Around the world, artists have experimented with optical illusions. Amongst them is Iranian artist Shirin Abedinirad. Born in 1986 Tabriz, Iran, she started with a passion for painting, partially inspired by her parents. Both of them highly encouraged her to pursue art as part of her life.
Shirin Neshat – Installation view of The Book of Kings at Faurschou Foundation Beijing
Photo by Jonathan Leijonhufvud
The Gladstone Gallery and the Faurschou Foundation in Beijing, China are just some of the art spaces that have had the pleasure of exhibiting Shirin Neshat’s The Book of Kings. The exhibition consisted of a total of 56 black and white photos framed in unmated and black frames that were hung across the two galleries. Neshat, “persona non grata” in Iran due to her art, created the photographs to reference a broad array of important and modern political metaphors.
Shirin Neshat – Rapture, 1999, gelatin silver print, 108×171.5cm
The Rapture is a projection of black and white video where Iranian artist Shirin Neshat gives a narrative that concerns the differences between Muslim women and men. Neshat has used the video projection to explore the cultural and social role of women in the Islamic World and shot the work in Morocco with a cast that included hundreds of participants.
Abbas Kowsari – Police Women Academy, 2006
In 2003 the first females ever graduated from Iran’s police academy in the capital city Tehran, after undergoing a training of three years. Spiritual leader Ayatollah Khamenei himself had to give permission to Tehran’s police chief Mohammad Baqer Qalibaf to create the first all-female police unit.
Conflict Kitchen: Cuban, Iranian, Afghan and Venezuelan takeouts, Pittsburgh, PA, USA
About Conflict Kitchen
Conflict Kitchen is a unique restaurant in Pittsburgh focusing on one nation at a time, serving dishes from countries with which the United States is currently in conflict. Each Conflict Kitchen version is amplified by profound events, performances, publications, and discussions that strive to expand the public’s engagement with the culture, politics, and issues that the country of focus deals with.