Gregory Crewdson’s Twilight photos – Eerie & intriguing

Gregory Crewdson - Untitled (Beer Dreams), from Twilight, 1998
Gregory Crewdson – Untitled (Beer Dreams), from Twilight, 1998

About Gregory Crewdson

What is Gregory Crewdson known for?

Gregory Crewdson’s art can best be described as spooky and unnerving. Often featuring events that are inexplicable and disturbing, his photographs closely resemble images that you would see in a paranormal feature film. Operating in grand scale, Gregory relies on help from a large crew to shoot his staged scenes. The photographs are then edited during post-production.

On set with the Crewdson crew
On set with the Crewdson crew

Crewdson’s style

Crewdson’s work has a brooding quality to it. In some pieces, you might observe light shining down from above, while in others, the subjects display a real sense of peace, which further helps to increase the emotional impact that the photographs have on observers.

Video: Gregory Crewdson speaks about his work

3min 7sec

Influence & background

Born in Brooklyn in 1962, Crewdson’s work and aesthetic are influenced heavily by Diane Arbus, David Lynch, and the work of Japanese silent film director Yasujiro Ozu. In particular, David Lynch’s work Blue Velvet1 was of particular interest to him having encountered it during his studies at Yale.

Gregory Crewdson with his 8x10 camera
Gregory Crewdson with his 8×10 camera

The ‘Twilight’ series

Introduction

Twilight features a series of photographs that depict scenes of bizarre and unusual events with several of them appearing supernatural-like or even involving potential signs of extra-terrestrial life. Twilight consists of a total of 40 photographs that were captured between 1998 and 2002. Each of the photos was elaborately staged in a manner likely to reference eerie shows such as The Twilight Zone2 or films such as Close Encounters3 which mainly deal with paranormal events.

A result of weeks of planning

In these series of photographs, Crewdson does a great job of employing a directorial and cinematic mode of photography that can only occur as a result of weeks of planning, as well as behind the scenes organization and production. In some photographs, the subjects seem occupied with peculiar domestic activities such as carving holes in the middle of a standard bedroom while in others, a bunch of brightly colored butterflies seem to escape from a garden.

Gregory Crewdson - Untitled (Bedroom tree) from Twilight, 2001 - 2002
Gregory Crewdson – Untitled (Bedroom tree) from Twilight, 2001 – 2002

Analysis

Twilight and many other works by Gregory Crewdson highlight the mystery and beauty that exists in everyday life. In essence, Twilight was created as a means of attempting to find meaning in the world that we live in today. The pictures are staged to explain the anxiety, fear, and desire of the subjects, which probably helps to explain why the photographs are so charged emotionally.

Conclusion

It can also be said that the large-scale 40 tableaux were also developed to explore the relationship between the domestic and the made up, as well as the relationship between the topography of the imagination and that of the American landscape. Although the photographs are staged to have a strong cinematic impression, they possess a thematic unity that helps to evoke deep emotions in the audiences that enjoy them. The photographs explore the collision between the normal and paranormal with the aim of transforming an otherwise familiar and normal suburb into a place of wonder.

‘Twilight’ photos

Gregory Crewdson - Untitled (Penitent Daughter) from Twilight, 2001-2002
Gregory Crewdson – Untitled (Penitent Daughter) from Twilight, 2001-2002

Gregory Crewdson - Untitled from Twilight, 2001
Gregory Crewdson – Untitled from Twilight, 2001

Gregory Crewdson - Untitled from Twilight, 2001
Gregory Crewdson – Untitled from Twilight, 2001

Gregory Crewdson - Untitled from Twilight, 2001, Digital C-type print, 65 x 53 in
Gregory Crewdson – Untitled from Twilight, 2001

Gregory Crewdson - Untitled from Twilight, 1998
Gregory Crewdson – Untitled from Twilight, 1998

Gregory Crewdson - Untitled from Twilight, 1998-2002, Digital C-print, 121,9 x 152, 4 cm
Gregory Crewdson – Untitled (Ophelia) from Twilight, 1998-2002

Gregory Crewdson - Untitled (sleep walker) from Twilight, 1999
Gregory Crewdson – Untitled (sleep walker) from Twilight, 1999

Gregory Crewdson - Untitled (Rug lady) from Twilight, 1999
Gregory Crewdson – Untitled (Rug lady) from Twilight, 1999

Gregory Crewdson - Untitled (Pregnant Woman in Pool) from Twilight, 1999
Gregory Crewdson – Untitled (Pregnant Woman in Pool) from Twilight, 1999

Gregory Crewdson - Untitled (Overturned Bus) from Twilight, 2001
Gregory Crewdson – Untitled (Overturned Bus) from Twilight, 2001

Gregory Crewdson - Untitled (Girl in Window) from Twilight, 1999
Gregory Crewdson – Untitled (Girl in Window) from Twilight, 1999

Gregory Crewdson - Untitled (Dylan On The Floor), from Twilight, 2001
Gregory Crewdson – Untitled (Dylan On The Floor), from Twilight, 2001

Gregory Crewdson - Untitled (Dead cow discovery) from Twilight, 1998
Gregory Crewdson – Untitled (Dead cow discovery) from Twilight, 1998

All images: Gregory Crewdson/gregorycrewdsonmovie.com unless otherwise noted.

Related readings

  1. https://en.wikipedia.org/wiki/Blue_Velvet_(film)
  2. https://en.wikipedia.org/wiki/The_Twilight_Zone_(1959_TV_series)
  3. https://en.wikipedia.org/wiki/Close_Encounters_of_the_Third_Kind
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