These are Richard Serra’s Torqued Ellipses

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Richard Serra - Torqued Ellipses I, II, IV, V, VI (1996-99), Double Torqued Ellipses I, II, III (1997-99) and Snake (1996) Nine sculptures, weathering steel Variable dimensions, Installation view

Richard Serra – Torqued Ellipses I, II, IV, V, VI, 1996-99, Double Torqued Ellipses I, II, III, 1997-99, and Snake, 1996, nine sculptures, weathering steel, dimensions variable, installation view, Guggenheim Museum Bilbao

Published on: Sunday September 1, 2019

Last updated

Introduction

Structured art is appreciated for the tangible experience it provides – the Torqued Ellipses has a different feel in the interior and another in the exterior. The experience of walking round the Torqued Ellipse is quite awakening. The steel surface of the structure is covered in a layer of rust and it is not by chance neither is it due to neglect. Sandblasting is responsible for the appearance, an idea that had been cooking in the mind of Richard Serra1, for more than 25 years before finally being actualized.

Richard Serra - Torqued Ellipse II, 1996, and Double Torqued Ellipse, 1997, Dia Art Foundation, photo by Richard Barnes

Richard Serra – Torqued Ellipse II, 1996, and Double Torqued Ellipse, 1997, Dia Art Foundation, photo: Richard Barnes

What the visitor experiences

Upon his realization that most cities around the world are characterized by angled buildings, Serra burned with the desire to create a vocabulary that featured curvilinear forms. A curved piece may not seem like much when it is small enough to fit in your hand but wait until you are able to walk into and around it.

Walking around the curve is a mystery as you begin but some parts like the cave are self-revealing. Stepping inside the cave door, the structure does appear to move in line with your movements. At some point, it appears to be leaning over your head and in another location, leans in the opposite direction from you. So, how did the Torqued Ellipses by Richard Serra come into being?

How Serra came up with the idea for the work

At first, what the artist thought he wanted to do was a complete misinterpretation of what was actually there. The concept was inspired by San Carlo alle Quattro Fontane2, a church in Rome that has been standing since the 15th century. Looking at the floor, one gets the impression that the ellipse there and the one on the ceiling are an inverted reflection of each other. The view from the center of the church gives the impression that both ellipses are a continuous and regular space from the bottom to the top. The initial impression interested Serra more and that is how the torqued ellipses project was born.

San Carlo alle Quattro Fontane Church, Rome

San Carlo alle Quattro Fontane Church, Rome, photo: italianwriter.it

Video: Richard Serra’s Torqued Ellipse IV, 1998

3min 11sec

Analysis

Serra’s idea was unheard of both in nature and in art, so it had to be formally invented. Walking into this art form is the best way to experience this new piece of creativity. This, coming from Serra was not such a wonder as he had for a long time been associated with innovative but challenging work. Having begun this unconventional and minimalist art in the 1960s, Serra makes use of industrial materials.

The Torqued Ellipses project appears to defy not only logic but gravity. Although it has been made from solid metal, the structure fools you into considering malleable.

Photos

Torqued Ellipse I, 1996
Richard Serra - Torqued Ellipse I, 1996, weatherproof steel, 398.8 x 911.9 x 627.4 cm (157 x 359 x 247 in.), Dia Art Foundation

Richard Serra – Torqued Ellipse I, 1996, weatherproof steel, 398.8 x 911.9 x 627.4 cm (157 x 359 x 247 in.), Dia Art Foundation, photo: Dirk Reinartz

Torqued Ellipse II, 1996
Richard Serra - Torqued Ellipse II, 1996, weatherproof steel, 144 x 348 x 245 in. (365.8 x 883.9 x 622.3 cm), Dia Art Foundation

Richard Serra – Torqued Ellipse II, 1996, weatherproof steel, 144 x 348 x 245 in. (365.8 x 883.9 x 622.3 cm), Dia Art Foundation, photo: Dirk Reinartz

Richard Serra - Torqued Ellipse II, 1996, weatherproof steel, 144 x 348 x 245 in. (365.8 x 883.9 x 622.3 cm), Dia Art Foundation

Richard Serra – Torqued Ellipse II, 1996, weatherproof steel, 144 x 348 x 245 in. (365.8 x 883.9 x 622.3 cm), Dia Art Foundation

Torqued Ellipse IV, 1998
Richard Serra - Torqued Ellipse IV, 1998, weatherproof steel, 373.4 x 807.7 x 990.6 cm (12' 3 x 26' 6 x 32' 6)

Richard Serra – Torqued Ellipse IV, 1998, weatherproof steel, 373.4 x 807.7 x 990.6 cm (12′ 3 x 26′ 6 x 32′ 6), wsimag.com

Richard Serra - Torqued Ellipse IV, 1998, weatherproof steel, 373.4 x 807.7 x 990.6 cm (12' 3 x 26' 6 x 32' 6)

Richard Serra – Torqued Ellipse IV, 1998, weatherproof steel, 373.4 x 807.7 x 990.6 cm (12′ 3 x 26′ 6 x 32′ 6), photo: moma.org

Double Torqued Ellipse, 1997
Richard Serra - Double Torqued Ellipse, 1997, weatherproof steel, 398.8 x 1021.1 x 825.5 cm (157 x 402 x 325 in.), Dia Art Foundation

Richard Serra – Double Torqued Ellipse, 1997, weatherproof steel, 398.8 x 1021.1 x 825.5 cm (157 x 402 x 325 in.), Dia Art Foundation, photo: Dirk Reinartz

Double Torqued Ellipse III, 1999
Richard Serra - Double Torqued Ellipse III, 1999

Richard Serra – Double Torqued Ellipse III, 1999

All images: Richard Serra/davidzwirner.com / Artists Rights Society (ARS), New York unless otherwise noted.

Other important works

Related readings
  1. https://publicdelivery.org/tag/richard-serra/
  2. https://de.wikipedia.org/wiki/San_Carlo_alle_Quattro_Fontane
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