Fan Ho – Inferno, 1962
Fan Ho biography & triology
Photographer Fan Ho was born in Shanghai, China in 1931 and immigrated to Hong Kong in his teens where he then began to photograph the drama of city life, ranging from the teeming markets to desolate alleyways. A Hong Kong Memoir completes Ho’s trilogy that he began with Hong Kong Yesterday and The Living Theatre, in which he introduced viewers to Hong Kong during the 1950s and 1960s, using his exceptional eye for light, structure, and his patience, waiting for the right moment to take the photo.
About Hiroshi Sugimoto
Hiroshi Sugimoto is a photographer who was born in Japan in 1948 and now divides his time between Tokyo and New York City. Both cities influence the works of Sugimoto, who began dabbling in photography in high school, but he was retrained as an artist in California in 1974, where he received his BFA in Fine Arts at the Art Center College of Design. When Sugimoto moved to New York City, he began working in SoHo as a dealer in Japanese antiquities.
Amongst Sugimoto’s many accomplishments, he is also a noted architect. His architectural practice was established in Tokyo after receiving a number of requests to design structures. However, because he doesn’t have an architectural license himself, he works with three architects who help him accomplish his design vision. Architecture and structure is even ident in a number of his work and exhibitions, even in his photography. Hiroshi’s work is influenced by the works of Marcel Duchamp, in addition to the Dadaist and Surrealist movements, and 20th-century modern architecture.
The series Seascapes consists of hundreds of black and white photographs of the motionless ocean, captured in a way that is simply picturesque and otherworldly. The calm simplicity of the images is meditative, using repetition as a tool. Seascapes saw its start in the 1980s and captured the view of the ocean over and over again in perfect simplicity. The series of photographs of the sea and horizons all over the world allows viewers to travel with him to locations including the Cliffs of Moher, the English Channel, the Arctic Ocean, Positano, the Tasman Sea, Vesterålen and the Black Sea. The theme of repetition continues as each black-and-white picture is in the same size, separated in half by the horizon line.
Hiroshi uses an old-fashioned large-format large-format camera, often using prolonged exposure times in order to produce flat and clean images in which the ocean has permanent creases rather than ripples and waves. He freezes time; he stills movement, and in some cases makes the seascape into an unrecognizable abyss. His use of light and dark, a haunting contrast, demonstrates the never-ending battle between life and death. It shows that life is fleeting.
The black and white photographs stand out from the works of other photographers in its use of natural light. Hiroshi’s work embraces shadows and forms. Viewers can’t help but be drawn into the open vision, to question and ponder the idea of time. As viewers gaze onto the frozen horizon, they too lose their sense of our concepts of time, space and place. Seascapes inspire reflection; reflection about the origin of cultures, the origin of our world, and the journey it took to get where we are now. This place we are in space and time, like life, is only a fleeting moment, part of the journey itself.
As a photographer, Hiroshi Sugimoto has a reputation for having some of the most impressive technical abilities. This comes from his use of the old large format camera and his use of long exposure. This skill is evident in the way that the vast ocean and horizon become frozen into a structure. It isn’t difficult to see why the artist’s work has become renowned, and its strong visual effects and spiritual ability to draw audiences into a meditation are undeniably powerful.