Thomas Struth – Pantheon, Rome, 1990
Thomas Struth is one of the most critically acclaimed contemporary photographers of our time. He is renowned for his black and white photographs of cities such as Düsseldorf and New York, as well as his family portraits. The artist who lives in Dusseldorf acquired his inspiration for his series of Museum Photographs while he was residing in Naples and Rome, where he discovered that there was a connection between paintings of art and religion and how these paintings connect audiences to their spirituality. The Museum Photographs, which was showcased at the Art Institute of Chicago, Chicago, marshaled in a new visual language in the field of photography.
Thomas Struth – Mountain, 2013
Who do you imagine and how do you materialize it?
The collection of Thomas Struth: full of dynamic creativity, unseeingly authenticity.
You’d definitely know it is inspired by a life beyond what our eyes can see. He made art in an angle where our minds depict an unimaginative reality that is correlated through the art of modern technology. The conceptualization was well thought in such a way that fantasies and imagination has materialized and has become a reality.
Thomas Struth – Semi Submersible Rig, DSME Shipyard, Geoje Island, 2007
ABOUT STRUTH’S WORKS IN KOREA
In March 2007, Thomas Struth went on a first trip to South Korea. He spent time in the two largest cities, Seoul and Busan, as well as visiting religious and cultural sites, important landscapes and shipyards. At the vast DSME shipyard on Geoje Island, one of the largest in the world, he photographed tankers under construction and an immense semi-submersible drilling rig. Struth made two further visits to South Korea in 2008 and 2010, as well as visiting Pyongyang in North Korea for the first time.
Thomas Struth – Paradise 01 (Daintree, Australia), 1998
ABOUT THOMAS STRUTH’S NEW PICTURES FROM PARADISE
Next to his well known Street and Museum Photographs, Thomas Struth has been taking pictures of forests in different parts of the world since 1998. By giving these images the title New Pictures from Paradise he has endowed them with a special meaning as pictures of nature before the Fall of Man. His attention focuses on wild nature, at the same time referencing and questioning representations of paradise throughout history and cultures.