Erwin Wurm’s One Minute Sculptures are refreshing

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Erwin Wurm – One Minute Sculpture, Freud’s rectification (Philosophy digestion)

Erwin Wurm – One Minute Sculpture, Freud’s rectification (Philosophy digestion)

Published on: Thursday August 16, 2012

Last updated

Who is Erwin Wurm?

Erwin Wurm was born in 1954 in Bruck an der Mur, Styria, Austria. He is known for his humorous style as well as his peculiar portrayals of daily life.

Since the late 1990s Austrian artist, Erwin Wurm is working on his on-going One Minute Sculpture series in which he or others pose with everyday objects, often within an art space.

Studies

Wurm studied at the Academy of Fine Arts and Vienna College for Applied Arts until 1982. Before that, the artist first attended the Mozarteum in Salzburg between 1977 and 1979.

After graduating from college, Wurm started to experiment with different ideas, making statuary sculptures from wood and metal oil barrels that he welded together. He then painted the sculptures in an abstract and informal style. He used common and readily available materials such as scrap metals, woods, planks, or buckets. These materials meant the artist would work with less fuss.

Early sculptures & technique

During the 1980s, the statues created by Wurm portrayed a variety of art-historical styles. The figures would then be twisted and turned, crafted in a suggesting movement, or hack to futurism as well as the speed and dynamics it portrayed. The artist uses everyday objects he comes across; screws, nails, chairs, suitcases; you name it. He turns them into mind-blowing sculptures that usually make viewers question the true meaning of sculpture. Wurm currently lives and work in Limberg and Vienna, Austria.

Erwin Wurm - 59 Positions, video, 1992

Erwin Wurm – 59 Positions, video, 1992

One Minute Sculptures

One Minute Sculptures involves models posing with day to day items but in bizarre and unnatural ways. The sculptures are created spontaneously without much thought going into them. The resulting images are violent or pornographic, or in any off-putting manner, and are typically beyond the paradigm of the actual uses of the objects featured.

One Minute Sculptures does not use any conventional sculptural materials. It also does not employ the use of three-dimensional to create projects that can be exhibited. The sculpture is replaced with another “sculpture” that is capable of doing what the first sculpture couldn’t – successfully disintegrating from the sculpture.

Erwin Wurm - The artist begging for mercy, 2002

Erwin Wurm – The artist begging for mercy, 2002

Inspiration

The idea for One Minute Sculptures did not just come instantly. It was something that was slowly developing way before when Wurm was creating real sculptures. In one of his early works, The Second Step (1984), the figure seams on the verge of leaving its state and get out of the “sculpture” – indicating the element of disintegration. Wurm began developing the One Minute Sculptures series decades ago, seeking the shortest way to create a precise and fast sculpture. With him, sculpture is defined loosely, and that is why he calls every one of his works sculptures, be it photographs, books, paintings, and videos.

In his book The Artist Who Swallowed the World (Hatje Cantz) Wurm said:

I am interested in the everyday life. All the materials that surrounded me could be useful, as well as the objects, topics involved in contemporary society. My work speaks about the whole entity of a human being: the physical, the spiritual, the psychological and the political.

How it started

Over time, Wurm shifted from using 3D objects to photographs and videos. His first sculpture expressed in the medium of video was the Still I (1990), which is part of the One Minute Sculptures. In the video, a man can be seen standing motionless with an inverted bowl on his head, covering his eyes to hide the involuntary movement on the part of the viewer.

When the short clip is put on a 60-minute loop, it creates an illusion that it is a standstill. So, by stretching the time, one can actually transform action into a sculpture, albeit living sculpture.

Humor

Shedding light on the use of humor he is quoted in an interview saying:

If you approach things with a sense of humor, people immediately assume you are not to be taken seriously. But I think truths about society and human existence can be approached in different ways. You don’t always have to be deadly serious. Sarcasm and humor can help you see things in a lighter vein.”

Since the images are spur-of-the-moment, the artist does not create them in conventional mediums, but rather capture them in films. While the images are humorous, they still do not escape the fact that they extend reality in disturbing ways.

One Minute Sculptures invites viewers to look closer at the art and deduce the underlying meaning; and after “seducing them with humor, to get them to move closer to the sculpture.” The wittiness in the sculptures should not, however, override the importance of the underlying message. According to Wurm, “The quick sculptures are as much a reflection on the way we interact with the art world as to how we do so in our surroundings in general.”

Red Hot Chili Peppers’ Can’t Stop video

Wurm’s work has been successful all over the world to the extent that he has been mentioned in other fields beyond art. He is credited for inspiring the concept and imagery of the video Can’t Stop of Red Hot Chili Peppers which got 120.000.000 views on YouTube.

4 min 38 sec
Instructions & participation

The work from One Minute Sculpture is meant to be copied and imitated. The artist encourages people to perform them over and over again. Viewers can participate in the One Minute Sculpture, but they need to let go of the part of their habits. If you want to take part as a sculpture, Wurm has instructions written by hand in a cartoon-like manner for you to follow. These drawings are created by Erwin Wurm for every work. A text gives specific instructions guiding the performer how exactly to pose for one minute.

After reading and understanding the instructions for the sculpture, you will be brought an everyday object, or you can use whatever you are carrying. You will be required to pose with the object by putting your body in a bizarre and ridiculous-looking relationship with the object. If you strike an unnatural pose with the object, you need to hold the pose for the time it takes to capture the act in film or photography, usually for less than one minute. As you expect, the pose is quite hard to hold for a minute.

One of the museum housing the works of Erwin Wurm is the MAK Center of Art and Architecture’s Schindler House in the California United States. In the museum, the everyday objects that the audience is invited to perform with include buckets, fluffy toys, sneakers, and sticks of wood.

Erwin Wurm - One Minute Sculptures drawing, stand quiet for one minute

Erwin Wurm – One Minute Sculptures drawing, stand quiet for one minute

Subtle hints to real life events

In another work titled Ethics demonstrated in geometrical order,” the object is an Aalto Paimio lounge chair featuring a head-hole at its lower back. The person taking part in the series kneels with torso over the seat and bottom facing up. This way, the head goes through the hole. The art induces things like guillotine, scorn, ridicule, and other objects used daily but can put the human body in a vulnerable state or position.

The work from One Minute Sculpture can be connected to many situations worldwide. The above example can be associated with the current political situation in the United States, in which case it can be interpreted as the dangers of submission and compliance. The sculpture can also evoke different feeling when applied in different periods. For example, some time back, the immediate association would have been the viral photos of American soldiers violating human rights in Abu Ghraib prison.

On the other hand, the sculpture could also have been linked with the anti-monarchical sentiments in France, or the dangers of public body shaming in Britain. Regardless of what the sculptures from the One Minute Sculptures evoke, it will almost always have some ethical components to it.

Erwin Wurm- One Minute Sculptures, 1997

Erwin Wurm – One Minute Sculptures, 1997
Image: Centre Georges Pompidou, Paris; FRAC Limousin, Limoges, © Studio Wurm/VG Bild-Kunst, Bonn 2014

Video: Interview with Erwin Wurm
28 min 39 sec
The meaning

Erwin Wurm pieces of art are mostly in critical of Western society as well as the perception and his childhood lifestyle during the post-World War II period.

One Minute Sculptures may look ridiculous and humorous, when examined carefully, they are wittingly serious. Wurm does not shoot straight; instead, he prefers to criticize playfully, something that is always lost to many viewers. He criticizes everyday objects like clothes, cars, furniture, and so on to his audience. Compared to other artists, whose works are severe and poignant, Wurm’s work tends to elicit a few chuckles before the reality of the art sinks in the mind of the viewer.

There is one way of thinking One Minute Sculptures images as sculptures. In the series, the artist connects a person and mundane objects in a temporary position, situation, or pose that can actually exist long-term in the form of an image or film. The motionless action is momentary, by loose definition, a sculpture, which in a minute or so later, it crumbles and disappears. The images left behind are also sculptures and is passed on by photography and film, unlike in real sense, a sculpture.

Conclusion

Either way you look at it, One Minute Sculptures has brought a new, unique experience into art spaces, where for centuries there have not been any physical interactions between the audience and the artworks.

Photos

Erwin Wurm - One Minute Sculpture
Erwin WurmOne Minute Sculpture

Erwin Wurm - One Minute Sculpture, 1997
Erwin WurmOne Minute Sculpture, 1997

Erwin Wurm - One Minute Sculpture - The Idiot III
Erwin WurmThe Idiot III (One Minute Sculpture), 2010
(VG BILD-KUNST Bonn, 2016, courtesy: Galerie Thaddaeus Ropac, Salzburg, Paris, Foto: Studio Erwin Wurm)

Erwin Wurm - One Minute Sculpture
Erwin WurmOne Minute Sculpture

Erwin Wurm - One Minute Sculpture - Freud's ass, 2004
Erwin WurmOne Minute SculptureFreud’s ass, 2004

Erwin Wurm - One Minute Sculpture, Austrian Pavillon, Mixed Media, Caravan, Furniture Pieces H 245 x B 205 x L 592 cm, Eva Wuerdinger Copyright- Bildrecht, Vienna 2017
Erwin WurmOne Minute Sculpture, 2017, Mixed Media, Caravan, Furniture Pieces, H 245 x B 205 x L 592 cm, Austrian Pavillon, Venice Biennale
Photo: Eva Würdinger/labiennale2017.at, Copyright: Bildrecht, Vienna 2017

Erwin Wurm - One Minute Sculpture - Stand quiet and look out over the mediterranean sea, 2016 – 2017 performative one minute sculpture | truck, mixed media | h 874 x w 240 x l 274 cm
Erwin WurmOne Minute Sculpture – Stand quiet and look out over the mediterranean sea, 2016-2017, truck, mixed media, h 874 x w 240 x l 274 c, Austrian Pavillon, Venice Biennale

 Erwin Wurm - Outdoor Sculpture, Taipei, 2000
Erwin WurmOutdoor Sculpture, Taipei, 2000

Erwin Wurm - One Minute Sculpture
Erwin WurmOne Minute Sculpture

Erwin Wurm - Outdoor Sculpture Appenzell 1998
Erwin WurmOutdoor Sculpture Appenzell, 1998, C-Print/Aluminium, 120×80cm
Photo- Universalmuseum Joanneum © VBK, Vienna, 2010

Erwin Wurm - One Minute Sculpture, 2016

Erwin Wurm – One Minute Sculpture, 2016, photo: Eva Wuerdinger

Erwin Wurm - One Minute Sculpture, Astronomical Purpose

Erwin Wurm – One Minute Sculpture, 2016, photo: Owen Wong

Erwin Wurm - Hauptquartier, 2015

Erwin Wurm – Hauptquartier, 2015, Mixed Media, fünf One Minute Sculptures, 302 x 418 x 246cm, © VG Bild-Kunst, Bonn 2016 Foto: Marek Kruszewski Bildquelle: Kunstmuseum Wolfsburg

Erwin Wurm - One Minute Sculpture, Throw Yourself Away, 2014
Erwin WurmThrow Yourself Away, One Minute Sculpture, 2014

Erwin Wurm - One Minute Sculpture
Erwin WurmOne Minute Sculpture, 1997

Erwin Wurm - One Minute Sculpture
Erwin WurmOne Minute Sculpture

Erwin Wurm - One Minute Sculpture, MAK Center for Art and Architecture in West Hollywood. Photo Josh White : MAK Center for Art and Architecture)
Erwin WurmOne Minute Sculpture, MAK Center for Art and Architecture in West Hollywood, Los Angeles, USA
Photo Josh White : MAK Center for Art and Architecture

Erwin Wurm - One Minute Sculptures, 2013, Helmuts Art Club
Erwin WurmOne Minute Sculpture, 2013, Helmuts Art Club

Erwin Wurm - One Minute Sculptures, Organisation of Love, 2007, Foto Studio Erwin Wurm, Wolfgang Guenzel
Erwin WurmOne Minute Sculpture, Organisation of Love, 2007

Erwin Wurm - One Minute Sculpture
Erwin WurmOne Minute Sculpture

Erwin Wurm - One Minute Sculpture
Erwin WurmOne Minute Sculpture, 1997

Erwin Wurm - One Minute Sculpture, 1997
Erwin WurmOne Minute Sculpture, 1997

Erwin Wurm - One Minute Sculpture, 1997
Erwin WurmOne Minute Sculpture, 1997, c-print, 45x30cm
Courtesy Centre Georges Pompidou, Paris, Studio Wurm, VG Bild-Kunst, Bonn, 2014

Erwin Wurm - One Minute Sculpture, The bank manager in front of his bank, 1999
Erwin WurmOne Minute Sculpture, The bank manager in front of his bank, 1999

Instructional drawings

Erwin Wurm - One Minute Sculptures drawing, morning walk, 2001, 29,7x21cm 1
Erwin WurmOne Minute Sculptures drawing, morning walk, 2001, 29,7x21cm

Erwin Wurm - One Minute Sculptures drawing, morning walk, 2001, 29,7x21cm 2
Erwin WurmOne Minute Sculptures drawing, morning walk, 2001, 29,7x21cm

Erwin Wurm - One Minute Sculptures drawing, morning walk, 2001, 29,7x21cm 3
Erwin WurmOne Minute Sculptures drawing, morning walk, 2001, 29,7x21cm

Erwin Wurm - One Minute Sculptures drawing, Luft anhalten und an Spinoza denken, Marle II, 2007-10-16
Erwin WurmOne Minute Sculptures drawing, Luft anhalten und an Spinoza denken, Marle II, 2007-10-16

Erwin Wurm - One Minute Sculptures drawing, Handlungsanweisung (Magazin), 1999 ballpoint pen on paper, 29,7 x 21 cm courtesy- private collection © Studio Wurm : VG Bild-Kunst, Bonn 2014
Erwin WurmOne Minute Sculptures drawing, Handlungsanweisung (Magazin), 1999 ballpoint pen on paper, 29,7 x 21 cm courtesy- private collection © Studio Wurm / VG Bild-Kunst, Bonn 2014

All images by Studio Erwin Wurm/erwinwurm.at unless otherwise noted.

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