After being exposed to numerous renderings and 3d models of Dubailand, a new place near Dubai, photographer Aleix Plademunt decided to visit the place. Dubailand was compiled over a 3-month period that saw Aleix Pledemunt travel across the rich oasis of Dubai, which is a city that has come to be known for its opulent lifestyles and luxurious taste. The series acquired its name from the 107 square mile theme park that is currently being constructed in the depths of the desert. The end result of this photography series was a representation of man-made Dubai surrounded by blue skies and characteristic white desert sand.
Francesco Jodice – What We Want, Hong Kong, T47, 2006
Ever been to a place and felt that it is not quite satisfactory in terms of how it looks? Well, Francesco Jodice is recreating spaces into what they should be if we had control of them. For a long time, people’s lives were influenced by the buildings that existed but the trend is taking a turn. Not even urban planners, engineers or architects can dictate life upon humanity anymore, this is the message that is being communicated by the ‘What We Want’ series. The project is centered around photography and modification of imagery.
Imran Qureshi – And They Still Seek the Traces of Blood, 2013, At Salsali Private Museum, Dubai, UAE, 2014
Photo: Salsali Private Museum
Imran Qureshi’s “And they still seek the traces of blood” (2013) has become renowned for its ability to invoke emotional responses from viewers as this intrinsic work is printed on thousands of crumpled sheets of paper and gathered to form a precipitous heap. The title of his work, “nd they still seek the traces of blood quotes a poem by Faiz Ahmed Faiz with reference to individuals who have been killed and buried without their lives honoured nor the events surrounding their deaths investigated.