Archive: public art
Scale of Anish Kapoor’s sculpture is frighteningly extraordinary

Scale of Anish Kapoor’s sculpture is frighteningly extraordinary

Anish Kapoor - Dismemberment, Site 1, 2009

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand
Photo: Paul Kramer

North of Auckland, in a stretch of land called Gibbs Farms, sits Anish Kapoor’s Dismemberment, Site 1 (2009). The scale of this sculpture is frighteningly extraordinary and is the largest one that Kapoor has ever created; it is the height of an 8 story building.

Unsurprisingly, the sculpture makes little effort to blend in with the expansive landscape; however, it does a great job of complementing it. The sculpture imposes itself on you, and it draws you in, dominating the area in which it sits, so much so that the sculpture appears to have always been there. This speaks to the work that went into the sculpture’s construction and design.

Kapoor had to create a free standing sculpture that would last for long, which is why the monumental sculpture was created using Serge Ferrari textile that is set up to survive harsh winds and severe weather conditions. The sculpture elicits various visual sensations and interpretations from the scores of people that arrive daily at Gibbs’s farm. At first sight, the Dismemberment sculpture looks like a swollen ear whose primary purpose is to capture the sounds and the spirit of the landscape. However, with every winding turn that you take, the sculpture transforms into a large external trumpet that appears to be signaling and calling travelers from distance lands.

In a way, it bears a resemblance to the trumpet that Joshua used to spy on the town of Jericho in the Bible. Like with every art installation, the audience reserves the right to interpret a masterpiece depending on the feelings that the piece evokes. Some people have interpreted the sculpture and found it to represent a large sized vulva, while others think that it represents the head and nucleus of a large bright flower.

Kapoor created the sculpture as a way of connecting the body to the sky. The tubular red structure symbolizes colostomy bags, and the red color represents the insides of the human body. The red is internal, but it externalizes itself in various ways. The sculpture also suggests that it may be a motherly creature that is brought forth by the earth and the tube represents flesh, skin, or a dismembered artery that is bleeding on the ground possibly feeding and rejuvenating the soil it rests on. From within, the sculpture is intimate and private, however, from inside it, the landscape emerges paving the way to new life in a fragile earth.


Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand


Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand

Anish Kapoor - Dismemberment, Site 1, 2009
Anish KapoorDismemberment, Site 1, 2009, mild steel tube and tensioned fabric. Each end 25x8m, length 85m, Gibbs Farm, Kaipara Harbour, New Zealand


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Why are these golden balloons all over Taipei?

Why are these golden balloons all over Taipei?

Silence Was Golden, Balloon - Taipei, Taiwan - Eslite Spectrum Songyan - Snobs
Silence Was GoldenSnobs, Eslite Spectrum Songyan

In 2015, Public Delivery collaborated with the Taipei Museum of Contemporary Art, Taiwan’s first museum to be dedicated exclusively to contemporary art and one of the most prominent art institutions of Asia. Silence Was Golden is our on-going global public art project which is centered around words or short phrases made out of golden letter shaped balloons, chosen by performers to express their feelings towards their environment and the histories surrounding it. Words were collected through an open call, and then performed together with a variety of people, including students from Tainan National University of the Arts, National Taiwan Normal University, Tamkang University and Taipei Jingmei Girls High School in different locations all over Taipei.

Up until now, the project was performed 253 times in 1/4 of the world’s countries (179 cities, 48 countries, six continents).

Silence Was Golden, Balloon - Taipei, Taiwan - Huashan Creative Park - Anxious
Silence Was GoldenAnxious, Huashan Creative Park

Silence Was Golden, Balloon - Taipei, Taiwan - Sun Yat-sen Memorial Hall - Boss
Silence Was GoldenBoss, Sun Yat-sen Memorial Hall

Silence Was Golden, Balloon - Taipei, Taiwan - Bitan Suspension Bridge - Date
Silence Was GoldenDate, Bitan Suspension Bridge

Silence Was Golden, Balloon - Taipei, Taiwan - Xindian ghost house - Fear
Silence Was GoldenFear, Xindian ghost house

Silence Was Golden, Balloon - Taipei, Taiwan - 228 Peace Memorial Park - Hustle
Silence Was GoldenHustle, 228 Peace Memorial Park

Silence Was Golden, Balloon - Taipei, Taiwan - Museum of Contemporary Art - Noisy
Silence Was GoldenNoisy, Museum of Contemporary Art

Silence Was Golden, Balloon - Taipei, Taiwan - Elephant Mountain - Nose
Silence Was GoldenNose, Elephant Mountain

Silence Was Golden, Balloon - Taipei, Taiwan - Guang Hua Night Market - Savour
Silence Was GoldenSavour, Guang Hua Night Market

Silence Was Golden, Balloon - Taipei, Taiwan - Xindian, Bitan tea house - Tea
Silence Was GoldenTea, Bitan tea house

Silence Was Golden, Balloon - Taipei, Taiwan - Chiang Kai-shek Memorial Hall - Temple
Silence Was GoldenTemple, Chiang Kai-shek Memorial Hall

Map of balloon performances in Taipei, Taiwan
Map of balloon performances


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Bridging cultures with influential sculptures & furniture – Isamu Noguchi

Bridging cultures with influential sculptures & furniture – Isamu Noguchi

Isamu Noguchi - Red Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA 1

Isamu Noguchi - Red Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA 1
Isamu NoguchiRed Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA

A walk through Japan reveals the close correlation between nature and aesthetics. Amid the natural setup are works of art that remind everyone about the history, beliefs and affiliations of the Japanese people. The modern art concept of creating spectacular pieces to create an art park is becoming rather common owing to the pioneer work of artists like Isamu Noguchi. Having been an artist for 60 years, he has helped shape the aesthetic and cultural appearance of Japan and the US through the creation of sculpture parks. Even in death, Noguchi is still recognized for his artwork on furniture, gardens, ceramics and architecture. Although considered subtle and bold during his time, his work is now the standard for modern and expressionist art.

Owing to his mixed heritage, Isamu Noguchi was an internationalist and it is during his travels that he picked up the inspiration to express himself in sculptures. His inspiration for large scale sculpture works with a story actually came from Mexico. He would then incorporate Japanese tranquil garden and earthy ceramic setup as well as the Chinese light ink brushing technique into his work. As one would imagine, what he created from bringing together these different aspects was epic creativity. Once he had settled in his trade, he would maintain studios in New York and Japan, perhaps to declare allegiance to his roots. The works of Isamu Noguchi are evidently aimed at enhancing harmony in human coexistence. The blend of Western and Eastern cultures, modern and traditional life, organic and geometric alignment of nature are some of the efforts Isamu Noguchi made to create tranquility in his work.

Isamu Noguchi - Red Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA 2
Isamu NoguchiRed Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA

Isamu Noguchi - Red Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA 3
Isamu NoguchiRed Cube Sculpture, 1968, 140 Broadway Between Cedar and Liberty Streets, Financial District in Lower Manhattan, New York, USA

Isamu Noguchi - Octetra, High Museum of Art, Atlanta, USA
Isamu NoguchiOctetra, High Museum of Art, Atlanta, USA

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Enormous & expensive $265k sculpture deliberately burned to ashes

Enormous & expensive $265k sculpture deliberately burned to ashes

The Pier Group - Embrace, 2014
The Pier GroupEmbrace, 2014

Embrace by The Pier Group, a collective of artists, engineers, and builders, came together and spent a budget of $265,000 in order to create the 72-foot (22 meter) sculpture of two figures embracing, whose fleeting life would end up in flames at the Burning Man festival.

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Stonehenge has never been this much fun: Inflated & bouncy

Stonehenge has never been this much fun: Inflated & bouncy

Jeremy Deller - Sacrilege, in West Kowloon Cultural District Promenade, Hong Kong
Jeremy DellerSacrilege, in West Kowloon Cultural District Promenade, Hong Kong

Sacrilege is a life-sized, inflatable replica of Stonehenge, the British heritage and pagan site and popular tourist attraction. It is a bouncy castle, an interactive inflatable pillow that viewers may walk and jump on. It is an energetic, humorous work that Jeremy Deller describes as a way to get reacquainted with ancient Britain with your shoes off. It is a touring project visiting 33 sites across the UK and launched at the Glasgow International Festival of Visual Art.

Jeremy Deller - Sacrilege, in Heartlands, Cornwall (UK)
Jeremy DellerSacrilege, in Heartlands, Cornwall (UK)

Jeremy Deller - Sacrilege, in Hong Kong, West Kowloon Cultural District Promenade
Jeremy DellerSacrilege, in West Kowloon Cultural District Promenade, Hong Kong

Jeremy Deller - Sacrilege, in West Kowloon Cultural District Promenade, Hong Kong
Jeremy DellerSacrilege, in West Kowloon Cultural District Promenade, Hong Kong

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Profane messages hammered into rocks in stunning scale

Profane messages hammered into rocks in stunning scale

Wim Delvoye - Sweetheart, 2003
Wim DelvoyeSweetheart, 2003

With the advancement of technology, delivering messages has never been this easy. All we do is create emails, text messages and even twitter posts, and it’s just a click away! Except for the Belgian artist who puts great effort in delivering such message, Wim Delvoye.

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Complete castle covered with photorealistic print

Complete castle covered with photorealistic print

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

Bettina Pousttchi is a German-Iranian artist, living and working in Berlin. She works equally in the field of media, photography, video and sculpture, often involving architecture in urban and historical contexts. Her exhibition at the Städtische Galerie Wolfsburg is a site-specific photo installation called “The City”: an artwork covering the façade of the city’s castle. This work is a reference to the history of the 20th century planned city Wolfsburg.

Working on architecture about architecture allows for an artistic practice between architecture, sculpture, and photography. It is a different way to materialize a photographic file and to bring back the digital to the physical world.

Castle of Wolfsburg
The northern wing of the castle before the renovation (photo by Städtische Galerie Wolfsburg)

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz

Bettina Pousttchi - The City, 2014
Bettina Pousttchi – The City, 2014, photo installation, facade of Wolfsburg Castle, photo by Norbert Miguletz


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