Anni Albers was a well known German textile artist and prominent printmaker. She is perhaps one of the most well-known print artists of the 20th century. Albers dared to go where no textile designer had gone before, which in part helped to launch her designs into popularity. Born in Berlin, Albers became a student of the Bauhaus in Weimar which is where she met and married Josef Albers. Albers sometimes with help from her husband managed to blur traditional boundaries that existed between craft and art. Albers blended her talent as a painter, designer, artist, and teacher to create a highly successful career that lasted over 60 years.
Lara Almarcegui – Construction Rubble of Secession’s Main Hall, 2010, Installation View, Secession, Vienna, Austria
Spanish born Lara Almarcegui who currently lives in Rotterdam has always had a deep curiosity for examining processes of contemporary transformation that are brought about by the social, political and economic transformations in society. Since the early 1990s, Lara has examined urban areas that most artists choose not focus on such as rubble from construction materials and stuff from wastelands. Lara carefully catalogs and highlights each location’s inclination towards entropy or lack of order and predictability.
Her projects vary based on the intention of the message. For instance, she developed a guide to the wastelands in Amsterdam consisting of materials used to establish the wasteland in its raw form. Lara has managed to consolidate a reputation for herself as a respectable and revered artist in the global artist realm. In 2013, her work allowed her to act as Spain’s only representative in the 55th Venice Biennial.
Thomas Struth – Pantheon, Rome, 1990
Thomas Struth is one of the most critically acclaimed contemporary photographers of our time. He is renowned for his black and white photographs of cities such as Düsseldorf and New York, as well as his family portraits. The artist who lives in Dusseldorf acquired his inspiration for his series of Museum Photographs while he was residing in Naples and Rome, where he discovered that there was a connection between paintings of art and religion and how these paintings connect audiences to their spirituality. The Museum Photographs, which was showcased at the Art Institute of Chicago, Chicago, marshaled in a new visual language in the field of photography.
Meekyoung Shin – Crouching Aphrodite, 2002
Meekyoung Shin, a South Korean sculptor, became popular for her Translation series, using soap as her medium of art. Trained in the tradition of European sculpture, her statuettes are made factoring in the Western and Eastern style of relief. Her works are usually made from palm oil, a vegetarian soap.
Montgomery’s billboards are poetic pieces of text and always using the strong contrasts of a white letters on a black background. He captures spots that are usually occupied by advertising, trying to create a surprising artistic situation.
In total, the project Echoes of Voices in the High Towers, organized by Neue Berliner Räume, will display 23 billboards, two illuminated poem sculptures as well as artistic interventions in several print publications like EXBERLINER, Sleek, Päng!, Um[laut] and others, as well as an exhibition of his drawings.
Echoes of Voices in the High Towers runs until October 2012.
Timo Stammberger – Underground Landscapes, Stockholm
We just had a chance to meet up with Timo Stammberger (b. 1980), a photographer from Berlin. He is the first to document subway tunnels in his extensive series Underground Landscapes that shows the underground architecture from major cities like New York, Lisbon, Budapest, Berlin and others.
Bruce Davidson – Subway, 1980
New York, at the beginning of the 1980s. A gloomy urban sprawl between hedonism and abyss. The subway, in its dilapidated state, is a hazardous place. Fires in tunnels, muggings, murder and drug trafficking are the order of the day; overcrowded wagons, frequent delays, graffiti and dirt everywhere. The journey with public transport is a nightmare. The photographer Bruce Davidson (b. 1933) boards the train, immerses himself in the raging, rattling hustle and bustle of the city and portraits the passengers between uniformity and diversity, anonymity and intimacy, depression and inspiration. Whether lovers, musicians, homeless people, tourists or business people – in the subway and its passengers he finds the perfect metaphor for life in the metropolis with its aggression and ugliness, its hope and humanity.