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Installation view of Bacon – Giacometti at Fondation Beyeler, L Homme qui marche by Alberto Giacometti among other works, 2018
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The Fondation Beyeler sheds light on the exciting relationship between Alberto Giacometti and Francis Bacon. Both artists have created impressive works, which are now among the most expensive artworks.

The age difference between the older Giacometti and Bacon is eight years. Even before meeting him in person, the younger artist worshipped Bergell as “the greatest draughtsman of all time”. Later he was to say that Giacometti was the man who influenced him more than anyone else. Giacometti, on the other hand, was fascinated by the irrepressible energy in the art of Bacon. In addition to Bacon’s portraits, his own portraits would appear more prudish, says Giacometti.

The exhibition includes key works and is supplemented by rarely shown works by both artists, some of which have never before been shown to the public before. A multimedia room offers spectacular insight into the studios of both artists.

Installation view of Bacon – Giacometti at Fondation Beyeler
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Francis Bacon – Triptych Inspired by the Oresteia of Aeschylus, 1981, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon – Triptych Inspired by the Oresteia of Aeschylus, 1981, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm)

Francis Bacon – Triptych, 1967, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon – Triptych, 1967, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm)

Francis Bacon – In Memory of George Dyer, 1971, Oil and dry transfer lettering on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon – In Memory of George Dyer, 1971, Oil and dry transfer lettering on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm)

Francis Bacon – Portrait of George Dyer Riding a Bicycle, 1966, Oil and sand on canvas, 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon – Portrait of George Dyer Riding a Bicycle, 1966, Oil and sand on canvas, 78 x 58 in. (198 x 147.5 cm)

Francis Bacon – Lying Figure, 1969, Oil on canvas, 78 x 58 in. (198 x 147.5 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon – Lying Figure, 1969, Oil on canvas, 78 x 58 in. (198 x 147.5 cm)

Francis Bacon – Two Studies from the Human Body, 1974-1975, Oil and dry transfer lettering on canvas, 78 x 58 in. (198.1 x 147.3 cm), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon – Two Studies from the Human Body, 1974-1975, Oil and dry transfer lettering on canvas, 78 x 58 in. (198.1 x 147.3 cm)

Francis Bacon – Lying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in), installation view at Fondation Beyeler, Basel, Switzerland
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Francis Bacon – Lying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in).jpg
Francis Bacon – Lying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in), installation view at Fondation Beyeler, Basel, Switzerland

Installation view of paintings by Francis Bacon at Fondation Beyeler, Basel, Switzerland
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Francis Bacon – Head VI, 1949 and Alberto Giacometti – Le nez, 1947-49
Photo: Fondation Beyeler

Alberto Giacometti – Le nez, 1947-49, 43,6 × 9 × 61,6 cm, installation view at Fondation Beyeler, Basel, Switzerland
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Alberto Giacometti – Grande Tête Mince, 1954, 65.6 x 39.1 x 24.9 cm, installation view at Fondation Beyeler, Basel, Switzerland
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Alberto Giacometti – Grande Tête Mince, 1954, 65.6 x 39.1 x 24.9 cm
Photo: Succession Alberto Giacometti/2018, ProLitteris, Zurich

Alberto Giacometti and Bacon, 1965, original photo by Graham Keen
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