Felix Gonzalez-Torres – Untitled (Portrait of Ross in L.A.), 1991, Candies individually wrapped in multicolor cellophane, endless supply. Dimensions vary with installation; ideal weight 175 lbs. At The Art Institute of Chicago
(Photo mark6mauno Flickr)
Why did Félix González-Torres install candy in museum?
Felix Gonzalez-Torres’ piece “Untitled” (Portrait of Ross in L.A.) is one of his nineteen candy pieces and featured in many museums around the world. The work targets the topic of a serious nature, one that is still unfortunately often taboo in mainstream society. It takes the topic from the shadows, where individuals still cringe and avert their eyes, and lays it on the table for discussion and contemplation.
The approximate 175 pounds of candy that make up the work resembles the 175-pound body of Ross Laycock, the artists’ boyfriend who died of AIDS in 1991. As each person takes a piece of candy, they in turn act as the AIDS virus depleting Ross’ body, piece by piece taking it away until there is nothing left. Felix Gonzalez-Torres, who dedicated his artwork to the one he love and lost, died in 1996 of AIDS.
Magdalena Jetelová – Domestication of Pyramids, Museum of Applied Arts Vienna, Austria
Domestication of Pyramids by Magdalena Jetelová are pyramid-sculptures, covered by volcanic ashes, and have been shown at the Museum of Applied Arts, Vienna, Martin-Gropius-Bau, Berlin, National Museum of Contemporary Art, Warsaw, Irish Museum of Modern Art, Dublin, Forum Kunst Rottweil and other art spaces.