Archive: photography
What does a museum look like behind the scenes?

What does a museum look like behind the scenes?

Klaus Pichler - Shark at the Museum of Natural History, Vienna, 2010, from Skeletons in the Closet
Klaus Pichler – Shark at the Museum of Natural History, Vienna, 2010, from Skeletons in the Closet

“What does a museum look like behind the scenes?” was the question Austrian photographer Klaus Pichler found himself asking after seeing the unusual sight of museum exhibits in storage.

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This North Korean spectacle involves 100,000 participants

This North Korean spectacle involves 100,000 participants

Noh Suntag - Red House I. North Korea in North Korea, 2005 1
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag has made it his mission to provide the world glimpses of social, historical and political developments of North Korea, which many people do not get to see. Noh produces photographs that record real-life situations that are directly linked to the division of Korea. Some of his works were in particular created to show how deeply the division between the North and South has permeated the daily lives of the Korean citizenry, as well as how the division has distorted the proper functioning of society.

North Korea is a particular subject that is constant in Noh’s themes. North Korea’s obsession with image and the way the country represents itself to the rest of the world by exaggerated manipulation of its images led to Noh’s fascination; in his photo series titled North Korea, Suntag’s photos observe conflict in the contemporary society in Korea.

The conflicts date all the way back to 1948, and they led to the division of Korea into two separate states. Noh perceives the two ideologies of both the north and the south as too extreme, in a manner that has led to a constant state of emergency in Korea. Noh shows this dichotomy through his photographs, highlighting the dictatorship in North Korea, the increased capitalism that has been experienced in South Korea, the high military presence in both countries, and the circumstances both subtle and violent that affect the daily lives of the people living there.

His photographs in North Korea also analyses the social and political ambivalence of the two countries. In this case, the two nations survive in ideological extremities with each other, despite sharing many social and cultural traditions. The presence of political disparities between the two countries, whereby one is an communist state while the other is a capitalist is also highlighted significantly in the North Korea series. Noh also visited the famous Arirang Mass Games in the capital Pyongyang, a national spectacle that involves up to 100,000 participants.

For this work, Noh employed his experience as a remarkable photojournalist, his education in political studies and his creativity to capture the quiet scenes that both reveal the truth and dispel myths about the partition between North Korea and South Korea that exists to this day.

Noh’s views in his pieces including Red House I. North Korea in North Korea, 2005 and the State of Emergency, 2000–07 are unbiased. His analytical position recognizes the lasting political division and polarization of both the government and society. He expertly manages to tie the two nations together while exposing the underlying humanity that encompasses normal life in both the north and south.

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House II. Give and Take, 2005
Noh Suntag Red House II. Give and Take, 2005


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Devastatingly real – Monsoon photos from Asia

Devastatingly real – Monsoon photos from Asia

Steve McCurry - Monsoon 2
Steve McCurry

Steve McCurry is no stranger to success having built a name for himself as one of the world’s most respected photographers. He has won numerous international awards as well as acclaim for his consistent and impactful repertoire and has sold books in the millions across the world. In particular, some of his most talked about works are his Monsoon photographs.

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The harsh Mongolian landscapes: Between mysticism and isolation

The harsh Mongolian landscapes: Between mysticism and isolation

John Feely - The Outsider
John Feely – The Outsider, Mongolia

Photographer John Feely embarked on a trip to discover the otherworldly landscapes of Western Mongolia and came back with fascinating works. The emerging Australian photographer was based in Ulaanbaatar, Mongolia for the duration of his project and his allegorical approach to photography has helped him to quickly create a name for himself as a respected photographer and one to watch in the future.

When Feely left for Mongolia, he left with the intention of capturing universal experiences that would appeal to massive audiences. He selected a range of different locations and captured Mongolian culture, the end result of which was a compilation of photographs titled The Outsider.

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Segregated from the rest of the world, eerie North Korea

Segregated from the rest of the world, eerie North Korea

Philippe Chancel - DPRK - North Korea
Philippe Chancel – DPRK

Philippe Chancel’s photographs from North Korea are simply remarkable. Chancel joins the ranks of the few photographers in the world that have actually managed to document the impenetrable nation of North Korea. For more than half a century, this enigma of a country has been the personification of a rogue state; North Korea is an incredibly closed and reclusive nation.

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Glamorous and worrying: Steve McCurry’s magic India moments

Glamorous and worrying: Steve McCurry’s magic India moments

Steve McCurry - Holu, a festival that welcomes spring, is celebrated with public spraying of colorful powders. Rajasthan, India, 1996
Steve McCurry – Holu, a festival that welcomes spring, is celebrated with public spraying of colorful powders. Rajasthan, India, 1996

Photographer Steve McCurry has been traveling to various parts of the globe photographing and capturing different subjects and people. His photography has led him down hidden pathways and streets searching for what he calls the magic moment, which is when color, light, and emotion work together in perfect harmony to create a beautiful picture. His search is usually long and could take him weeks. However, of all the places in the world that McCurry has traveled to and resided in, none fascinates him more than India. According to the artist, India has supplied him with more opportunities and magic moments than he has ever experienced in any part of the globe.

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Homelessness and the sense of having a home

Homelessness and the sense of having a home

I-Hsuen Chen – Still Life Analysis II - The Island 1
I-Hsuen ChenStill Life Analysis II – The Island, Taipei, Taiwan

I-Hsuen Chen is a photographer, artist, and filmmaker that was born and raised in Taipei, Taiwan but is now based in Brooklyn, New York. As a photographer, Chen is well known for surveying and photographing foreign objects such as garbage as the main subjects of his photographs. In Still Life Analysis II: The Island, I-Hsuen Chen continues his survey of garbage and unfamiliar objects, which started in his first exhibition titled The Still Life Analysis. In both series, Chen concentrates on collections of typical household objects that a homeless person would have beneath the Civic Boulevard.

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