Archive: Mohamed Bourouissa
Front row seat to Parisian ghetto – Mohamed Bourouissa’s Périphérique

Front row seat to Parisian ghetto – Mohamed Bourouissa’s Périphérique

Mohamed Bourouissa - Périphérique - La fenêtre, 2005

Mohamed Bourouissa - Périphérique - Le groupe, 2007, C-print, 90x120cm
Mohamed BourouissaPériphérique, Le groupe, 2007

Introduction

Mohamed Bourouissa’s pictures are inspired by classical painting, the pictures are expressive declarations pointing at the ethical fallout of photojournalism, focusing on the problematic power relations that take place within the photographic medium in addition to the voyeuristic nature of photojournalism.

His Parisian suburb photos

Mohamed Bourouissa’s photo’s, like those of many photojournalists work, features impoverished, stylish young African and Arab men and women, some who are immigrants while others are the children of immigrants, living in suburban housing projects on the peripheries of Paris. The photographs, however, are posed, which is where the inspiration of the classical painting comes in, motionlessly elegant.

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