Steve Mumford – The Prayer, 2016, oil on linen, 121.9×152.4cm
Many artists often find that they have to immerse themselves in the landscapes and the environment that they paint. This not only helps when capturing the true essence of the subjects to be featured in the art, but it also helps the artist gain a deeper understanding of the subjects in regards to their feelings, emotions, and opinions.
Hayv Kahraman – Curfew, 2015, Oil on linen, 185x244cm
Courtesy the artist and The Third Line
Hayv Kahraman was born in Baghdad, Iraq in 1981, moved to Sweden at the age of 11 and began painting at the age of 12. She uses art in various ways to create something that is extremely unique and catching. Kahraman’s artwork depicts the impacts of war, significantly the affect on war women. Her diverse stylistic references range from Japanese and Arabic calligraphy art nouveau, Greek iconography and Persian miniature.
Hayv Kahraman’s work contends with the marginal spaces between Western and Middle Eastern culture, including the physical traits and the concepts of gender through her individual histories as an Iraqi immigrant to Europe then to the United States. Her work has intertextual notes of the Western and Middle Eastern art histories, but her personal aesthetic, as an immigrant, is of her very own and belongs to neither.
Jeremy Deller – It is what it is- Conversations About Iraq, 2009, at Joy in People at the Hayward Gallery, Southbank Centre
Photo: Linda Nylind
In the Imperial War Museum in London, surrounded by some of the most powerful military hardware of the last 100 years rests a rusting, crumpled car. This is a clear example of what war does. The car is a piece by Jeremy Deller, and was a car that was contorted in a street bombing that killed 38 people and wounded many more at Baghdad’s Al-Mutanabbi book market. Al-Mutanabbi book market was at the heart of the Baghdad’s cultural and intellectual life.