If you keep a tab on what’s happening in the public display arts, the odds are that you came across the Liquid Shard. It was a public art installation on display in Pershing Square in LA between July 28 and August 11, 2016. Thanks to its odd size, unique design, and pure ingenuity of the creators, the Liquid Shard was all the rage, wafting several posts on social media, and made headlines in the US and all over the world.
“Land art encompasses everything – wind, birds, smell, touch. And my work doesn’t exist until I find it” – Van der Merwe
Childhood and Education
Strijdom van der Merwe is a South African land artist. Growing up as a young boy on a farm just outside of Johannesburg, Strijdom was always taken by the beauty of nature and the magnificence of the sprawling landscape. The artist graduated with BA in Fine Arts from the University of Stellenbosch in 1984. He later received a scholarship to study printmaking at the Hooge School Voor de Kunsten in Utrecht, the Netherlands. Between 1993 and 1995, he taught Computer Graphics at the University of Stellenbosch before enrolling at The Academy of Art & Design in Prague, Czech Republic. Soon after, he went on to become the artist-in-residence at The Kent Institute of Art and Design, Canterbury, the UK.
Jaehyo Lee – 0121-1110=193061, 1993, stones
Jaehyo Lee (b. 1965, Hapchen, South Korea) graduated in 1992 with a BFA from the Hong-Ik University in Seoul. Combining distinct traces of Land Art, Arte Povera and Minimalism Lee´s works cast a questioning eye over the roots of form, its function and its role within the natural world.
Lee´s works willfully play with the oft-contested boundaries between modern art and design, referencing the idealist´s cubes, cylinders and cones as perversions of the chaise longue, the coffee table, the lampshade, and even the humble doughnut. Revealing a subtly humorous and unsentimental attitude to nature, what unites these works is a belief that the beauty of art is a product of the labor from whence it comes, whether this be the meticulous carving of larch trunks into the form of a perfect sphere or, equally, the precise bending and sanding of thousands of nails hammered one after another into a hunk of cut lumber.
“Until recently, my work has been about combining wood with nails or steel bars and integrating them into geometrical shapes such as spheres, hemispheres, or cylinders. Whenever I did this, one of my problems was to keep the nails and bolts out of sight. Now, on the contrary, I put an emphasis on the nails themselves. I drive countless nails into wood, bend them, grind them, and make them protrude. I then burn the wood, blackening its growth ring records and its natural color. The glittering metallic nails on the black charcoal become ever more conspicuous, and through this process, I draw a picture on wood using nails. Those who make a hard living may be the ones who make this world a beautiful place. I certainly do not have the power to make it beautiful. I just hope to reveal the beauty in what is usually seen but not noticed. It may be a rusty bent nail. If you take a close look at it, however, you’ll find out how beautiful it can be.”
Jaehyo Lee – Lotus, 2013, Wood (Korean Big Cone Pine), 216 in; 548.6 cm
Jaehyo Lee – 0121-1110=102101, 2002, Wood, 350x350x350cm
Jaehyo Lee – 0121-1110=114047, 2014, Wood, 700x700x700cm
Jaehyo Lee – 0121-1110=191111, 1991, Stone, 300x300x350cm
Jaehyo Lee – 0121-1110=197073, 1997, Stone, 220x220x350cm
Jaehyo Lee – 0121-1110=194051, 1994, Grass, 150x150x150cm
Jaehyo Lee – 0121-1110=115075, 2015, Wood, 560x130x360cm
Filthy Luker – Art Attacks
Luke Egan otherwise known as Filthy Luker is a mixed media artist from Bristol. He is know for creating large inflatable sculptures, temporarily installed in various places around the planet.
I-Hsuen Chen – Still Life Analysis II – The Island, Taipei, Taiwan
I-Hsuen Chen is a photographer, artist, and filmmaker that was born and raised in Taipei, Taiwan but is now based in Brooklyn, New York. As a photographer, Chen is well known for surveying and photographing foreign objects such as garbage as the main subjects of his photographs. In Still Life Analysis II: The Island, I-Hsuen Chen continues his survey of garbage and unfamiliar objects, which started in his first exhibition titled The Still Life Analysis. In both series, Chen concentrates on collections of typical household objects that a homeless person would have beneath the Civic Boulevard.
Pop provocateur Andy Warhol was never a stranger to controversy. In 1964, as part of a series of commissions for the New York State Pavilion, Warhol was commissioned to work on an installation that would be displayed on the face of the pavilion, which was to serve as one of the main venues of the fair.
Jaume Plensa – Crown Fountain, 2004, Glass, stainless steel, LED screens, light, wood, black granite and water, 16 m, Millennium Park, Chicago, Illinois, USA
Within Chicago’s Millennium Park stands an interactive piece of art that the public never seems to have enough of. Designed by Jaume Plensa, a Catalan artist, the fountain is an illustration of how creativity and technology can mingle to form an enchanting piece of work. The work, which was unveiled in July 2004, was executed by Krueck and Sexton Architects and in it they use black granite which gives the illusion of a pool. The pool on which visitors stand on, is an area of space that separates two towers made from glass. Each one of the towers is 50 feet tall and LEDs are used on their surfaces to display inward faces developed by digital videography.