Andreas Angelidakis – Polemos, 2017, Foam and vinyl seating modules, Ten blocks: 50 × 70 × 70 cm, 110 blocks: 50 × 70 × 140 cm, 16 blocks: 50 cm × 70 cm diameter, documenta 14, Fridericianum, Kassel, Germany
Photo: Nils Klinger
Named for the Greek spirit of war and battle, Polemos is comprised of 136 foam blocks covered in various camouflage fabrics. Together the blocks of foam and vinyl seating modules create a massive tank, which can be disassembled and reassembled in other formations-including seating for visitors to the Fridericianum Museum (where the piece was exhibited during documenta 14). Clearly, a comment on the uncertain nature of war, Polemos is the result of Andreas Angelidakis multidisciplinary practice in art and architecture.
Welcome to our bi-weekly recap to share with you our highlights and most recent blog posts from the past two weeks.
Ibrahim Mahama – Untitled (K.N.U.S.T.), 2013 (Detail), Jute coal sacks, dimensions Variable
About Ibrahim Mahama
Ibrahim Mahama is an artist born and working with Ghana. His installation works using Jute sacks (reappropriated material he has purchased from markets, which were first cocoa sacks and then coal sacks) are the result of his investigation of the conditions of supply and demand in African markets. Torn, patched, stamped with PRODUCT OF GHANA, and written over with owners’ names, the bags are variously marred, marked, and transformed. These installations are displayed in Ghanaian markets as well as galleries, thus defying the artifacts’ intrinsic value system. Ibrahim uses the coal sacks as a device to explore process, material, value, and meaning. He creates an artistic vision out of a commonplace material, repurposing them and exhibiting them in the very marketplaces from which they came.