Joel Sternfeld’s road trip across America
In 1980, President Reagan was elected president and Joel Sternfeld had embarked on a road trip across America that would allow him to capture life in America as it was in the 1980s. Having been awarded the Guggenheim grant two years earlier in 1978, Joel’s American Prospects was later to become one of the most revolutionary color photographs of the time, when professional photographers only used the black and white format for official or serious pictures. His photographs from the American Prospects series helped to usher in a new breed of modern photographers, which is why Sternfeld has always been characterized as one of the most influential photographer of his generation.
Richard Misrach – Wall, Near Los Indios, Texas, 2015
The collaboration of photographer Richard Misrach and sculptor Guillermo Galindo
When a writer or a composer creates a piece to tell a story, the imagination of the audience runs wild; people start envisioning the heroines and the villains and how they affect their attitudes and perceptions. The same applies to audiences when they view a piece of art or photograph for the first time; they create mental images and form opinions on what a piece means.
When artists combine two art forms, music and art, to create a piece, the result is nothing short of masterful. Photographer Richard Misrach and sculptor Guillermo Galindo, a joined forces to come up with Border Cantos, an art project accompanied by its own special sound and music.
About ‘Drowning World
For a couple of years now, photographer Gideon Mendel has taken it upon himself to show the world what it is like in other parts of the world where the climate is very unfavorable to them. Mendel has not minded the dangers and lengths he has to go through to make sure he delivers the pictures in the clearest form possible. In his most recent project, Drowning World, he takes us round the world through his camera lenses and shows us calm portraits of flood victims in areas we would not expect. Drowning World shows the real picture of climate change around the world, the real picture behind the statistics and with real people the floods affect directly.
Ana Teresa Fernández – Erasing the Border – Borrando la Frontera, 2012, Playas de Tijuana, Mexico
Ana Teresa Fernández, an artist born in Tampico, Mexico who studied in San Francisco, California and Lausanne, Switzerland, is known for her ability to make a powerful statement. Her statement is especially strong when it comes to the politics of space and place.
Her piece, “Erasing the Border” is one of her most commanding works in which alongside a number of other artist, residents, students and activists, she led an attack against the Mexico-US border wall, with the goal of “erasing” sections of the border. Sections of the fence were painted by Fernández to match the vast sky so that when viewed from afar there is the illusion of gaps in the fence. This appearance of a broken link, a useless border, is an effective statement on the arbitrary concept of borders separating place from place.
Richard Jackson – Bad Dog, 2013
As part of his retrospective at the Orange County Museum of Art, Richard Jackson has installed Bad Dog, a giant temporary sculpture of a black labrador “urinating” yellow paint onto the side of the museum. It was an immediate hit. Crowds flocked to see it, and it quickly gained notoriety among both the local community and the art world. Accessible, vibrant, and playful, the work has widely achieved Jackson’s main intention: to make the viewer laugh.
A window on a long-gone New York
22-years-old at the time, Christopher Morris was working as an intern at photo agency Black Star and was determined to make something of himself as a photographer. According to the agency, the recently rediscovered photographs “provide a window on a long-gone New York, a metropolis that once pulsed with a very different energy—a frenetic, dangerous tone—than one feels in most of the city’s neighborhoods today. But even back then, as Morris’ pictures attest, Gotham remained an always fascinating and, at times, disarmingly beautiful place.”