In the Drakensberg Mountains, the Semonkong region of Lesotho is comprised of various small villages. Semonkong is nestled high up in the mountains; so the area is almost entirely inaccessible by car. Some villages are close to four or five hours apart, so the local population has to find creative ways to move from one community to another. Mostly, the villagers utilize horses as their primary means of transport; the horses also come in handy for trading and herding.
In May 2016, photographer Thom Pierce spent 8 days in the Semonkong highlands capturing the rawness of the majestic horsemen and women against the most astounding Lesotho background. Through his photographic medium, Pierce manages to blur the line between fine art, portrait, and documentary photography. His photographs engage the viewer almost immediately, and one cannot help but feel a connection with the men, women, and children that took part in the series.
The immediacy in his portraits grabs our attention to transfer such pertinent information within a nanosecond. With the proliferation of photographic images nowadays, it is often difficult for a photographer to captivate audiences within such a short time frame.
The images speak for themselves without having to necessarily rely on text-based descriptions. The series contains a total of 42 photographs, and they consist of horsemen and women, young herders, as well as the commuters Pierce encountered during his journey. The blankets adorned by the subjects make such as the strong visual statement that makes it impossible to ignore them.
There is a quality to the portraits and the subjects that almost resemble knights of valor partly because of the blankets and balaclavas, but also because of the horses. The combination of the horses and the stunning Lesotho landscape produces a product that is quite dramatic, yet there is a balance between the drama of the subjects and their horses and the exquisiteness of the landscape. The result is portraits that convey the majesty and pride of the people of Semonkong.
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