Archive: 2005
Your thoughts come to life in Mariko Mori’s UFO

Your thoughts come to life in Mariko Mori’s UFO

Mariko Mori - Wave Ufo, 2005
Mariko Mori – Wave UFO, 1999-2002
Brainwave interface, vision dome, projector, computer system, fiberglass
207 x 446 x 194 inches (528 x 113.4 x 493 cm)
Edition of 2 with 1 AP

How many times do art and science come together? In Mariko Mori’s Wave UFO art and science have come together in a creation that is just fascinating. This artwork uses neuroscience, computer graphics, architectural engineering, and sound to create an interactive experience where viewers can see their thoughts come to life in color and shape.

Wave UFO will take three viewers at a time. Each viewer gets electrodes attached to the head just like an EEG machine. The brainwaves of the viewers are transmitted and projected on to a screen. This will show six orbs, for two of each viewer’s left and right brain hemispheres. A waving line shows the facial movements for the viewer.

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This North Korean spectacle involves 100,000 participants

This North Korean spectacle involves 100,000 participants

Noh Suntag - Red House I. North Korea in North Korea, 2005 1
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag has made it his mission to provide the world glimpses of social, historical and political developments of North Korea, which many people do not get to see. Noh produces photographs that record real-life situations that are directly linked to the division of Korea. Some of his works were in particular created to show how deeply the division between the North and South has permeated the daily lives of the Korean citizenry, as well as how the division has distorted the proper functioning of society.

North Korea is a particular subject that is constant in Noh’s themes. North Korea’s obsession with image and the way the country represents itself to the rest of the world by exaggerated manipulation of its images led to Noh’s fascination; in his photo series titled North Korea, Suntag’s photos observe conflict in the contemporary society in Korea.

The conflicts date all the way back to 1948, and they led to the division of Korea into two separate states. Noh perceives the two ideologies of both the north and the south as too extreme, in a manner that has led to a constant state of emergency in Korea. Noh shows this dichotomy through his photographs, highlighting the dictatorship in North Korea, the increased capitalism that has been experienced in South Korea, the high military presence in both countries, and the circumstances both subtle and violent that affect the daily lives of the people living there.

His photographs in North Korea also analyses the social and political ambivalence of the two countries. In this case, the two nations survive in ideological extremities with each other, despite sharing many social and cultural traditions. The presence of political disparities between the two countries, whereby one is an communist state while the other is a capitalist is also highlighted significantly in the North Korea series. Noh also visited the famous Arirang Mass Games in the capital Pyongyang, a national spectacle that involves up to 100,000 participants.

For this work, Noh employed his experience as a remarkable photojournalist, his education in political studies and his creativity to capture the quiet scenes that both reveal the truth and dispel myths about the partition between North Korea and South Korea that exists to this day.

Noh’s views in his pieces including Red House I. North Korea in North Korea, 2005 and the State of Emergency, 2000–07 are unbiased. His analytical position recognizes the lasting political division and polarization of both the government and society. He expertly manages to tie the two nations together while exposing the underlying humanity that encompasses normal life in both the north and south.

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House I. North Korea in North Korea, 2005
Noh Suntag Red House I. North Korea in North Korea, 2005

Noh Suntag - Red House II. Give and Take, 2005
Noh Suntag Red House II. Give and Take, 2005


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The power of laughter

The power of laughter

Yue Minjun - One of 14 A-maze-ing Laughter bronze sculptures in Morton Park, Vancouver, BC

Yue Minjun - Untitled, stainless steel sculpture, 95x197x143cm
Yue MinjunUntitled, stainless steel sculpture, 95x197x143cm

Yue Minjun was born in Daqing in Heilongjiang, China in 1962. For most of his life, Yue moved from place to place, because his family had to move from oilfield to oilfield to find work. Before starting to work as an electrician, he graduated from Hebei Normal University in 1989, where he studied oil painting. 1989 was the same year in which China was left shocked by the infamous student-led demonstrations and the suppression of such on Tiananmen Square. These movements played a large part in the inspiration and mood of Yue’s work. In order to fight the dark mood of the hour, the dark reality of the time, he created vibrant self-images embodying an almost mania; The laughing image.

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Front row seat to Parisian ghetto

Front row seat to Parisian ghetto

Mohamed Bourouissa - Périphérique - La fenêtre, 2005

Mohamed Bourouissa - Périphérique - Le groupe, 2007, C-print, 90x120cm
Mohamed BourouissaPériphérique, Le groupe, 2007

The Algerian-born, Paris-based photographer Mohamed Bourouissa was born in 1978. His work has been presented and featured in an extensive number of solo and group exhibitions at venues including the Centre Pompidou, the Palais de Tokyo, the Palazzo Grassi – François Pinault Foundation in Venice, the Musée d’Art Moderne de la Ville de Paris, , the MAXXI in Rome, the New Museum of Contemporary Art in New York, the Philadelphia Museum of Art, the Finnish Museum of Photography of Helsinki, the Fotomuseum in Rotterdam, and many more impressive venues.

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Cosplayers and the Power of Costumes

Cosplayers and the Power of Costumes

Cao Fei - Golden Figher's despair
Cao FeiGolden Fighter’s

Chinese multimedia artist Cao Fei’s 2004 work explores the imagined identities of cosplayers (young people who dress up as game characters) and how they interact with the real world. To these individuals, a costume bestows magical powers upon the wearer, rendering their person more special and enabling them to transcend their mundane reality. These are people living in a video game world, alienated by the real, waking world, and seeking to unite the two spaces to live in a way that allows them to actually be this magic character by creating their own realities. Her work reflects the fluid identities of China as a growing, evolving culture, juxtaposing escapist fantasies alongside vivid realities.

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Gigantic breathing lotus flowers by Korean artist

Gigantic breathing lotus flowers by Korean artist

Choi Jeong Hwa - Perth International Art Festival - Moving Flower, 2012
Choi Jeong Hwa – Moving Flower, Perth International Art Festival, Australia, 2012

Korean artist and designer Choi Jeong Hwa is mostly known for his large lotus blossoms. With motorized fabric leaves opening and closing, simulating the movement of a live lotus flower, his sculptures are often installed in public space and create a link between the modern world and one of the most important cosmological symbols in Asia.

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Dark comic style portraits by Chinese artist

Dark comic style portraits by Chinese artist

Wang Yuping – Taoist Priest No.06, 2007, oil painting and acrylic, 190x150cm
Wang Yuping – Taoist Priest No.06, 2007, oil painting and acrylic, 190x150cm

Wang Yuping (b.1962, Beijing) is known for his gritty, comic book style portraits of urban life in China. His paintings are playful, feature rough, tough or absurd Beijing characters and seem to spy on life in the inner city as a kind of Wang Shuo of the art’s world. By placing us in intimate spaces with arresting, descriptive personal images, Wang Yuping continues his exploration of urban culture and social change.

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