fireworks Archive

Archive: fireworks

Powerful photos of rainbow exploding over New York

Cai Guo-Qiang – Transient Rainbow, 2002, 1,000 3-inch multi-color peony fireworks fitted with computer chips, explosion radius approximately 200m. Realized over the East River, from Manhattan to Queens, 15 seconds explosion event in celebration of the opening of MoMA QNS, New York City
Photo: Hiro Ihara, courtesy Cai Studio

Introduction

The Transient Rainbow by Cai Guo-Qiang was a minute-long show of color and light and it was held at the East River, just over the southern tip of Roosevelt Island. The event was held by the Museum of Modern Art, New York to commemorate MOMA’s temporary move to Queens. The Transient Rainbow was displayed for the public on June 29, 2002. The Transient Rainbow was one among many special projects by other contemporary artists that had been commissioned by the Museum of Modern Art to celebrate the establishment of the Queens branch.

Posted in Blog | Tagged 2003, Art in China and by Chinese artists, Art in New York, Cai Guo-Qiang, explosions, fireworks, NYC MoMA, public art, rainbow | Leave a comment

Cai Guo-Qiang’s massive 8min explosive performance made citizens call the police

Cai Guo-Qiang – Elegy, chapter one of Elegy: Explosion Event for the opening of Cai Guo-Qiang: The Ninth Wave, realized on the riverfront of the Power Station of Art, Shanghai, China, 5:00 p.m., August 8th, 2014, approximately 8 minutes

About Cai Guo-Qiang

Cai Guo-Qiang is a New York-based artist and one of the furthermost celebrated contemporary artists originating from China. He is known for a remarkable new kind of fireworks spectacles which he calls “explosion events.” He has taken gunpowder, one of China’s Four Great Inventions and led the way in a new impressive form of art that is substantial and metaphorical. His fireworks represent nature, culture, life, and death.

Cai’s history with pyrotechnics

Cai’s captivation with pyrotechnics had origins in weaponry and physics, evolving into an affinity with traditional Chinese brush painting. Thus the violent explosions are transformed into a tool of art, creating a masterpiece in the sky, a masterpiece that only has a short lifetime, and fades away. Cai’s daytime “explosion events,” intimates classical brush painting. Cai involves organic vegetable dyes as opposed to just gunpowder, the smoke from these “explosion events” gradually blurs in the air almost as ink from a brush stroke is absorbed by rice paper in traditional painting. His daylight skywriting signifies his deep traditionalism and his modernism all at once.

The 2014 fireworks project in Shanghai

Cai’s work in front of the Power Station of Art in Shanghai, China is eight minutes of colors filling the sky, in a ritualistically sincere elucidation of the ‘death of nature’. The show personifies the natural world with remembrance, looking back on the past and the transitory nature of time through a display of colorful smoke. The smoke fades away until nothing is left, no reminiscence of the beauty that once was, just like everything that exists in nature.

Why was the police called?

The police asked the artist not to publicize the event to prevent traffic problems. The fireworks left many people clueless, thinking that the massive, yellow and black-and-green clouds were the toxic results of a serious accident. Aware of recent, non-artistic explosions (factory in Jiangsu, gas pipes in Kaohsiung), widely publicized in the Chinese media, concerned locals started calling the police.