Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
‘Han Dynasty Vases in Auto Paint’
The Han Dynasty Vases with Auto-Paint is a work shown as part of Ai Weiwei’s solo exhibition “Evidence”. It is a series of neolithic vases, painted smooth and shining with brightly colored automotive paint. The aged vessels are given new context, evoking the mass marketing and luxurious consumerist appeal of the goods typically adorned with this type of paint, that are highly coveted in China. By destroying their historical value, he creates a highly politicized satire that calls into question the nature of art.
About Ai Weiwei
Born in 1957, Beijing, Ai Weiwei began his training at Beijing Film Academy and later continued at the Parsons School of Design in New York City. He was instrumental in the founding of the Overseas Chinese Artists Foundation as well as laying the groundwork for experimental artists in the East Village. His work has been displayed all over the world in Australia, Belgium, China, France, Germany, Italy, Japan, Korea and the United States and recently has been commissioned by the Tate Modern. Later his name would become famous with projects such as the Bird’s Nest, the Olympic Stadium for the 2008 Beijing Summer Games. His role as an activist deepened, with his infamous probe of the 2008 Sichuan earthquake student deaths and the following closing of his blog.
Photos
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable, at Palazzo Strozzi, Italy
Photo: Alessandro Moggi/palazzostrozzi.org
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable, at Blenheim Palace, Oxfordshire, UK
Photo: STF/asianartbrief.com
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
Photo: Mathias Völzke/mymodernmet.com
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
Photo: Martin-Gropius Bau/berlin.de
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, dimensions variable
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, 43x39x39cm and 46x42x42cm
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2014, Han Dynasty vases (202 BC to 220 AD) and auto paint, set of two 51x51x54cm and 50x50x50cm
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2013, Han Dynasty vases (202 BC-220 AC) and auto paint
Ai Weiwei – Han Dynasty Vases in Auto Paint, 2013, Han Dynasty vases, 35.6 x 190.5 cm
All images by Ai Weiwei studio unless otherwise noted.
Other important works
- What is Ai Weiwei doing with 9000 children’s backpacks?
- Ai Weiwei’s coloured vases: Clever artwork or vandalism?
- Dropping a Han Dynasty Urn, 1995
- Study of Perspective, 1995-
- Sunflower Seeds (2010)
- Forever Bicycles, 2014
Related works
- Yeesookyung’s Korean vases: Imperfection gives way to stunning results
- Beautiful sculptures made entirely from soap – Meekyoung Shin
