Giacometti / Bacon at Fondation Beyeler – The exhibition of the year?

Installation view of Bacon - Giacometti at Fondation Beyeler, L Homme qui marche by Alberto Giacometti along other works 1
Installation view of Bacon – Giacometti, L Homme qui marche by Alberto Giacometti among other works, 2018

Alberto Giacometti & Francis Bacon exhibition at Fondation Beyeler

The Fondation Beyeler sheds light on the exciting relationship between Alberto Giacometti and Francis Bacon. Both artists have created impressive works, which are now among the most expensive artworks.

How did they inspire each other?

The age difference between the older Giacometti and Bacon is eight years. Even before meeting him in person, the younger artist worshipped Bergell as “the greatest draughtsman of all time”. Later he was to say that Giacometti was the man who influenced him more than anyone else. Giacometti, on the other hand, was fascinated by the irrepressible energy in the art of Bacon. In addition to Bacon’s portraits, his own portraits would appear more prudish, says Giacometti.

What was shown at Fondation Beyeler

The exhibition includes key works and is supplemented by rarely shown works by both artists, some of which have never before been shown to the public before. A multimedia room offers a spectacular insight into the studios of both artists.

Installation views

Installation view of Bacon - Giacometti at Fondation Beyeler
Bacon – Giacometti, installation view, Fondation Beyeler

Triptychs by Francis Bacon

Francis Bacon - Triptych Inspired by the Oresteia of Aeschylus, 1981, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm) installation view
Francis Bacon – Triptych Inspired by the Oresteia of Aeschylus, 1981, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view, Fondation Beyeler, Basel, Switzerland
Francis Bacon - Triptych, 1967 Oil on canvas
Francis Bacon – Triptych, 1967, Oil on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view, Fondation Beyeler, Basel, Switzerland
Francis Bacon - In Memory of George Dyer, 1971, Oil and dry transfer lettering on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm) installation view
Francis Bacon – In Memory of George Dyer, 1971, Oil and dry transfer lettering on canvas, Triptych, Each panel 78 x 58 in. (198 x 147.5 cm), installation view, Fondation Beyeler, Basel, Switzerland

Paintings by Francis Bacon

Francis Bacon – Portrait of George Dyer Riding a Bicycle, 1966, Oil and sand on canvas, 78 x 58 in. (198 x 147.5 cm), installation view, Fondation Beyeler, Basel, Switzerland
Francis Bacon - Lying Figure, 1969, Oil on canvas, 78 x 58 in. (198 x 147.5 cm) installation view
Francis Bacon – Lying Figure, 1969, Oil on canvas, 78 x 58 in. (198 x 147.5 cm), installation view, Fondation Beyeler, Basel, Switzerland
Francis Bacon - 1974 - 1975 Oil and dry transfer lettering on canvas 78 x 58 in. (198.1 x 147.3 cm), installation view
Francis Bacon – Two Studies from the Human Body, 1974-1975, Oil and dry transfer lettering on canvas, 78 x 58 in. (198.1 x 147.3 cm), installation view, Fondation Beyeler, Basel, Switzerland
Francis Bacon – Lying Figure, 1961, oil on canvas, 198.0 × 142.0 Size (cm), 78.0 × 55.9 Size (in), installation view, Fondation Beyeler, Basel, Switzerland
Installation view of paintings by Francis Bacon at Fondation Beyeler
Francis Bacon, installation view, Fondation Beyeler, Basel, Switzerland

Alberto Giacometti sculptures

Alberto Giacometti – Le nez, 1947-49, 43,6 × 9 × 61,6 cm, installation view, Fondation Beyeler, Basel, Switzerland
Alberto Giacometti - Grande Tête Mince, 1954, 65.6 x 39.1 x 24.9 cm, installaton view
Alberto Giacometti – Grande Tête Mince, 1954, 65.6 x 39.1 x 24.9 cm, installation view, Fondation Beyeler, Basel, Switzerland
Alberto Giacometti and Francis Bacon, 1965
Alberto Giacometti and Bacon, 1965, original photo by Graham Keen, installation view, Fondation Beyeler, Basel, Switzerland

All images: Public Delivery unless otherwise noted.

 

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