The Cloud Tirana: Climb Sou Fujimoto’s Reja wonder

3 min read
Sou Fujimoto - Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania
Sou Fujimoto – Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania, photo: Public Delivery
Address

Bulevardi Dëshmorët e Kombit, Tirana Copy to clipboard

41.325523, 19.819764 Copy to clipboard

Visit information

Open 24/7

Accessibility The artwork is located in an open public space and is easily accessible to those with disabilities.

There are pathways leading to and around the installation that accommodate wheelchairs and other mobility devices.

Best visit time The Reja Cloud Pavilion can be visited any time, but it's particularly striking at sunset when the light plays through its structure.

Weekday mornings might offer a quieter experience if you prefer fewer crowds.

Introduction

Reja is one of the most popular public works installed in Albania. Reja was designed by well-known and celebrated Japanese architect Sou Fujimoto. It is now installed at Tirana at the Gallery of Arts. Tirana was the second city to host the masterpiece after London hosted it first1.

Also commonly referred to as The Cloud, the construction is inspired by organic shapes that are naturally found in the environment. The artwork is highly accessible and interactive. It’s designed to be climbed and explored by visitors.

Sou Fujimoto - Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania
Sou Fujimoto – Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania, photo: Public Delivery

In this piece, the manufactured and natural combine to create a massive artificial nest. The delicate quality of the structure, enhanced by its opaque nature, is what helps to construct a geometric, massive cloud-like form that gives the illusion that mist or fog is rising from the ripples and waves of the park.

Fujimoto’s emphasized his focus on creating interactive and adaptable spaces in this statement2: “I like to think about architecture as a wider integration of things. I don’t want to divide landscape and architecture or cityscape and architecture [but instead] melt them together to provide a variety of fields for people to behave as they like.” He further explained:

I like to create a field for people to feel comfortable … One method we use is to divide the spaces into smaller pieces, then we can get different scales and have nice in-between experiences between landscape and architecture.

The structure

The nest was created using 20mm diameter steel bars that form an opaque, cloud-like design where visitors become an integral aspect of nature and the landscape while remaining protected within the structure. Each unit was made with fine steel bars measuring 800 and 400 mm, which were interconnected to create small rectangles.

Fujimoto’s design philosophy is deeply rooted in creating spaces that blur the boundaries between nature and architecture, encouraging diverse interactions. Fujimoto said3:

Nature and architecture are fundamental themes [of my work]. I like to find something in between. Not only nature and architecture but also inside and outside. Every kind of definition has an in-between space. Especially if the definitions are two opposites, then the in-between space is more rich.

Sou Fujimoto - Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania
Sou Fujimoto – Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania, photo: Public Delivery

In another interview4, Sou Fujimoto spoke about how he likes to create spaces that allow people to behave as they want, with an architecture that respects the diversity of people’s choices rather than dictating to them.

I don’t want to design a beautiful space…. I like to make a space in which people can be inspired by the space and by other people interacting within that space.

Public reception & controversies

The public has warmly received Reja (The Cloud), praising its innovative design and interactive nature. However, some critics argue that its modern aesthetics clash with the surrounding architecture. Despite this, it remains a beloved landmark and a focal point for cultural activities in Tirana.

Sou Fujimoto – Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania
Sou Fujimoto – Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania, photo: Public Delivery

Final words

The pavilion was made with two entrances. The pavilion contains a series of stepped terraces that provide seating areas for those visiting. Children and adults are allowed to climb to the top of the structure and take a seat underneath the city’s sky. Today, the Cloud is also frequently used for theatre and musical performances.

The artwork aligns with Albania’s efforts to modernize and promote contemporary art. It reflects the country’s cultural evolution and its desire to connect with global art trends. The installation serves as a meeting point for the community, fostering social interactions and cultural exchanges.

Reja (The Cloud) exemplifies a growing trend in architecture and art that emphasizes public engagement and interactive design. As cities continue to evolve, installations like this will likely become more common, blending art and functionality in public spaces.

The artwork holds significant cultural value both locally and globally. In Tirana, it symbolizes a new era of artistic expression and urban development. Globally, it represents Sou Fujimoto’s innovative approach to architecture and his ability to create spaces that resonate with diverse audiences.

Sou Fujimoto - Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania
Sou Fujimoto – Reja (the Cloud), 2013, installation view, The National Gallery of Arts, Tirana, Albania, photo: Public Delivery

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Footnotes

1. https://publicdelivery.org/sou-fujimoto-serpentine-pavilion/
2. https://www.iconeye.com/architecture/interview-sou-fujimoto
3. https://www.dezeen.com/2013/10/28/movie-sou-fujimoto-sctructures-between-nature-architecture/
4. https://metropolismag.com/profiles/inside-the-mind-of-sou-fujimoto/