Mark Bradford’s giant sculpture Mithra resembles Noah’s ark

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Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view, Long Museum, Shanghai, China, 2019
Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view, Long Museum, Shanghai, China, 2019, photo: Yang Xiaozhe

Mark Bradford

Asked to describe himself, Mark Bradford uses the words demolisher and builder in the same breadth and it is easy to see why. Using posters created for promoting merchant goods and services, flyers and general advertising materials, he takes pride in transforming anything he can lay his hands on into large-scale art pieces.

Mark Bradford - Mithra, 2008, mixed media, dimensions variable, installation view, Calling to Our Future - LA Climate Art Action, Los Angeles State Historic Park, Los Angeles CA, 2022
Mark Bradford – Mithra, 2008, mixed media, dimensions variable, installation view, Calling to Our Future: LA Climate Art Action, Los Angeles State Historic Park, Los Angeles CA, 2022, courtesy Mark Bradford & Hauser & Wirth, photo: Joshua White / JWPictures

His specialty in the arts is sculpting, but to arrive at a final piece that impresses him, he takes advantage of media such as film, photography, and collage.

Mark Bradford - Mithra, 2008, mixed media, dimensions variable, installation view, Calling to Our Future - LA Climate Art Action, Los Angeles State Historic Park, Los Angeles CA, 2022
Mark Bradford – Mithra, 2008, mixed media, dimensions variable, installation view, Calling to Our Future: LA Climate Art Action, Los Angeles State Historic Park, Los Angeles CA, 2022, courtesy Mark Bradford & Hauser & Wirth, photo: Joshua White / JWPictures

Mithra

Mithra is one such creation made for the public in 2008 as part of the Prospect.1, the largest biennial of international contemporary art in the United States held in New Orleans.

Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans
Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans

What was the inspiration? Hurricane Katrina. Mithra, a gigantic sculpture that resembled Noah’s ark, was placed at the center of Lower Ninth Ward in the city. This was to deliberately preach restoration that faced this epicenter of the storm.

Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans
Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans

Video: Interview with Mark Bradford, 2018

YouTube video
41 min 45 sec

Why was New Orleans the perfect place for the sculpture?

New Orleans is a special place and especially in light of the terrible storm. Only an artist who had experience in relating to people in a way that made them feel important would drive the message of restoring a home. Luckily, Bradford learned this trait early in life, first when he worked at a salon.

Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans
Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans

When he was invited to create an art project for the people of New Orleans, he automatically knew the weight that the art piece he would create needed to bear, and was it heavy? While he purposed to use materials that he was familiar with, it took tons of materials.

Mark Bradford - Mithra, 2008, mixed media, dimensions variable, installation view, Calling to Our Future - LA Climate Art Action, Los Angeles State Historic Park, Los Angeles CA, 2022
Mark Bradford – Mithra, 2008, mixed media, dimensions variable, installation view, Calling to Our Future: LA Climate Art Action, Los Angeles State Historic Park, Los Angeles CA, 2022, courtesy Mark Bradford & Hauser & Wirth, photo: Joshua White / JWPictures

Bradford required the project to create social impact. Three containers stacked, one on top of the other, was what it would take.

Mark Bradford - Mithra (detail), 2008, Plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm
Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view at Prospect.1, New Orleans, photo: CC BY-ND 2.0 by hragv

Conclusion

Original pictures of the sculpture show it as it stood in New Orleans in the parking lot of a local religious science church. This would later be dismantled, shipped in the Ninth Ward at a vacant space and reassembled to stand there.

Mark Bradford - Detail, 2009–10 (parts of Mithra reassembled), plywood, found paper, adhesive, 498 x 549 x 914 cm) Installation view at the Wexner Center for the Arts
Mark Bradford – Detail, 2009–2010 (parts of Mithra reassembled), plywood, found paper, adhesive, 498 x 549 x 914 cm, Installation view at the Wexner Center for the Arts, Ohio State University, 2010, photo: Nathan Keay/MCA Chicago

For all those who interact with this version of the work and especially those familiar with its biblical significance, it symbolizes a quest for salvation or futility. Any way you look at it, it is clear that those who fell victim to Hurricane Katrina need more than came their way in the form of support and government intervention.

Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view, Prospect.1, New Orleans
Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view, Prospect.1, New Orleans, photo: CC BY-ND 2.0 by hragv
Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view, Prospect.1, New Orleans
Mark Bradford – Mithra, 2008, plywood, shipping containers, steel, 2133.6 x 609.6 x 762 cm, installation view, Prospect.1, New Orleans, photo: CC BY-ND 2.0 by hragv

 

All images by Mark Bradford/Hauser Wirth unless otherwise noted.

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