Archive: Marian Goodman Gallery
Yang Fudong’s dreamlike video work situated in 1930s Shanghai

Yang Fudong’s dreamlike video work situated in 1930s Shanghai

Yang Fudong - Fifth Night Part 1, 2010, 7 channel video installation, 35 mm film B & W, stereo sound, 35mm - Still 4
Yang FudongFifth Night Part 1, 2010, 7 channel video installation, 35 mm film B & W, stereo sound, 35mm

China’s most well-known cinematographer and photographer, Yang Fudong, was born in Beijing, China, in 1971. He is also regarded by many as one of the greatest film writers to come out of China, however his creativity spans far beyond that. Yang began training in painting at the China Academy of Fine Arts in Hangzhou, and started working with film in the early 1990s. He now uses images to depict thought and experience, and he seeks to portray that anything is possible, including dreams and fantasies.

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Sol LeWitt’s influential drawings on walls around the world

Sol LeWitt’s influential drawings on walls around the world

Sol LeWitt, Wall Drawing #1136
Sol LeWitt – Wall Drawing #1136

1,3500 Wall Drawings in four decades

Over the course of his prolific, influential career, Sol LeWitt (1928–2007) produced approximately 1,350 wall drawings, comprising approximately 3,500 installations at more than 1,200 venues.

Why did Sol LeWitt let others paint his ideas?

Early in his career, Sol LeWitt began to have others help execute his wall drawings. Wall Drawing 16 was first drawn by a draftsman, which helped LeWitt to realize his work according to his instructions and diagrams, addressing practical concerns such as the time-consuming nature of the drawings. More significantly, however, this choice articulated LeWitt’s belief that the conception of the idea, rather than its execution, constitutes the artwork. He was also rejecting the traditional importance assigned to the artist’s own hand. The artist executed the earliest wall drawings within a square, usually four by four feet wide, but by 1969 he was using the entire wall, starting with Wall Drawing 16.

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