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Peter Kogler - Dimensions, 2011 — Peter Kogler – *Dimensions*, 2011

Who is Peter Kogler?

Peter Kogler is a renowned artist from Austria that currently works and lives in Vienna. Kogler is best known for his different psychedelic room installations. Through his paintwork and his intricate projections, he transforms ordinary looking rooms and spaces such as lobbies, galleries, and transit centers by making them look twisted, warped or distorted, which in turn has a psychedelic effect on the public.

Biography

Kogler was born in 1959 but is today regarded as a famous pioneer in the field of computer-generated art. Although his work spans decades (more than 30 years), his installations continue to improve regarding design and depth, which has allowed him to experience success throughout his career. At the start of his career, he dabbled in painting and experimental filmmaking but settled on computer technology in 1984.

Kogler uses different mediums

Kogler’s room installations explore vital concepts in his art, such as modularity and repetition. The rooms alter one’s perception of architecture, which serves as the primary medium for his art. Aside from his dizzying rooms, Kogler is also a performance, film and video artist and a sculptor.

Peter Kogler’s Rooms

For his Rooms installations, Kogler essentially uses hypnotizing line designs to affect the viewer’s perception in unique and unnatural ways. He transforms ordinary spaces into virtual mazes with different interesting lines, creating a feeling of undefined movement for everyone who experiences his various room installations.

Most of his room installations are mainly 2D in nature, allowing them to be more eye-catching and engaging. They do a great job of inviting the user to interact with their surroundings and allow audiences to view old environments in new and unforeseen ways.

Video: Peter Kogler speaks about his work

6 min 8 sec
English subtitles available

Technique & medium

Most of the backgrounds that he prefers to use are white, and the intersecting lines are often bold. To ensure that the audience indeed gets lost in his installations, he mixes whites, blacks, and sometimes reds to create stark contrasts that generate a dramatic illusion. Aside from lines, he also uses geometrical elements similarly.

Conclusion

With each work and each viewer, the experience and perception are different and unexpected, making the room installations fascinating for anyone who experiences them. His multifaceted style complements whichever medium he uses, whether it is an art space or a subway station.

Kogler’s works have been featured in numerous collections and museums as well as in popular public spaces across the world. Because of his unique approach, he has managed to create an absorbing and impressive composition of works.