These are some of Yasuaki Onishi’s most impressive works

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Yasuaki-Onishi-Reverse-of-volume-RG-2012-470-x-1340-x-1210-cm-glue-plastic-sheet-other-Rice-Gallery-Houston-TX-USA
Yasuaki Onishi - Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA

Yasuaki Onishi – Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA, photo: Nash Baker

Published: August 26, 2019

Last updated:

Who is Onishi Yasuaki?

Japanese artist Onishi Yasuaki is well-known for his ethereal art installations, paintings and sculptures that he creates using a mix of materials. Born in 1979 in Osaka, the artist has been at the forefront of creating new forms and inspiring a sense of awe, etherealism, and thoughtfulness with his work. He credits his inspiration to the yearning to clear boundaries, portray meaning and renew contours.

Shape & sculpting empty space

The result is art pieces that are fluid like in nature and affect the spaces in which they occupy. Shape is a concept that Onishi deconstructs making use of hot black glue, urea, plastic and containers to manipulate especially the polythene to create a fragility and imagination using the manipulated object in space. As a result, the artist is considered a wizard when it comes to sculpting empty space and levitating environments using synthetic conception.

Analysis

There are no words to describe the feeling one gets when an ordinary synthetic material that you do not find particularly attractive is transformed into an ethereal, drapery of an art piece that inspires a feeling of awe. Heavenly and breathtaking visions of Onishi’s art are likely to leave a lasting impression on anyone who views his art. The impression ranges from thoughts of a spun web, undulations, and rolling, floating and glimmering forms that are inviting. Think ocean waves but without the scary aspect of it.

Video: Onishi Yasuaki interview & creating Vertical Emptiness

5min 43sec

Different sources of inspiration

The juxtaposition of the interior against the exterior creating a mix of light and shadows that is different based on your position is artistically impressive. Yasuaki is also inspired in creating his work, by the concept of cubes, cavity, cavern, shelter, shadow, and empty space. His work is also an inspiration in itself, evoking feelings of wonderment and different interpretations from his audience.

Yasuaki Onishi in front of Reverse of Volume NMN, 2017, Neuen Museum Nuernberg, 2017

Yasuaki Onishi in front of Reverse of Volume NMN, 2017, Neuen Museum Nürnberg, Germany, 2017, photo: Annette Kradisch/gallerytalk.net

Awards and Recognition

Yasuaki has received numerous awards and recognition. He received a US-Japan Foundation Fellowship inclusive of a residency at Vermont Studio Centre. He is also the recipient of The Pollock-Krasner Foundation Inc.’s grant and won prizes such as the Pola Art Foundation prize, the Sakuyakonohana prize and the Granship prize from the Granship Art Compe, among others.

Education

Onishi has a wealth of knowledge and experience when it comes to art. He studied sculpture at Kyoto City University of Arts and the University of Tsukuba and has since created an impressive body of work and took part in several solo and group exhibitions. He continues working in his hometown of Osaka.

Notable Works

He has many notable works that have been exhibited at solo and group shows both in Japan and across the world. In 2016 for instance, Onishi did an installation for Tel Aviv’s annual art festival, the Fresh Paint Contemporary Art and Design.

‘Reverse of Volume ACAC’, 2009
Yasuaki Onishi - Reverse of Volume ACAC, 2009, 593 x 360 x 2000 cm, glue, plastic sheet, other, Aomori Contemporary Art Centre, Aomori, Japan

Yasuaki Onishi – Reverse of Volume ACAC, 2009, 593 x 360 x 2000 cm, glue, plastic sheet, other, Aomori Contemporary Art Centre, Aomori, Japan, photo: Tadasu Yamamoto

Yasuaki Onishi - Reverse of Volume ACAC, 2009, 593 x 360 x 2000 cm, glue, plastic sheet, other, Aomori Contemporary Art Centre, Aomori, Japan

Yasuaki Onishi – Reverse of Volume ACAC, 2009, 593 x 360 x 2000 cm, glue, plastic sheet, other, Aomori Contemporary Art Centre, Aomori, Japan, photo: Tadasu Yamamoto

Yasuaki Onishi - Reverse of Volume ACAC, 2009, 593 x 360 x 2000 cm, glue, plastic sheet, other, Aomori Contemporary Art Centre, Aomori, Japan

Yasuaki Onishi – Reverse of Volume ACAC, 2009, 593 x 360 x 2000 cm, glue, plastic sheet, other, Aomori Contemporary Art Centre, Aomori, Japan, photo: Tadasu Yamamoto

Yasuaki Onishi - Reverse of Volume ACAC, 2009, 593 x 360 x 2000 cm, glue, plastic sheet, other, Aomori Contemporary Art Centre, Aomori, Japan

Yasuaki Onishi – Reverse of Volume ACAC, 2009, 593 x 360 x 2000 cm, glue, plastic sheet, other, Aomori Contemporary Art Centre, Aomori, Japan, photo: Tadasu Yamamoto

‘Reverse of Volume ACG’, 2010
Yasuaki Onishi - Reverse of Volume ACG, 2010, 410 x 550 x 280 cm, glue, plastic sheet, other, Artcourt Gallery, Osaka Japan

Yasuaki Onishi – Reverse of Volume ACG, 2010, 410 x 550 x 280 cm, glue, plastic sheet, other, Artcourt Gallery, Osaka Japan, photo: Nobutada Omote

Yasuaki Onishi - Reverse of Volume ACG, 2010, 410 x 550 x 280 cm, glue, plastic sheet, other, Artcourt Gallery, Osaka Japan

Yasuaki Onishi – Reverse of Volume ACG, 2010, 410 x 550 x 280 cm, glue, plastic sheet, other, Artcourt Gallery, Osaka Japan, photo: Nobutada Omote

Yasuaki Onishi - Reverse of Volume ACG, 2010, 410 x 550 x 280 cm, glue, plastic sheet, other, Artcourt Gallery, Osaka Japan

Yasuaki Onishi – Reverse of Volume ACG, 2010, 410 x 550 x 280 cm, glue, plastic sheet, other, Artcourt Gallery, Osaka Japan, photo: Nobutada Omote

‘Reverse of Volume APMOA’, 2011
Yasuaki Onishi - Reverse of Volume APMOA, 2011, 550 x 800 x 850 cm, glue, plastic sheet, other, Aichi Prefectural Museum, Nagoya Japan

Yasuaki Onishi – Reverse of Volume APMOA, 2011, 550 x 800 x 850 cm, glue, plastic sheet, other, Aichi Prefectural Museum, Nagoya Japan, photo: Takashima Kiyotoshi

Yasuaki Onishi - Reverse of Volume APMOA, 2011, 550 x 800 x 850 cm, glue, plastic sheet, other, Aichi Prefectural Museum, Nagoya Japan

Yasuaki Onishi – Reverse of Volume APMOA, 2011, 550 x 800 x 850 cm, glue, plastic sheet, other, Aichi Prefectural Museum, Nagoya Japan, photo: Takashima Kiyotoshi

Yasuaki Onishi - Reverse of Volume APMOA, 2011, 550 x 800 x 850 cm, glue, plastic sheet, other, Aichi Prefectural Museum, Nagoya Japan

Yasuaki Onishi – Reverse of Volume APMOA, 2011, 550 x 800 x 850 cm, glue, plastic sheet, other, Aichi Prefectural Museum, Nagoya Japan, photo: Takashima Kiyotoshi

‘Reverse of Volume RG’, 2012

However, critics and art lovers consider his, Reverse of Volume RG piece, the best. Using plastic sheeting and hot glue, he created a floating large monumental form using the process of draping the sheet over cardboard boxes stacked onto each other, then removing the sheet to leave the cardboards’ impression. He dubbed the process “casting the invisible.”

Yasuaki Onishi - Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA

Yasuaki Onishi – Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA, photo: Nash Baker

Yasuaki Onishi - Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA

Yasuaki Onishi – Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA, photo: Nash Baker

Yasuaki Onishi - Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA

Yasuaki Onishi – Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA, photo: Nash Baker

Yasuaki Onishi - Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA

Yasuaki Onishi – Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA, photo: Nash Baker

Yasuaki Onishi - Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA

Yasuaki Onishi – Reverse of volume RG, 2012, 470 x 1340 x 1210 cm , glue, plastic sheet, other, Rice Gallery, Houston TX USA, photo: Nash Baker

‘Vertical Emptiness FP’, 2013
Yasuaki Onishi - Vertical Emptiness FP, 2013, tree branch, glue, urea, other, Elizabeth Leriche, 2014

Yasuaki Onishi – Vertical Emptiness FP, 2013, tree branch, glue, urea, other, Elizabeth Leriche, 2014

‘Reverse of Volume EC’, 2015
Yasuaki Onishi - Reverse of Volume EC, 2015, glue, plastic sheet, other, Maison Bleu Studio at Espace Commines, Paris, France

Yasuaki Onishi – Reverse of Volume EC, 2015, glue, plastic sheet, other, Maison Bleu Studio at Espace Commines, Paris, France, photo: Takeshi Sugiura

Yasuaki Onishi - Reverse of Volume EC, 2015, glue, plastic sheet, other, Maison Bleu Studio at Espace Commines, Paris, France

Yasuaki Onishi – Reverse of Volume EC, 2015, glue, plastic sheet, other, Maison Bleu Studio at Espace Commines, Paris, France, photo: Takeshi Sugiura

Yasuaki Onishi - Reverse of Volume EC, 2015, glue, plastic sheet, other, Maison Bleu Studio at Espace Commines, Paris, France

Yasuaki Onishi – Reverse of Volume EC, 2015, glue, plastic sheet, other, Maison Bleu Studio at Espace Commines, Paris, France, photo: Takeshi Sugiura

‘Reverse of Volume FC’, 2015
Yasuaki Onishi - Reverse of Volume FC, 2015, glue, plastic sheet, other, Frac Centre, Orleans, France, 2015

Yasuaki Onishi – Reverse of Volume FC, 2015, glue, plastic sheet, other, Frac Centre, Orleans, France, 2015, photo: Aurélie Pétrel

Yasuaki Onishi - Reverse of Volume FC, 2015, glue, plastic sheet, other, Frac Centre, Orleans, France, 2015

Yasuaki Onishi – Reverse of Volume FC, 2015, glue, plastic sheet, other, Frac Centre, Orleans, France, 2015, photo: Aurélie Pétrel

Yasuaki Onishi - Reverse of Volume FC, 2015, glue, plastic sheet, other, Frac Centre, Orleans, France, 2015

Yasuaki Onishi – Reverse of Volume FC, 2015, glue, plastic sheet, other, Frac Centre, Orleans, France, 2015, photo: Aurélie Pétrel

All images: Yasuaki Onishi/onys.net unless otherwise noted.

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