Archive: public art
Why are these golden balloons all over Taipei?

Why are these golden balloons all over Taipei?

Silence Was Golden, Balloon - Taipei, Taiwan - Eslite Spectrum Songyan - Snobs
Silence Was GoldenSnobs, Eslite Spectrum Songyan

In 2015, Public Delivery collaborated with the Taipei Museum of Contemporary Art, Taiwan’s first museum to be dedicated exclusively to contemporary art and one of the most prominent art institutions of Asia. Silence Was Golden is our on-going global public art project which is centered around words or short phrases made out of golden letter shaped balloons, chosen by performers to express their feelings towards their environment and the histories surrounding it. Words were collected through an open call, and then performed together with a variety of people, including students from Tainan National University of the Arts, National Taiwan Normal University, Tamkang University and Taipei Jingmei Girls High School in different locations all over Taipei.

Up until now, the project was performed 253 times in 1/4 of the world’s countries (179 cities, 48 countries, six continents).

Silence Was Golden, Balloon - Taipei, Taiwan - Huashan Creative Park - Anxious
Silence Was GoldenAnxious, Huashan Creative Park

Silence Was Golden, Balloon - Taipei, Taiwan - Sun Yat-sen Memorial Hall - Boss
Silence Was GoldenBoss, Sun Yat-sen Memorial Hall

Silence Was Golden, Balloon - Taipei, Taiwan - Bitan Suspension Bridge - Date
Silence Was GoldenDate, Bitan Suspension Bridge

Silence Was Golden, Balloon - Taipei, Taiwan - Xindian ghost house - Fear
Silence Was GoldenFear, Xindian ghost house

Silence Was Golden, Balloon - Taipei, Taiwan - 228 Peace Memorial Park - Hustle
Silence Was GoldenHustle, 228 Peace Memorial Park

Silence Was Golden, Balloon - Taipei, Taiwan - Museum of Contemporary Art - Noisy
Silence Was GoldenNoisy, Museum of Contemporary Art

Silence Was Golden, Balloon - Taipei, Taiwan - Elephant Mountain - Nose
Silence Was GoldenNose, Elephant Mountain

Silence Was Golden, Balloon - Taipei, Taiwan - Guang Hua Night Market - Savour
Silence Was GoldenSavour, Guang Hua Night Market

Silence Was Golden, Balloon - Taipei, Taiwan - Xindian, Bitan tea house - Tea
Silence Was GoldenTea, Bitan tea house

Silence Was Golden, Balloon - Taipei, Taiwan - Chiang Kai-shek Memorial Hall - Temple
Silence Was GoldenTemple, Chiang Kai-shek Memorial Hall

Map of balloon performances in Taipei, Taiwan
Map of balloon performances


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Parisian Art on the Loose

Parisian Art on the Loose

Etienne Lavie - <em>Le Songe
Etienne LavieLe Songe

Why visit a museum if you can just roam around the streets of Paris just to appreciate art?
Through the hustle and bustle of the streets in Paris, it’s not hard to notice such unique placement of the classical French paintings, namely, La Liberté guidant le peuple by Eugène Delcacroix, Souvenir de Mortefontaine by Jean-Baptiste-Camille Corot, and Le sommeil d’Endymion by Anne-Louis Girodet,.

OMG, Who Stole My Ads? : An interesting campaign series by turning billboards and other advertisements in to classical paintings brought by the mind of Etienne Lavie. It’s not a misplaced art, it’s a work of art. It’s a way of paying attention to what surrounds you by just taking a pause, and appreciate the beauty around you. Rather than the usual persuasion of ads, these French classic paintings, replaces an inspiration and a cultural immersion for everyone.

Etienne Lavie - Gabrielle1
Etienne LavieGabrielle1

Etienne Lavie - Immaculee
Etienne LavieImmaculee

Etienne Lavie - Liberté
Etienne LavieLiberté

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Artificial lake installed on top of museum

Artificial lake installed on top of museum

Gelitin – Normally, Proceeding and Unrestricted With Without Title

Gelitin – Normally, Proceeding and Unrestricted With Without Title
Gelitin – Normally, Proceeding and Unrestricted With Without Title

Starting a rainy day, a day filled with grey shades, feels empty but it will slowly fade.

Nothing but a monotone day is the first impression in the city of London. But with such gloomy ambiance, comes an experience, a life where beauty lies in every aspect. That beauty is art. It is when you enter a different world, appreciating such fine intricacy with a colorful explanation, its secrecy, the intimacy and the mystery behind the piece of work: The Gelitin – Normally, Proceeding and Unrestricted With Without Title.

The voyage around the Hayward buildings give you an art adventure, having to merely roam around like it was an artist’s playground. Not knowing what’s next and what surprises you in the end. There lies a pond, where you can bring back your childhood memory of riding a boat in a bizarre architectural art, filled with amusement comes an immersing experience of appreciation. That’s beauty, where a day is filled with shades of grey that turns its meaningless ambiance to countless appreciation and vibrant elucidation with familiarity in art.

About Gelitin

Gelitin is an Austrian artist collective and comprised of four artists. They met first in 1978 when they all attended a summer camp. They have been playing and working together. 1993 they began exhibiting internationally.

Gelitin - Normally, Proceeding and Unrestricted With Without Title

Gelitin - Normally, Proceeding and Unrestricted With Without Title

Gelitin - Normally, Proceeding and Unrestricted With Without Title

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Optical illusion billboard by Hawaiian artist in SouthKorea

Optical illusion billboard by Hawaiian artist in SouthKorea

Cayetano Ferrer, Daejeon City
Cayetano Ferrer – Daejeon City #1, 2007

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This artwork looks like an accident scene

This artwork looks like an accident scene

Elmgreen Dragset - Shortcut (2013)
Elmgreen & DragsetShort Cut, 2003, Mixed-media installation, 250 x 850 x 300 cm

ABOUT SHORT CUT

In Short Cut (2003), Elmgreen and Dragset installed a run-of-the-mill white Fiat Uno in Milan’s quintessential strolling and gathering place for all tourists and residents, the Galleria Vittorio Emanuele.

The work is a metaphor for global tourism, but also a symbol for the precarious nature of today’s world. It also describes a universe in movement that travels along endless, unpredictable paths towards fanciful destinations. The first impression of passers-by is that they have come across an accident scene: the floor is cracked and the wheels of the car are stuck among shards of the mosaic. Short Cut sparks reactions and debate throughout the city; animated clusters of people gather around the installation. On the morning that the exhibition opens, the traffic police leave a ticket on the car for parking in an unauthorized area, and two members of the city council ask for it to be removed; to demonstrate their disapproval, they stage a protest in Galleria Vittorio Emanuele, eating a pizza next to the installation.

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This machine is knitting a gigantic American flag

This machine is knitting a gigantic American flag

Dave Cole - The Knitting Machine

Photo by Arjen Noordeman

In 2005, MASS MoCA (Massachusetts Museum of Contemporary Art) presented a monumental and uniquely American sculptural installation by Dave Cole. Cole’s project The Knitting Machine comprised two excavators specially fitted with massive 20′ knitting needles which produced an oversized American flag, which can be seen as both a celebratory gesture of pride and a commentary on America’s role in world affairs.

When the flag was removed from The Knitting Machine it was folded into the traditional flag triangle and was on display in a presentation case which Cole described as slightly smaller than a Volkswagen Beetle, accompanied by the 20′ knitting needles, and a video of the knitting process.

VIDEO


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These large murals don’t make any sense

These large murals don’t make any sense

Karl Haendel - Scribble @441 Broadway (mural)

Karl Haendel - Scribble @441 Broadway (digital rendering)
Karl Haendel – Scribble (digital rendering), NYC

In 2009, Los Angeles based artist Karl Haendel made two large scribble murals, one was his first public installation in New York, the other, a similar painting, was executed in Los Angeles. His gigantic scribbles are an anti heroic gesture with roots in street art, public mark making and a universal means of communication.

To put one of these scribbles on the side of a building of course engages a dialogue with graffiti and street art, and this became a central concern as well as an inspiration. My scribble work, because its an anonymous mark and one that anybody could make, I hope will draw attention to the simple need to make a mark, and I hope it makes people think about gesture, pure expression, and the straightforward act of creation. These are tendencies that I think are not only fundamental to art making, but to life in general, and are imperatives that most people I hope can relate to.

Karl Haendel (b. 1976) owns and individualizes the world of popular culture by re-drawing it in his own vision, cleverly manipulating scale, composition, and juxtaposition to uncannily transform ordinary images into witty perspectives on contemporary life. He received his MFA from UCLA in 2003 and has had solo exhibitions at the Museum of Contemporary Art, Los Angeles; Harris Lieberman, New York; Anna Helwing Gallery, Los Angeles. His work has also been included in such notable exhibitions as the 2004 and 2008 California Biennials and Uncertain States of America, a touring exhibition that originated at the Astrup Fearnley Museum for Modern Art, Oslo, and traveled to Serpentine Gallery, London, and the Center for Curatorial Studies, Bard College, among other venues.

Karl Haendel - <em>Scribble</em>, 2009, paint on brick, NYC - 2
Karl Haendel – Scribble, 2009, paint on brick, NYC

Karl Haendel - Scribble @441 Broadway (mural)
Karl Haendel – Scribble, 2009, paint on brick, NYC

Karl Haendel - Public -Scribble #2 - LAX Art facade, 2009 in Los Angeles - 1
Karl Haendel, Public Scribble #2, 2009, paint on brick, 5,5 x 19,5m, Los Angeles

Karl Haendel - Public -Scribble #2 - LAX Art facade, 2009 in Los Angeles - 2
Karl Haendel, Public Scribble #2, 2009, paint on brick, 5,5 x 19,5m, Los Angeles

Karl Haendel - Public -Scribble #2 - LAX Art facade, 2009 in Los Angeles - 3
Karl Haendel, Public Scribble #2, 2009, paint on brick, 5,5 x 19,5m, Los Angeles


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