Fascinating and disturbing – Asger Carlsen’s photos
Asger Carlsen - Untitled (Wrong), 2011, 76.2 x 58.4 cm ← →

Asger Carlsen
Asger Carlsen

Best known as the photographer with a fascination with distorted human figures, Danish photographer, Asger Carlsen was born in 1973. He began flirting with the idea of being a commercial photographer as early as the age of 16 when he took a photograph of a police officer who was yelling at him and his friends, which he would later sell to a local newspaper. He took to crime-scene photography soon after and this would propel him to commercial photography working for various magazines. The creation of photographic distortions was born in 2006 when he was playing with images on his computer; he laid several human faces on top of each other and the end result was an odd looking face which had multiple pairs of eyes. Naturally, this surprised him and having come at a time when he was trying to make his name as a commercial photographer, he was afraid of what has been created, so he chose to hide it.

Now, many years later, Asger Carlsen is a well-known photographer, thanks to his ability to digitally manipulate images he has photographed. While his works are unique, the images he creates are odd, confusing and shocking. If you can imagine a human being with no face, or with countless pairs of eyes or with an unusual alignment of body parts, then you can imagine the works of Asger Carlsen.

Owing to his awkward art, Asger Carlsen has been featured in various high level publications such as the New Yorker and Huffington Post. His work has been displayed in galleries and museums internationally. Perhaps the most outstanding influence of his work is its power to present humanity in a humorous and eerie manner every time and to give the viewer a sense of familiarity and mystery at the same time. To someone who is looking for a thrilling photographic viewing, Asger Carlsen’s different styles of photos make for an interesting story. While he tries to be unique in this new concept of photography, he remains loyal to brand photography through use of high quality flash and image contrast imaging.

Asger Carlsen
Asger Carlsen

Asger Carlsen
Asger Carlsen

Asger Carlsen
Asger Carlsen

Asger Carlsen
Asger Carlsen

Asger Carlsen
Asger Carlsen

Asger Carlsen - Fischerspooner, Aus der Serie EGOS, 2015
Asger Carlsen

Asger Carlsen
Asger Carlsen

Asger Carlsen - Untitled (Hester), 2011, 76.2 x 58.42 cm
Asger CarlsenUntitled, Hester, 2011

Asger Carlsen - Untitled (Wrong), 2011, 120 x 83 cm
Asger CarlsenUntitled, Wrong, 2011

Asger Carlsen
Asger Carlsen

Asger Carlsen
Asger Carlsen

Asger Carlsen
Asger Carlsen

Asger Carlsen - Untitled (Wrong), 2010, 82 x 100 cm
Asger CarlsenUntitled, Wrong, 2010

Asger Carlsen
Asger Carlsen

Asger Carlsen - Untitled (Wrong), 2012, 40 x 30 cm ← →
Asger CarlsenUntitled, Wrong, 2012

Asger Carlsen - Untitled (Wrong), 2010, 80 x 100 cm
Asger CarlsenUntitled, Wrong, 2010

Asger Carlsen - Untitled (Wrong), 2010, 40 x 33 cm
Asger CarlsenUntitled, Wrong, 2010

Asger Carlsen
Asger Carlsen

 

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