation view at Fondation Beyeler, Basel, Switzerland
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Alberto Giacometti - Grande Tête Mince, 1954, 65.6 x 39.1 x 24.9 cm
Alberto GiacomettiGrande Tête Mince, 1954, 65.6 x 39.1 x 24.9 cm
Photo: Succession Alberto Giacometti/2018, ProLitteris, Zurich

Alberto Giacometti and Francis Bacon, 1965
Alberto Giacometti and Bacon, 1965, original photo by Graham Keen
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A first look at the new, intimate Giacometti museum in Paris

A first look at the new, intimate Giacometti museum in Paris

Alberto Giacometti museum, Montparnasse, Paris, reconstructed atelier
Reconstructed studio of Alberto Giacometti on 23m2 including more than 70 original artworks at Institut Giacometti, Paris
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Swiss sculptor and painter Alberto Giacometti has a new exhibition space in Paris. Hosted in an Art Nouveau villa, this museum shows a reconstruction of his legendary studio, including furniture and walls on which he left numerous sketches. The new space is located in the former artists’ district of Montparnasse, just a few blocks from the original Parisian studio, where Giacometti worked from 1926 until his death in 1966.

Some of the artworks are very fragile and have never been shown in public. This project is initiated by the Fondation Giacometti, which owns the largest Giacometti collection worldwide.

Address Giacometti Institute, 5 Rue Victor Schoelcher, 75014 Paris
Hours The Institute is open by an online reservation system
Visit Métro ligne 4 et 6 : Raspail ou Denfert-Rochereau; RER B : Denfert-Rochereau; Bus ligne : 38, 68, 88, ou 91

Alberto Giacometti museum, Montparnasse, Paris, outside
Exterior of the Art Nouveau villa which hosts the Institut Giacometti, Paris
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Alberto Giacometti - Femmes de Venise
Alberto GiacomettiFemmes de Venise, 1956, Institut Giacometti, Paris
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Alberto Giacometti - Portrait of Jean Genet, 1954-1955, Oil on canvas, 73 x 60 cm
Alberto GiacomettiPortrait of Jean Genet, 1954-1955, Oil on canvas, 73 x 60 cm, Institut Giacometti, Paris
Photo: Public Delivery

Alberto Giacometti - Institut Giacometti, Paris - interior
Interior of Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - interior
Interior of Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - sculpture
Alberto Giacometti, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris, Art Noveau Villa
Interior of Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - installation view
Installation view, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - drawing 1
Alberto Giacometti drawing, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - drawing 2
Alberto Giacometti drawing, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - letter
Alberto Giacometti letter, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - sculpture 1
Alberto Giacometti sculpture, Institut Giacometti, Paris
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At 78 years old, Ed Ruscha has perfected his artistic skills

At 78 years old, Ed Ruscha has perfected his artistic skills

Ed Ruscha - Fifty Years Of Painting, installation view, Moderna Museet, Stockholm, Sweden, photo Åsa Lundén
Ed RuschaFifty Years Of Painting exhibition, installation view, Moderna Museet, Stockholm, Sweden
Photo: Åsa Lundén

At 78 years old, Ed Ruscha has perfected his artistic skills to the extent that he can express the noises of everyday life on a canvas. When he began his art in 1961, no one would have thought that the works that had words written over them would translate into such epic levels of fame. You too have probably come across his works and never stopped for a moment to think about the creativity that goes into making them. Some of these word paintings have published in not one, not two or three volumes but a record 20 and counting.

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Critics are surprised by the quality of George W. Bush’s paintings

Critics are surprised by the quality of George W. Bush’s paintings

George W. Bush - Lieutenant Colonel Kent Graham Solheim U.S. Army, 1994 – Present, Oil on stretched canvas, 30″x30″

George W. Bush - Lieutenant Colonel Kent Graham Solheim U.S. Army, 1994 – Present, Oil on stretched canvas, 30″x30″
George W. BushLieutenant Colonel Kent Graham Solheim U.S. Army, 1994 – Present, oil on stretched canvas, 76x76cm

The former president of United States, George W. Bush is on a new mission – to paint the images of heroic service men and women that served during his tenure at the White House. Since leaving the office, George W. Bush has also written a memoir of his time as president and a book that is dedicated to his father.

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This daring painting became one of Pablo Picasso’s most famous works

This daring painting became one of Pablo Picasso’s most famous works

Pablo Picasso - Guernica, 1937, oil painting on canvas, 3.49x7.77m, Museo Reina Sofía, Madrid, Spain

Pablo Picasso - Guernica, 1937, oil painting on canvas, 3.49x7.77m, Museo Reina Sofía, Madrid, Spain
Pablo PicassoGuernica, 1937, oil painting on canvas, 3.49×7.77m, Museo Reina Sofía, Madrid, Spain

Guernica is one of Pablo Picasso’s most famous works. This mural-sized oil painting on canvas was done in 1937. He used a palette of gray, white, and black colors to bring out a political statement denouncing the unnecessary sufferings brought about by Nazi bombings.

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Serving in the military inspired these red paintings

Serving in the military inspired these red paintings

Sea Hyun Lee - Between Red_101, 2010, oil on linen, 300x300cm

Sea Hyun Lee - Between Red_101, 2010, oil on linen, 300x300cm
Sea Hyun LeeBetween Red_101, 2010, oil on linen, 300x300cm

South Korea’s traditional illustrative and art history is immovable; however, cultural and artistic experimentation will always be relentless. Sea Hyun Lee demonstrates his understanding of just how true the above statement is through his art. He manages to join the two forces of past and present together to create Between the Red.

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Lesser-known side of Keith Haring

Lesser-known side of Keith Haring

Keith Haring, 1987, Red BMW Z1, Hans Mayer Gallery, Duesseldorf, Germany

Keith Haring - Untitled (Car), 1986, Enamel on 1963 Buick Special
Keith HaringUntitled (Car), 1986, Enamel on 1963 Buick Special

Keith Haring was born in Reading Pennsylvania on May 4, 1958 and grew up in nearby Kutztown, Pennsylvania. His passion for art began at a young age and following high school graduation he enrolled in the Ivy School of Professional Art in Pittsburgh for two semesters.

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