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Roy Lichtenstein – Bauhaus Stairway Mural, 1989, Oil and Magna on canvas, 82.3 x 54.9 m, 324 x 216 in, Creative Arts Agency Building, Beverly Hills, California
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Introduction
As far as famous pop artists go, it truly does not get any better than Roy Lichtenstein. His style of comic art use made him one of the most well known and respected pop artists. His work has helped to inspire thousands of artists to hone their craft. His incredible pieces such as the Times Square Mural located in New York’s busiest subway station, as well as his 1986 mural titled Mural with a Blue Brushstroke, are some of his most prominent public murals.
What Lichtenstein was famous for
Lichtenstein was in the front line of the Pop Art movement which was captivated by the manufacturing process and mass consumerism. Lichtenstein built a largely successful career based on deceivingly simple works that appropriated from popular comic book characters, pulp fiction, and advertisement. Lichtenstein was skilled at the art of separating, cropping and enlarging certain sections of a mural to make the composition more striking.
Roy Lichtenstein in front of Girl in Window, 1964, made for the New York World’s Fair, Flushing Meadows
The progression of his paintings
Lichtenstein’s first works were based on experimentation with abstract expressionism but his style begun to mature as he started to concentrate on a particular style. His paintings soon started to draw inspiration from the narrative drama of comic books. His works featured certain elements that were characteristically Lichtenstein such as the use of dots. Lichtenstein pieces exemplified pop art’s complex relationship with societal change and pop culture and the changes that came about in the 1960s.
Message of the works
As such, Lichtenstein’s paintings highlight society’s obsession with youth and beauty, the dictatorship of consumer objects and the excitement surrounding advertisement and the media. Mural with Blue Brushstroke may seem muddled with different elements; however, it offered a hedonistic perspective of earthly inconsequentiality.
Conclusion
Along with other popular pop artists such as Andy Warhol, Lichtenstein’s work helped to develop the market drastically in the 1960s. Because of his contributions to the movement, artists started being commissioned and actually receiving recognition for their works. Additionally, contemporary art began to fetch good prices which led to the hyper commoditization of art. Although it has been a while since the world was introduced to a Lichtenstein original, his works are still in very high demand today.
Murals
Weisman Art Museum, Minnesota, 1963
Roy Lichtenstein – New York World’s Fair Mural (Girl in Window), 1963, Oil and Magna on plywood, 6.30 x 4.88m, 248 x 192 in, Weisman Art Museum, University of Minnesota, Minnesota, Minneapolis
CAA Mural – Creative Arts Agency Building, California, 1989
Roy Lichtenstein – In front of Bauhaus Stairway Mural, 1989, Oil and Magna on canvas, 82.3 x 54.9 m, 324 x 216 in, Creative Arts Agency Building, Beverly Hills, California
Greene Street Mural, 1983 & 2015
Roy Lichtenstein – Greene Street Mural, 1983, 18 × 96 1/2 feet, Castelli Gallery, New York, Dec 3, 1983 – Jan 14, 1984
Roy Lichtenstein and Leo Castelli during the making of Greene Street Mural, 1983
Photo: Michael Abramson
Roy Lichtenstein – Greene Street Mural (study), 1983, graphite and colored pencil on paper, 23 x 108 cm (9 x 42 1/2 in)
Roy Lichtenstein – Greene Street Mural, Gagosian Gallery, New York, Sep 10 – Oct 17, 2015
Roy Lichtenstein – Greene Street Mural, Gagosian Gallery, New York, Sep 10 – Oct 17, 2015
Photo: Rob McKeever
Tel Aviv Museum of Art, Israel, 1989
Roy Lichtenstein – Tel Aviv Museum of Art Mural, 1989, Oil and Magna on canvas, 7 x 17.4 m (overall), 275 9/16 x 669 5/16 in, Tel Aviv Museum of Art, Meshulam Riklis Hall
Roy Lichtenstein – Tel Aviv Museum of Art Mural, 1989, Oil and Magna on canvas, 7 x 17.4 m (overall), 275 9/16 x 669 5/16 in, Tel Aviv Museum of Art, Meshulam Riklis Hall
Photo: Shutterstock/timeout.fr
AXA Equitable Center, NYC, 1984–86
Roy Lichtenstein – Mural with Blue Brushstroke, 1984–86, Oil and Magna on canvas, 816 x 384 inches; 20.73 x 9.75 m, AXA Equitable Center, New York City
Photo: Kennedy/yelp.com
Roy Lichtenstein – Mural with Blue Brushstroke, 1984–86, Oil and Magna on canvas, 816 x 384 inches; 20.73 x 9.75 m, AXA Equitable Center, New York City
Photo: christianmontone/flickr.com
42nd Street Station, Times Square Mural, NYC, 1990
Roy Lichtenstein – Times Square Mural, 1990 (fabricated 1994; installed 2002), Porcelain enamel on steel, 16 panels, 1.85 x 16.26 m (overall), 73 x 640 1/2 inches, NYCT Times Square, 42nd Street Station, New York City
Photo: Rob Wilson/mashable.com
Roy Lichtenstein – Times Square Mural, 1990 (fabricated 1994; installed 2002), Porcelain enamel on steel, 16 panels, 1.85 x 16.26 m (overall), 73 x 640 1/2 inches, NYCT Times Square, 42nd Street Station, New York City
Roy Lichtenstein – Times Square Mural, 1990 (fabricated 1994; installed 2002), Porcelain enamel on steel, 16 panels, 1.85 x 16.26 m (overall), 73 x 640 1/2 inches, NYCT Times Square, 42nd Street Station, New York City
Photo: ArtKiss/artkiss.eu
Roy Lichtenstein – Times Square Mural, 1990 (fabricated 1994; installed 2002), Porcelain enamel on steel, 16 panels, 1.85 x 16.26 m (overall), 73 x 640 1/2 inches, NYCT Times Square, 42nd Street Station, New York City
Photo: ArtKiss/artkiss.eu
Heinrich-Heine University Düsseldorf, Germany, 1970
Roy Lichtenstein – Brushstroke Mural, 1970, Magna on plaster, 4 walls, 36.6 x 10.67 m, 144 x 420 inches, Heinrich-Heine University Düsseldorf, Germany
Roy Lichtenstein – Brushstroke Mural, 1970, Magna on plaster, 4 walls, 36.6 x 10.67 m, 144 x 420 inches, Heinrich-Heine University Düsseldorf, Germany
Photo: DUS-Fan/deutsches-architektur-forum.de
Roy Lichtenstein – Brushstroke Mural, 1970, Magna on plaster, 4 walls, 36.6 x 10.67 m, 144 x 420 inches, Heinrich-Heine University Düsseldorf, Germany
Photo: DUS-Fan/deutsches-architektur-forum.de
Roy Lichtenstein – Brushstroke Mural, 1970, Magna on plaster, 4 walls, 36.6 x 10.67 m, 144 x 420 inches, Heinrich-Heine University Düsseldorf, Germany
Roy Lichtenstein – Brushstroke Mural, 1970, Magna on plaster, 4 walls, 36.6 x 10.67 m, 144 x 420 inches, Heinrich-Heine University Düsseldorf, Germany
Roy Lichtenstein – Brushstroke Mural, 1970, Magna on plaster, 4 walls, 36.6 x 10.67 m, 144 x 420 inches, Heinrich-Heine University Düsseldorf, Germany
Photo: Andreas Bretz/rp-online.de
All images by Roy Lichtenstein Foundation/lichtensteinfoundation.org unless otherwise noted.
Video: Roy Lichtenstein interview, 1966
10min 42sec
