The Han Dynasty Vases with Auto-Paint is a work shown as part of Ai Weiwei’s solo exhibition “Evidence”. It is a series of neolithic vases, painted smooth and shining with brightly colored automotive paint. The aged vessels are given a new context, evoking the mass marketing and luxurious consumerist appeal of the goods typically adorned with this type of paint highly coveted in China. By destroying their historical value, he creates a highly politicized satire that calls into question the nature of art.
About Ai Weiwei
Born in 1957, Beijing, Ai Weiwei began his training at Beijing Film Academy and later continued at the Parsons School of Design in New York City. He was instrumental in the founding of the Overseas Chinese Artists Foundation and laid the groundwork for experimental artists in the East Village. His work has been displayed worldwide in Australia, Belgium, China, France, Germany, Italy, Japan, Korea and the United States and recently has been commissioned by the Tate Modern. Later his name would become famous with the Bird’s Nest, the Olympic Stadium for the 2008 Beijing Summer Games. His role as an activist deepened with his infamous probe of the 2008 Sichuan earthquake student deaths and the following closing of his blog.
All images by Ai Weiwei Studio unless otherwise noted.