Cyprien Gaillard’s artworks & exhibitions

3 articles

Cyprien Gaillard is a French contemporary artist known for his multidisciplinary approach to art. Born in 1980, he gained international recognition for his work that combines photography, film, sculpture, and installation. Gaillard’s art often explores the intersection of nature and human civilization, examining themes of decay, destruction, and the passage of time.

He’s renowned for his visually stunning and thought-provoking pieces, which frequently draw from architectural ruins, urban landscapes, and historical references. Gaillard’s work has been exhibited in prestigious art institutions worldwide, and he continues to push boundaries in contemporary art with his unique perspective on the relationship between culture and the environment.

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What happens in Cyprien Gaillard’s Nightlife?

Cyprien Gaillard is known for creating work that interconnects history and nature, as well as humankind’s connection to both. In particular, Gaillard is known for exploring the beauty of failure and the natural collapse of things in general, and in particular, only deeply interested in ruins. His work spans numerous mediums, including etching, performance art, […]

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Cyprien-Gaillard-–-Recovery-of-discovery-2011-KW-Institute-for-Contemporary-Art-Berlin-feat

Cyprien Gaillard’s Recovery of discovery – A beer pyramid

Cyprien Gaillard is a French modern artist born in 1980 in the capital of France, Paris. Currently, he lives and works between New York and Berlin. His work oscillates between minimalism, romanticism, vandalism, and land art. Influences Land art artist Robert Smithson created and advocated the concept of entropy. This concept, the idea of disorder

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Cyprien Gaillard’s massive neon sculpture of an Indian overlooks Berlin

The mascot of the American baseball team Cleveland Indians, popularly known as Chief Wahoo, is as highly recognized as it is controversial. That makes Cyprien Gaillard’s (b. 1980) installation on top of Haus der Statistik, an abandoned government building in Alexanderplatz, Berlin, a headline magnet. At times, the arbitrariness of what symbolic icons can make

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