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Cai Guo-Qiang - Elegy (Explosion Event), The Ninth Wave at Huangpu riverfront of the Power Station of Art, Shanghai, China — Cai Guo-Qiang – *Elegy*, chapter one of *Elegy: Explosion Event* for the opening of Cai Guo-Qiang: *The Ninth Wave*, realized on the riverfront of the Power Station of Art, Shanghai, China, 5:00 p.m., August 8th, 2014, approximately 8 minutes

About Cai Guo-Qiang

Cai Guo-Qiang is a New York-based artist and one of the furthermost celebrated contemporary artists originating from China. He is known for a remarkable new kind of fireworks spectacle, which he calls “explosion events.” He has taken gunpowder, one of China’s Four Great Inventions¹ and led the way in a new impressive form of art that is substantial and metaphorical. His fireworks represent nature, culture, life, and death.

Cai’s history with pyrotechnics

Cai’s captivation with pyrotechnics had origins in weaponry and physics, evolving into an affinity with traditional Chinese brush painting². Thus the violent explosions are transformed into a tool of art, creating a masterpiece in the sky, a masterpiece that only has a short lifetime and fades away. Cai’s daytime “explosion events” intimates classical brush painting. Cai involves organic vegetable dyes as opposed to just gunpowder. The smoke from these “explosion events” gradually blurs in the air, almost as ink from a brushstroke is absorbed by rice paper in traditional painting. His daylight skywriting signifies his deep traditionalism and his modernism all at once.

Video

5 min 53 sec

The 2014 fireworks project in Shanghai

Cai’s work in front of the Power Station of Art in Shanghai, China is eight minutes of colors filling the sky, in a ritualistically sincere elucidation of the ‘death of nature’. The show personifies the natural world with remembrance, looking back on the past and the transitory nature of time through a display of colorful smoke. The smoke fades away until nothing is left, no reminiscence of the beauty that once was, just like everything that exists in nature.

Why was the police called?

The police asked the artist not to publicize the event to prevent traffic problems. The fireworks left many people clueless, thinking that the massive, yellow and black-and-green clouds were the toxic results of a serious accident. Aware of recent, non-artistic explosions (factory in Jiangsu³, gas pipes in Kaohsiung⁴, both in 2014), widely publicized in the Chinese media, concerned locals started calling the police.