Archive: Art in Paris
A first look at the new, intimate Giacometti museum in Paris

A first look at the new, intimate Giacometti museum in Paris

Alberto Giacometti museum, Montparnasse, Paris, reconstructed atelier
Reconstructed studio of Alberto Giacometti on 23m2 including more than 70 original artworks at Institut Giacometti, Paris
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Swiss sculptor and painter Alberto Giacometti has a new exhibition space in Paris. Hosted in an Art Nouveau villa, this museum shows a reconstruction of his legendary studio, including furniture and walls on which he left numerous sketches. The new space is located in the former artists’ district of Montparnasse, just a few blocks from the original Parisian studio, where Giacometti worked from 1926 until his death in 1966.

Some of the artworks are very fragile and have never been shown in public. This project is initiated by the Fondation Giacometti, which owns the largest Giacometti collection worldwide.

Address Giacometti Institute, 5 Rue Victor Schoelcher, 75014 Paris
Hours The Institute is open by an online reservation system
Visit Métro ligne 4 et 6 : Raspail ou Denfert-Rochereau; RER B : Denfert-Rochereau; Bus ligne : 38, 68, 88, ou 91

Alberto Giacometti museum, Montparnasse, Paris, outside
Exterior of the Art Nouveau villa which hosts the Institut Giacometti, Paris
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Alberto Giacometti - Femmes de Venise
Alberto GiacomettiFemmes de Venise, 1956, Institut Giacometti, Paris
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Alberto Giacometti - Portrait of Jean Genet, 1954-1955, Oil on canvas, 73 x 60 cm
Alberto GiacomettiPortrait of Jean Genet, 1954-1955, Oil on canvas, 73 x 60 cm, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - interior
Interior of Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - interior
Interior of Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - sculpture
Alberto Giacometti, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris, Art Noveau Villa
Interior of Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - installation view
Installation view, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - drawing 1
Alberto Giacometti drawing, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - drawing 2
Alberto Giacometti drawing, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - letter
Alberto Giacometti letter, Institut Giacometti, Paris
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Alberto Giacometti - Institut Giacometti, Paris - sculpture 1
Alberto Giacometti sculpture, Institut Giacometti, Paris
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See how these hypnotic installations transform rooms

See how these hypnotic installations transform rooms

Peter Kogler - Dimensions, 2011
Peter KoglerDimensions, 2011

Peter Kogler is a renowned artist from Austria that currently works and lives in Vienna. Kogler is best known for his different psychedelic room installations. Through his paintwork and his intricate projections, he transforms ordinary looking rooms and spaces such as lobbies, galleries, and transit centers by making them look twisted, warped or distorted, which in turn has a psychedelic effect for the public.

Kogler’s room installations explore vital concepts in his art such as modularity and repetition. The rooms alter one’s perception of architecture, which serves as the primary medium for his art. Aside from his dizzying rooms, Kogler is also an important performance, film and video artist as well as a sculptor.

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Hyperrealistic sculpture tells the story of love

Hyperrealistic sculpture tells the story of love

Ron Mueck - Couple Under An Umbrella, 2013 1c
Couple Under An Umbrella, 2013, mixed media, 300 x 400 x 500 cm (approx.)

At first glance, especially from a picture, it is easy to assume that the Couple under an Umbrella sculpture is a real life image frozen in time. In a world marred by conflict and competition, everybody appreciates the display of affection by people. The couple in question is quite elderly and the artist must have chosen to use this age because of its ability to influence multiple generations. The sculpture tells the story of love at the Fondation Cartier pour l’art contemporain in Paris, France where it rests on a pavilion designed by Jean Nouvel.

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Striking installation comments on climate change

Striking installation comments on climate change

Pedro Marzorati – Where the Tides Ebb and Flow
Pedro MarzoratiWhere the Tides Ebb and Flow, Montsouris Park, Paris

As you walk through Paris and especially in the Montsouris Park, one cannot help but notice the blue busts that appear to be rising from under the surface of the water. This art work is known as ‘Where the Tides Ebb and Flow’ created by Pedro Marzorati, an Argentinian artist. This is a commentary on how the water levels in the earth’s sea bodies continue to rise as a result of climate change. The level of submersion of the various sculptures is an indication of the level of impact that global warming is having in different parts of the world. The sequence in which the sculptures are arranged indicates that as time goes by, the human forms will be completely below the water. The use of blue for the sculptures is deliberate and so is the number of sculptures used. The work shows that poetic activism can be just as effective if not more powerful than verbal advocacy.

The world today faces many challenges one of which is climate change as a result of human activity. Is there something that can be done to protect the environment from self-destruction? The future of the continent depends on the actions of its inhabitants but a visual that can be seen all the time communicates this message better. For Pedro, a controversial installation is the only way in which this message of climate disturbances can be addressed.

Pedro Marzorati in many instances uses ordinary objects to interpret various world events. In a way, his works appeal to the subconscious and subsequently leave the audience in deep thought about problems facing humanity. By creating concern for the universe, the artist sends out warnings about what would happen if destructive activities are not stopped. To use a statue to demonstrate human destruction is the closest form of personal intervention and many artists are taking up this technique. It might not be possible to project accurately the stages of destruction that adverse global warming is going to have but the statues will continue to give a warning even to future generations.

Pedro Marzorati – Where the Tides Ebb and Flow
Pedro MarzoratiWhere the Tides Ebb and Flow, Montsouris Park, Paris

Pedro Marzorati – Where the Tides Ebb and Flow
Pedro MarzoratiWhere the Tides Ebb and Flow, Montsouris Park, Paris

Pedro Marzorati – Where the Tides Ebb and Flow
Pedro MarzoratiWhere the Tides Ebb and Flow, Montsouris Park, Paris
Photo: Reuters/Christian Hartmann

Pedro Marzorati – Where the Tides Ebb and Flow
Pedro MarzoratiWhere the Tides Ebb and Flow, Montsouris Park, Paris

Pedro Marzorati – Where the Tides Ebb and Flow
Pedro MarzoratiWhere the Tides Ebb and Flow, Montsouris Park, Paris

Pedro Marzorati – Where the Tides Ebb and Flow
Pedro MarzoratiWhere the Tides Ebb and Flow, Montsouris Park, Paris
Photo: AP/Francois Mori

Pedro Marzorati – Where the Tides Ebb and Flow
Pedro MarzoratiWhere the Tides Ebb and Flow, Montsouris Park, Paris

Video


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Pumpkins & Tulips – Yayoi Kusama’s most outstanding public sculptures

Pumpkins & Tulips – Yayoi Kusama’s most outstanding public sculptures

Yayoi Kusama - Pumpkin, 1994, Benesse Art Site, Naoshima, Japan
Yayoi KusamaPumpkin, 1994, Benesse Art Site, Naoshima, Japan

Celebrating her 90th birthday in 2019, Yayoi Kusama is a leading Japanese artist and legend as far as art is concerned. While she deliberately makes unique pieces that can withstand the wear and tear of the outdoors, she is renowned for reproducing her art in monumental scale when need be. Her career spans over 6 decades and during this time her works have managed to enter the collection of museums such as the New York MoMA, LACMA, Tate Modern and others.

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Colorful artworks: Designed to be walked over

Colorful artworks: Designed to be walked over

Joan Miró - 1970, earthenware, 10x50m, Terminal B, El Prat Airport, Barcelona, Spain detail
Joan MiróWall of the Barcelona Airport (detail), 1970, earthenware, 10x50m, Terminal B, El Prat Airport, Barcelona, Spain

If you have ever been to Barcelona, you must have walked over one of Joan Miro’s mosaics. The artist began to publicly display his work in 1976 when he chose the centre of Barcelona’s Rambla to permanently incorporate his work into a pavement. This was in fulfilment of a pledge he had made in 1968 to create four pieces of art which he would donate to the city of Barcelona where he was born. The use of different colors in the mosaic brings out the vibrancy that is his style of art. All the artwork that is associated with Joan Miró speaks the language of simplicity; generous use of color and simple shapes. More than four decades after his first outdoor work of art, the works of Joan Miró located in various parts of the world are enjoying facelifts of massive proportions.

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World’s worst criminal regretting his sins

World’s worst criminal regretting his sins

Maurizio Cattelan - Him
Maurizio CattelanHim, 2001, wax, human hair, suit, polyester resin and pigment, 101×43.1×63.5cm, Edition of 3 + AP

How much penance do the atrocities that Adolf Hitler committed in his lifetime require to be forgiven? This is perhaps the question which Maurizio Cattelan wanted to arouse in his audience when he drew a picture of the Nazi leader in a kneeling position. There is nothing wrong with someone kneeling down in prayer and in fact, it is an aspect of humanity that keeps us humble. With this in mind, it is hard to imagine that the person seeking forgiveness exercised untold torture on fellow human beings. If approached from behind, one cannot help but marvel at the self-discipline and commitment that this young boy eludes. It is not until one gets close enough that they realize that the neatly pressed school boy attire, fresh raven hair and well-polished shoes, actually belong to a leader whose name still raises goose bumps in the present day.

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