Berndnaut Smilde’s Nimbus – What are his clouds all about?

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Berndnaut Smilde - ICONOCLOUDS, 2013, Commission for Harpers Bazaar, Karl Lagerfeld, photo Simon Procter

Berndnaut Smilde – ICONOCLOUDS, 2013, Commission for Harpers Bazaar, Karl Lagerfeld, photo: Simon Procter

Published: January 25, 2017

Last updated:

Introduction

Dutch artist Berndnaut Smilde effortlessly creates fluffy, unusual, yet perfect clouds in different indoor locations. For several years, he has practised this and created a series named Nimbus.

Clouds & their different meanings

Smilde makes his art possible with the use of smoke, air, light or water. Through the entire world, the presence of clouds often comes with different meanings which mostly fall within the range of misfortune, heavy rainfall or simply a blemish on a perfectly clear and bright day. Smilde however, has chosen to disregard all these negative connotations and make them into a form of entertainment. Since 2010, he has perfected the art of changing the weather conditions of an indoor space and make clouds appear in the least expected spaces.

How are the clouds created?

It is a task that requires elaborate planning and preparation and consists of taking control of the temperature and weather elements of the space he wants to create his work. The humidity of the space has to be controlled while constantly increasing the moisture content of the air in the space. The lighting is then adjusted to create a realistic and dramatic effect. With the right conditions, the fog machine releases a heavy and damp dense mist which looks just like a real-life cloud in the sky.

Video: Interview with Berndnaut Smilde, 2014

4 min 16 sec

Analysis

Nimbus is a project that brings to the fore the idea of creating clouds in spaces that are not supposed to contain clouds so spectators can give such occurrence different meanings and often take places in spaces like elevators, balconies, corridors, and staircases. His clouds can be quite threatening and ominous and still bring a strange serenity with them even though they are out of place. This conflicting notion is what makes Smilde’s work unique.

Conclusion

Not many people have seen Smilde’s work live as the clouds only last as much as ten seconds which is just about enough time to get photographed. The clouds do not exist for long and having them in photographs is the only way to prove that they ever existed and the fact that the images of the artwork brings reality and representation to fusion makes the work of art even more special.

Photos

Berndnaut Smilde - Waterschei, 2014

Berndnaut Smilde – Waterschei, 2014

Berndnaut Smilde - Nimbus, 2010, Cloud in room, Digital C-type Print, 75x112 cm, Probe#6, Suze May Sho, Arnhem, Netherlands

Berndnaut Smilde – Nimbus, 2010, Cloud in room, Probe#6, Suze May Sho, Arnhem, Netherlands

Berndnaut Smilde - Nimbus Visual, 2013, Photo Michael Holly

Berndnaut Smilde – Nimbus, 2013, photo: Michael Holly

Berndnaut Smilde - Nimbus Sankt Peter, 2014, Digital C-type Print, 75 x 109 : 125 x 181 cm, Sankt Peter Kunst-Station, Cologne, photo Cassander Eeftinck Schattenkerk

Berndnaut Smilde – Nimbus Sankt Peter, 2014, Sankt Peter Kunst-Station, Cologne, photo: Cassander Eeftinck Schattenkerk

Berndnaut Smilde - Nimbus Portland Place, 2014

Berndnaut Smilde – Nimbus Portland Place, 2014

Berndnaut Smilde - Nimbus NP3, 2012, digital C-type print on dibond

Berndnaut Smilde – Nimbus NP3, 2012

Berndnaut Smilde - Nimbus Munnekeholm

Berndnaut Smilde – Nimbus Munnekeholm

Berndnaut Smilde - Nimbus LOT, 2013

Berndnaut Smilde – Nimbus LOT, 2013

Berndnaut Smilde - Nimbus II, 2012, Digital C-type Print, 75x112 cm, Hotel MariaKapel, Hoorn, photo Cassander Eeftinck Schattenkerk

Berndnaut Smilde – Nimbus II, 2012, Hotel MariaKapel, Hoorn, photo: Cassander Eeftinck Schattenkerk

Berndnaut Smilde - Nimbus Green Room, 2013, digital C-type print on dibond

Berndnaut Smilde – Nimbus Green Room, 2013

Berndnaut Smilde - Nimbus Green Room, 2013

Berndnaut Smilde – Nimbus Green Room, 2013

Berndnaut Smilde - Nimbus Dumont, 2014, Digital C-type Print, 75 x 110 : 125 x 184 cm, Minebuilding Waterschei, Genk, photo Cassander Eeftinck, Schattenkerk

Berndnaut Smilde – Nimbus Dumont, 2014, Minebuilding Waterschei, Genk, photo: Cassander Eeftinck, Schattenkerk

Berndnaut Smilde - Nimbus Duguan Himalayas Museum, 2015, Digital c-type print, framed, 150 x 220 cm, photo Nina Chen

Berndnaut Smilde – Nimbus Duguan Himalayas Museum, 2015, photo: Nina Chen

Berndnaut Smilde - Nimbus D'Aspremont, 2012, Digital C-type Print, 75x110 : 125x184 cm, Kasteel D'Aspremont-Lynden, Rekem, Belgium, photo Cassander Eeftinck Schattenkerk

Berndnaut Smilde – Nimbus D’Aspremont, 2012, Kasteel D’Aspremont-Lynden, Rekem, Belgium, photo: Cassander Eeftinck Schattenkerk

Berndnaut Smilde - Nimbus Cukurcuma Hamam I, 2012, digital c-type print on dibond

Berndnaut Smilde – Nimbus Cukurcuma Hamam I, 2012

Berndnaut Smilde - Nimbus Cukurcuma Hamam II, 2012

Berndnaut Smilde – Nimbus Cukurcuma Hamam II, 2012

Berndnaut Smilde - Nimbus Bonnefanten, 2013, digital c-type print on aluminium

Berndnaut Smilde – Nimbus Bonnefanten, 2013

Berndnaut Smilde - Nimbus Atlas, 2015, LIAN Art Space, Shanghai 2

Berndnaut Smilde – Nimbus Atlas, 2015, LIAN Art Space, Shanghai, China

Berndnaut Smilde - Nimbus Atlas, 2015, LIAN Art Space, Shanghai 1

Berndnaut Smilde – Nimbus Atlas, 2015, LIAN Art Space, Shanghai, China

All images by Berndnaut Smilde unless otherwise noted.

 

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