Lida Abdul, Afghanistan
Said Atabekov, Kazakhstan
Mohamed Bourouissa, Algeria
Chen Chieh-Jen, Taiwan
Cao Fei, China
Yang Fudong, China
Cyprien Gaillard, France
Dejan Kaludjerović, Yugoslavia
Mari Kim, South Korea
Kamin Lertchaiprasert, Thailand
Taus Makhacheva, Russia
Almagul Menlibayeva, Kazakhstan
Mariko Mori, Japan
Ahmet Ögüt, Turkey
Adrian Paci, Italy
Public Delivery, South Korea
Wang Qingsong, China
Walid Raad, Lebanon
Cheng Ran, China & Item Idem, France
Taps & Moses, Germany
Guido van der Werve, Netherlands
Erwin Wurm, Austria
Miao Xiaochun, China
Exhibited: 123456 chops, 2012
In dark light, a man approaches a huge chopping block and throws the carcass of a goat onto the block. Then he begins coldly and wildly cutting the carcass into pieces hour by hour, day in and day out. The lone actor’s anger, violence, suffocation, sadness, and disappointment are all depicted in this methodical cutting action in a disturbing piece that resonates universally. Perhaps this venting is the best means available to deal with unresolved feelings of anger, hatred, self-defense, or other negative feelings, to relieve oneself of far worse mental diseases.
During the production of this video, the artist tried to buy a pair of big-bladed machetes from kitchenware shops. The knife vendors all looked at the artist with suspicion and watched carefully as he exited the stores. He was told that there were no such knives, and on one occasion, a group of people came together to be on guard against him. He was assumed to be potentially dangerous or mentally ill. In this exercise, the artist quickly realized life is full of dangers, terrors, violence, insecurities and suspicions.
Artists: Adel Abdessemed, Lida Abdul, Phil America, Ivan Argote, Chim↑Pom, Minerva Cuevas, Chto Delat?, Cyprien Gaillard, Yang-Ah Ham, Andre Hemer, Tehching Hsieh, Zhang Huan, Jani Leinonen, Klara Liden, Armando Lulaj, Matt McCormick, Filippo Minelli,
Wang Qingsong, Andres Serrano, Manit Sriwanichpoom,
Clemens von Wedemeyer, Kacey Wong, Xijing Men, He Yunchang.
Exhibited: Iron Man, 2009
A poster from the Cultural Revolution entitled To Live Like Such A Person refers to the appreciation of being a brave, honest, and heroic person. In our childhood, we have been taught how to live and why to live in political classes. These heroes were taught to as great models to emulate and to live up to as we grew up. However, the real world is very tough, stifled with conflict, war, violence, strife, controversy, fight, combat… People have to face up to all these severe situations. To be a hero means a lot of suffering, bravery, insistence, all sorts of skills of stamina to combat against unexpected disasters. In Iron Man (2009), Wang Qingsong created a hero in his own image affectionately referred to as Iron Man. This term Iron Man refers to an oil worker hero (Qingsong worked in the oil-fields for over eight years) who dedicated his life to developing the Chinese oil industry in the early 1960s. In this video, this strong-minded hero has been beaten up by a lot of fists but always straightens up his head facing sideways as if Taking Death As Merely Going Back Home. He avoids the fist by playing Chinese Tai Chi (a Chinese body-exercise system of slow meditative physical exercise designed for relaxation, balance, and health). Finally, though losing hair and teeth in the course of the beating, he still smiles at his opponents. Is it a fact of life or an absurdist satire against all forms of violence? Or what is Iron Man?
Artist talk for Utopian Days – Freedom, 2014 (excerpt)
At Total Museum of Contemporary Art, Seoul, South Korea