Rainbow church is aptly named and refers to an eight-meter-high installation that creates a rainbow as light is refracted within its space. The installation is a wall of crystal prism that throws off rainbows to anyone within the installation space. The 500 crystal prisms that make up the installation allow light passing through them to be refracted, creating rainbow hues in the areas around the installation and the adjacent walls resulting in an effect seen with stained glass only in this case there is no stained glass. One can interpret Rainbow Church in a number of ways. One interpretation draws upon the relationship between man and nature and hence creates a scene where form is given to it as his creation such as in the case of light into rainbows.
Jun Ong – Star, 2015, 500m steel cables, LED strips, Penang, Malaysia
The star is set at the core of an unfinished concrete building that spans all five floors from the ground to the roof. It forms a 12-sided polygon also called a dodecahedron in 3D, which is visible from several kilometers away. The light installation blazes in white light encompassing the whole building, but it seems like a bright floating star when seen from afar.
Lucio Fontana – Struttura al Neon per la IX Triennale di Milano, 1951/2017, installation view at Pirelli HangarBicocca, Milan, 2017
Photo: Agostino Osio
About Lucio Fontana
Lucio Fontana’s interest in technological and scientific advancements that occurred during the 20th century largely inspired his approach to a wide array of methods and mediums. For instance, he has worked with stone, neon, ceramics and even metals. As a painter, he went beyond two-dimensional surfaces by engaging technology as a means to attain expressions of the 4th dimension. By going beyond the expected, Lucio managed to create an innovative and new aesthetic dialect that blended painting, sculpture, and architecture.
Kimsooja – To Breathe – A Mirror Woman, 2006, Palacio de Cristal, Parque del Retiro, Madrid, Spain
Kimsooja is a Korean-born artist that has won recognition around the world. Despite living in New York, her work is exhibited across Europe, Asia and America. Her work includes performances, photographs, installations and videos. Her work involves a number of subjects like relationships with others, nomadism and the role of women among other people in dealing with challenges that we meet every day.
Doug Wheeler – PSAD Synthetic Desert III, Solomon R. Guggenheim Museum, New York
Photo: David Heald
Over 40 years ago, a leading Light and Space artist called Doug Wheeler imagined an art project that resembled the tranquility you would experience if you travelled to an expansive desert such as the one in Arizona. For a long time, the idea only existed on paper due to the amount of resources it required to get going.
Doug Wheeler’s ‘chamber’
Japan & light festivals
Japan seems to be way ahead of the rest of the world when it comes to experimenting with lights. It is a culture throughout the country to have impressive light festivals over winter. Other than showcasing the creativity of new talent every year, such festivals give life to the boring weather of winter. It is no wonder that most people love to extend these displays well into spring.
Olafur Eliasson – The Weather Project, 2003, Monofrequency lights, projection foil, haze machines, mirror foil, aluminium, and scaffolding, 26.7×22.3×155.4m, Turbine Hall, Tate Modern, London
Photo: Olafur Eliasson / Tate, London
About the Weather Project
Olafur Eliasson has created a gigantic installation which in 2003 took over all space in Tate Modern, London. The artwork, a sun rising out of a mist was bound to keep any visitor in awe. In this project named The Weather Project, the Scandinavian artist recreated the sun and the sky to occupy the Turbine Hall. The whole space was covered with a fine mist that seeps into the whole space like it was coming from the outside space. Looking ahead to see if the mist escapes into the outer space, visitors saw in place of the ceiling, a replica of the space below – like a mirror. There were 200 low-sodium mono-frequency lamps at the extreme end of the hall as well. Mono-frequency lamps are mostly used in street lights and the frequency at which they emit light is so low that any other color besides black and yellow are invisible. These lamps, therefore, change the view and landscape of the environment into one with two tones.