Mariko Mori – Wave UFO, 1999-2002
Brainwave interface, vision dome, projector, computer system, fiberglass
207 x 446 x 194 inches (528 x 113.4 x 493 cm)
Edition of 2 with 1 AP
Viewer’s brainwaves projected on to a screen
How many times do art and science come together? In Mariko Mori’s Wave UFO art and science have come together in a creation that is just fascinating. This artwork uses neuroscience, computer graphics, architectural engineering, and sound to create an interactive experience where viewers can see their thoughts come to life in color and shape.
Wave UFO will take three viewers at a time. Each viewer gets electrodes attached to the head just like an EEG machine. The brainwaves of the viewers are transmitted and projected on to a screen. This will show six orbs, for two of each viewer’s left and right brain hemispheres. A waving line shows the facial movements for the viewer.
Noh Suntag – Red House I. North Korea in North Korea, 2005
About Noh Suntag
Noh Suntag has made it his mission to provide the world glimpses of social, historical and political developments of North Korea, which many people do not get to see. Noh produces photographs that record real-life situations that are directly linked to the division of Korea. Some of his works were in particular created to show how deeply the division between the North and South has permeated the daily lives of the Korean citizenry, as well as how the division has distorted the proper functioning of society.
Yue Minjun – Untitled, stainless steel sculpture, 95x197x143cm
About Yue Minjun & his inspiration
Yue Minjun was born in Daqing in Heilongjiang, China in 1962. For most of his life, Yue moved from place to place, because his family had to move from oilfield to oilfield to find work. Before starting to work as an electrician, he graduated from Hebei Normal University in 1989, where he studied oil painting. 1989 was the same year in which China was left shocked by the infamous student-led demonstrations and the suppression of such on Tiananmen Square. These movements played a large part in the inspiration and mood of Yue’s work. In order to fight the dark mood of the hour, the dark reality of the time, he created vibrant self-images embodying an almost mania; The laughing image.
Mohamed Bourouissa’s pictures are inspired by classical painting, the pictures are expressive declarations pointing at the ethical fallout of photojournalism, focusing on the problematic power relations that take place within the photographic medium in addition to the voyeuristic nature of photojournalism.
His Parisian suburb photos
Mohamed Bourouissa’s photo’s, like those of many photojournalists work, features impoverished, stylish young African and Arab men and women, some who are immigrants while others are the children of immigrants, living in suburban housing projects on the peripheries of Paris. The photographs, however, are posed, which is where the inspiration of the classical painting comes in, motionlessly elegant.
Cao Fei – Golden Fighter’s
Chinese multimedia artist Cao Fei’s 2004 work explores the imagined identities of cosplayers (young people who dress up as game characters) and how they interact with the real world. To these individuals, a costume bestows magical powers upon the wearer, rendering their person more special and enabling them to transcend their mundane reality. These are people living in a video game world, alienated by the real, waking world, and seeking to unite the two spaces to live in a way that allows them to actually be this magic character by creating their own realities. Her work reflects the fluid identities of China as a growing, evolving culture, juxtaposing escapist fantasies alongside vivid realities.
Sustainable art or art that is heavily centered on themes of nature is art that seeks to make human beings think deeply about the impact of their lifestyle choices on the environment. Korean artist and designer Choi Jeong Hwa has racked up a reputation in industry circles for his grandiose sculptural installations that comment on the privileged environment of art institutions while at the same time questioning the valued status of today’s artworks within a consumer frantic contemporary world.
Choi Jeong Hwa is mostly known for his large lotus blossoms. With motorized fabric leaves opening and closing, simulating the movement of a live lotus flower, his sculptures are often installed in public space and create a link between the modern world and one of the most important cosmological symbols in Asia.
Wang Yuping (b.1962, Beijing) is known for his gritty, comic book style portraits of urban life in China. His paintings are playful, feature rough, tough or absurd Beijing characters and seem to spy on life in the inner city as a kind of Wang Shuo of the art’s world. By placing us in intimate spaces with arresting, descriptive personal images, Wang Yuping continues his exploration of urban culture and social change.