Archive: Art in USA
Pioneer in color photography crisscrosses America – Joel Sternfeld

Pioneer in color photography crisscrosses America – Joel Sternfeld

Joel Sternfeld - American Prospects, Wet n’ Wild Aquatic Theme Park, Orlando, Florida, September 1980
American Prospects, Wet n’ Wild Aquatic Theme Park, Orlando, Florida, September 1980

Joel Sternfeld’s road trip across America

In 1980, President Reagan was elected president and Joel Sternfeld had embarked on a road trip across America that would allow him to capture life in America as it was in the 1980s. Having been awarded the Guggenheim grant two years earlier in 1978, Joel’s American Prospects was later to become one of the most revolutionary color photographs of the time, when professional photographers only used the black and white format for official or serious pictures. His photographs from the American Prospects series helped to usher in a new breed of modern photographers, which is why Sternfeld has always been characterized as one of the most influential photographer of his generation.

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The border wall as you’ve never seen (and heard) it – Richard Misrach

The border wall as you’ve never seen (and heard) it – Richard Misrach

Richard Misrach - Wall, Near Los Indios, Texas, 2015
Richard MisrachWall, Near Los Indios, Texas, 2015

The collaboration of photographer Richard Misrach and sculptor Guillermo Galindo

When a writer or a composer creates a piece to tell a story, the imagination of the audience runs wild; people start envisioning the heroines and the villains and how they affect their attitudes and perceptions. The same applies to audiences when they view a piece of art or photograph for the first time; they create mental images and form opinions on what a piece means.

When artists combine two art forms, music and art, to create a piece, the result is nothing short of masterful. Photographer Richard Misrach and sculptor Guillermo Galindo, a joined forces to come up with Border Cantos, an art project accompanied by its own special sound and music.

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The world under water: powerful photos taken after floods – Gideon Mendel

The world under water: powerful photos taken after floods – Gideon Mendel

Gideon Mendel - Chinta and Samundri Davi, Salempur village near Muzaffarpur, Bihar, India, August 2007

Gideon Mendel - Chinta and Samundri Davi, Salempur village near Muzaffarpur, Bihar, India, August 2007
Gideon MendelDrowning World – Chinta and Samundri Davi, Salempur village near Muzaffarpur, Bihar, India, August 2007

About ‘Drowning World

For a couple of years now, photographer Gideon Mendel has taken it upon himself to show the world what it is like in other parts of the world where the climate is very unfavorable to them. Mendel has not minded the dangers and lengths he has to go through to make sure he delivers the pictures in the clearest form possible. In his most recent project, Drowning World, he takes us round the world through his camera lenses and shows us calm portraits of flood victims in areas we would not expect. Drowning World shows the real picture of climate change around the world, the real picture behind the statistics and with real people the floods affect directly.

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Ana Teresa Fernandez makes US-Mexico Border Wall disappear

Ana Teresa Fernandez makes US-Mexico Border Wall disappear

Ana Teresa Fernandez - Erasing the Border - Borrando la Frontera - Playas de Tijuana
Ana Teresa FernándezErasing the Border – Borrando la Frontera, 2012, Playas de Tijuana, Mexico

Ana Teresa Fernández, an artist born in Tampico, Mexico who studied in San Francisco, California and Lausanne, Switzerland, is known for her ability to make a powerful statement. Her statement is especially strong when it comes to the politics of space and place.

Her piece, “Erasing the Border” is one of her most commanding works in which alongside a number of other artist, residents, students and activists, she led an attack against the Mexico-US border wall, with the goal of “erasing” sections of the border. Sections of the fence were painted by Fernández to match the vast sky so that when viewed from afar there is the illusion of gaps in the fence. This appearance of a broken link, a useless border, is an effective statement on the arbitrary concept of borders separating place from place.

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Richard Jackson’s dog pees on prestigious Californian art collection

Richard Jackson’s dog pees on prestigious Californian art collection

Richard Jackson - Bad Dog, 2013 - Orange County Museum of Art (OCMA) - 1
Richard JacksonBad Dog, 2013

‘Bad Dog’

As part of his retrospective at the Orange County Museum of Art, Richard Jackson has installed Bad Dog, a giant temporary sculpture of a black labrador “urinating” yellow paint onto the side of the museum. It was an immediate hit. Crowds flocked to see it, and it quickly gained notoriety among both the local community and the art world. Accessible, vibrant, and playful, the work has widely achieved Jackson’s main intention: to make the viewer laugh.

The piece calls into question the role of humor in art, and can be seen as a self-reflexive commentary on the state of elitism and exclusivity in the art museum world.

“Bad Dog” lasted the duration of Jackson’s exhibition “Ain’t Painting a Pain”, before it toured Europe.

About Richard Jackson

Richard Jackson (born 1939) has been a pre-eminent figure on the American art scene since the 70s and is influenced by both by abstract expressionism and action painting.

Photos

Richard Jackson - Bad Dog, 2013 - Orange County Museum of Art (OCMA) - 2
Richard JacksonBad Dog, 2013

Richard Jackson - Bad Dog, 2013 - Orange County Museum of Art (OCMA) - 3
Richard JacksonBad Dog, 2013

Richard Jackson - Bad Dog, 2013 - Orange County Museum of Art (OCMA)
Richard JacksonBad Dog, 2013

Photos: #1,4


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Christopher Morris: How the New York Subway looked in the 1980s

Christopher Morris: How the New York Subway looked in the 1980s

Christopher Morris - NYC - Subway 1981 - 15

A window on a long-gone New York

22-years-old at the time, Christopher Morris was working as an intern at photo agency Black Star and was determined to make something of himself as a photographer. According to the agency, the recently rediscovered photographs “provide a window on a long-gone New York, a metropolis that once pulsed with a very different energy—a frenetic, dangerous tone—than one feels in most of the city’s neighborhoods today. But even back then, as Morris’ pictures attest, Gotham remained an always fascinating and, at times, disarmingly beautiful place.”

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