Born in 1950 in New York in a family of South American immigrants, Andres Serrano grew up in, New York an environment marked by Catholic devotion. His first works were inspired by many religious iconographies. The use of faces and bodily fluids are an essential part of his work.
A strong aesthetic approach always characterizes his work. Photographs by Andres Serrano – as with some of his contemporaries such as Cindy Sherman and Robert Mapplethorpe – give an iconic status to the photographic image.
By putting into perspective a fundamental dichotomy between form and content, Serrano conveys a strange feeling of fascination to the viewer. Serrano‘s works constantly test the visual experience of the sublime.
In the exhibition’s catalog The Morgue for Andres Serrano, Daniel Arasse precisely insists on the unveiling taboos specific to Western society conveyed by the works of the American photographer: The provocation in Serrano’s work requires that we look, right in the eyes, what we now tend, increasingly, to waive, not wanting to know, not to think.
Utopian Days – Freedom was an exhibition at the Total Museum of Contemporary Art, Seoul, South Korea’s first private art museum. Later it was shown in the same city at the Nowon Culture and Arts Center.
Artists: Adel Abdessemed, Lida Abdul, Phil America, Ivan Argote, Chim↑Pom, Minerva Cuevas, Chto Delat?, Cyprien Gaillard, Yang-Ah Ham, Andre Hemer, Tehching Hsieh, Zhang Huan, Jani Leinonen, Klara Liden, Armando Lulaj, Matt McCormick, Filippo Minelli, Wang Qingsong, Andres Serrano, Manit Sriwanichpoom, Clemens von Wedemeyer, Kacey Wong, Xijing Men, He Yunchang.
The Subconscious Art of Graffiti Removal, 2001
The video is an experimental documentary directed by Matt McCormick and narrated by Miranda July, taking place in Portland, Oregon. It is no coincidence that funding for anti-graffiti campaigns often outweighs funding for the arts.
Graffiti removal has subverted the common obstacles repressing the artistic desires of city workers and has become one of the more intriguing and important art movements of our time.
Emerging from the human psyche and showing characteristics of abstract expressionism, minimalism and Russian constructivism, graffiti removal has secured its place in the history of modern art while being created by artists who are unconscious of their artistic achievements.