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Jun Ong – Star, 2015, 500m steel cables, LED strips, Penang, Malaysia
The star is set at the core of an unfinished concrete building and spans all the five floors from the ground to the roof. It forms a 12-sided polygon also called a dodecahedron in 3D, which is visible from several kilometres away. The light installation blazes in white light encompassing the whole building but seems like a bright floating star when seen from far.
Jaehyo Lee – 0121-1110=193061, 1993, stones
Jaehyo Lee (b. 1965, Hapchen, South Korea) graduated in 1992 with a BFA from the Hong-Ik University in Seoul. Combining distinct traces of Land Art, Arte Povera and Minimalism Lee´s works cast a questioning eye over the roots of form, its function and its role within the natural world.
Lee´s works willfully play with the oft-contested boundaries between modern art and design, referencing the idealist´s cubes, cylinders and cones as perversions of the chaise longue, the coffee table, the lampshade, and even the humble doughnut. Revealing a subtly humorous and unsentimental attitude to nature, what unites these works is a belief that the beauty of art is a product of the labor from whence it comes, whether this be the meticulous carving of larch trunks into the form of a perfect sphere or, equally, the precise bending and sanding of thousands of nails hammered one after another into a hunk of cut lumber.
“Until recently, my work has been about combining wood with nails or steel bars and integrating them into geometrical shapes such as spheres, hemispheres, or cylinders. Whenever I did this, one of my problems was to keep the nails and bolts out of sight. Now, on the contrary, I put an emphasis on the nails themselves. I drive countless nails into wood, bend them, grind them, and make them protrude. I then burn the wood, blackening its growth ring records and its natural color. The glittering metallic nails on the black charcoal become ever more conspicuous, and through this process, I draw a picture on wood using nails. Those who make a hard living may be the ones who make this world a beautiful place. I certainly do not have the power to make it beautiful. I just hope to reveal the beauty in what is usually seen but not noticed. It may be a rusty bent nail. If you take a close look at it, however, you’ll find out how beautiful it can be.”
About the Alberto Giacometti & Francis Bacon exhibition at Fondation Beyeler
The Fondation Beyeler sheds light on the exciting relationship between Alberto Giacometti and Francis Bacon. Both artists have created impressive works, which are now among the most expensive artworks.
Reconstructed studio of Alberto Giacometti on 23m2 including more than 70 original artworks at Institut Giacometti, Paris
Photo: Public Delivery
About the Institut Giacometti, Paris
Swiss sculptor and painter Alberto Giacometti has a new exhibition space in Paris. Hosted in an Art Nouveau villa, this museum shows a reconstruction of his legendary studio, including furniture and walls on which he left numerous sketches. The new space is located in the former artists’ district of Montparnasse, just a few blocks from the original Parisian studio, where Giacometti worked from 1926 until his death in 1966.
Some of the artworks are very fragile and have never been shown in public. This project is initiated by the Fondation Giacometti, which owns the largest Giacometti collection worldwide.
Rirkrit Tiravanija – Untitled, 2015 (bangkok boogie woogie, no. 1), 2015, Art Basel Unlimited 2018
Video/Film, Bronze tires, copper sheets, video, color, sound
Photo: Public Delivery
Rirkrit Tiravanija – Untitled, 2015 (bangkok boogie woogie, no. 1), 2015
“In 2010, Bangkok erupted in violence with protesters from both the Left and Right, battling the military in the streets. The main weapon on both sides was the tire, both as a barricade and as improvised Molotov cocktail, rolled instead of thrown. In 2015, Rirkrit Tiravanija created an installation, untitled 2015 (bangkok boogie woogie, no. 1), sourced from this particularly vernacular form of action, straight from the streets of his hometown. In what became the very last action at the old Gavin Brown’s enterprise space on Greenwich St. in New York before it was demolished, Tiravanija cast rubber tires into bronze doppelgängers, and rolled them flaming through the gallery filled with petroleum fuel; all of this was filmed, edited, and used as the backdrop for the installation. The mirrored copper floor reflects the rolling burning movement, while the metal tires produce a clanging soundtrack, conjuring a feeling of violent assault within the gallery space. Part political reflection, and part kinetic experiment, untitled 2015 (bangkok boogie woogie, no. 1) passes on messages from the protesters, and also from other brothers-in-arms: Fischli & Weiss, Allan Kaprow, and Jean Tinguely.”
Jetzer, Gianni (2018) retrieved from artbasel.com/artworks
Mariko Mori – Wave UFO, 1999-2002
Brainwave interface, vision dome, projector, computer system, fiberglass
207 x 446 x 194 inches (528 x 113.4 x 493 cm)
Edition of 2 with 1 AP
Viewer’s brainwaves projected on to a screen
How many times do art and science come together? In Mariko Mori’s Wave UFO art and science have come together in a creation that is just fascinating. This artwork uses neuroscience, computer graphics, architectural engineering, and sound to create an interactive experience where viewers can see their thoughts come to life in color and shape.
Wave UFO will take three viewers at a time. Each viewer gets electrodes attached to the head just like an EEG machine. The brainwaves of the viewers are transmitted and projected on to a screen. This will show six orbs, for two of each viewer’s left and right brain hemispheres. A waving line shows the facial movements for the viewer.
Cao Fei – Golden Fighter’s
Chinese multimedia artist Cao Fei’s 2004 work explores the imagined identities of cosplayers (young people who dress up as game characters) and how they interact with the real world. To these individuals, a costume bestows magical powers upon the wearer, rendering their person more special and enabling them to transcend their mundane reality. These are people living in a video game world, alienated by the real, waking world, and seeking to unite the two spaces to live in a way that allows them to actually be this magic character by creating their own realities. Her work reflects the fluid identities of China as a growing, evolving culture, juxtaposing escapist fantasies alongside vivid realities.