Renowned for his large-format color photographs charting themes of globalized society at work and play, Andreas Gursky’s1 production employs the digital technology to capture and refine an astounding compilation of detail on an epic scale. The perspective in many of Gursky’s photographs is drawn from an elevated vantage point. This position enables the viewer to encounter scenes encompassing both center and periphery, which are ordinarily beyond reach.
Andreas Gursky was born in Leipzig and lives and works in Düsseldorf, Germany. Since the 1980s, he has exhibited extensively, including major solo exhibitions at the Museum of Modern Art, New York, Centro de Arte Reina Sofía, Madrid, Centre Georges Pompidou, Paris, MCA Chicago and SF MOMA, San Francisco.
Andreas Gursky’s trip to North Korea
For the Pyongyang series (2007), Gursky travelled to the Arirang Festival2, held annually in North Korea3 in honour of the late Communist leader Kim Il Sung. The festival’s mass games include more than 50,000 participants performing tightly choreographed acrobatics against a backdrop of 30,000 schoolchildren holding colored flip-cards that produce an ever-changing mosaic of patterns and images. Gursky’s photographs describe, in panoramic dimensions, the incongruity of the brilliant colors and smiling faces of the performers within the controlled, totalitarian nature of the event.
Photos
2 Andreas Gursky – Pyongyang II, Diptychon, 20073 Andreas Gursky – Pyongyang II, Diptychon, 20074 Andreas Gursky – Pyongyang II, Diptychon, 20075 Andreas Gursky – Pyongyang III, 20076 Andreas Gursky – Pyongyang IV, 20077 Andreas Gursky – Pyongyang V, 20078 Andreas Gursky – Pyongyang VI, 20079 Andreas Gursky – Pyongyang VII, 200710 Handgun cover Variant of by Andreas Gursky’s book. Published on the occasion of exhibitions at Monika Sprüth-Philomene Magers Gallery, London, and Matthew Marks Gallery, New York
All images by Andreas Gursky, VG Bild-Kunst, Monika Sprüth / Philomene Magers unless otherwise noted.