Francesco Jodice – What We Want, Hong Kong, T47, 2006
Ever been to a place and felt that it is not quite satisfactory in terms of how it looks? Well, Francesco Jodice is recreating spaces into what they should be if we had control of them. For a long time, people’s lives were influenced by the buildings that existed but the trend is taking a turn. Not even urban planners, engineers or architects can dictate life upon humanity anymore, this is the message that is being communicated by the ‘What We Want’ series. The project is centered around photography and modification of imagery.
Kacey Wong – Paddling Home, 2009, wood, ceramic tiles, aluminum windows, stainless steel gate, pipes, plastic barrels, 278 x 220 x 290cm, Hong Kong
Kacey Wong has a knack for creating art which investigates the space between people and their surrounding environment. Paddling Home, which was performed on the Hong Kong Victoria Harbor, was a star feature in the Hong Kong contemporary art scene. The project features deep architectural elements, which clearly show in the design. The project also features various functional and commercial aspects. The result of the Paddling Home house was the creation of artwork unbounded by business values or functionality, which allowed it to represent the philosophies of Kacey Wong.
Andreas Gursky – Kuwait Stock Exchange II, 2007
Photo: Andreas Gursky/VG Bild-Kunst, Courtesy Sprüth Magers, Berlin London
About Andreas Gursky
Andreas Gursky is a German photographer and professor. He is most well known for large format architecture and landscape color photos, and following the 1990’s; Gursky has been using technology and computers for editing and enhancing his photos.
Gursky is known for using an elevated vantage point as his main perspective. This allows the audience to view the scenes from a place that is both peripheral and central. Using each subject to create an unconventional geometry, he organizes the world fitting in with his personal visual logic. He began his portrayals of stock exchanges in 1990 and has continued this project throughout his career. Projects like this lead towards his visit to North Korea as well as a photos of concerts, sport events and other large-scale events.
Cao Fei – Same Old, Brand New (rendering), 2015, sound and large-scale led screens, 5min, size variable, Sound by Artist Dickson Dee, International Commerce Centre, Hong Kong, China
About Cao Fei’s 490 meter installation
Same Old, Brand New is the labor of love of Chinese multimedia artist Cao Fei. It was a massive video installation that featured a multitude of different symbols, moving pictures and images as well as logos from well-liked video games such as Pac-Man and Tetris. At the time of the show, the images and symbols that were displayed had become integral elements of culture among the youth not only in Hong Kong but in other parts of the world as well.
Tracey Emin – Trust Yourself, Museum of Contemporary Art North Miami, Miami, USA, 2014
About Tracey Emin’s neon works
Neon lights are commonly used to make attractive business signs and are mostly preferred for outdoor use especially at night. The colorful array of neon light options makes it a creative marketing tool since lights are used to illuminate an underlying text message or image. There is no limit to what medium an artist can use to express themselves and for Tracey Emin (b.1963), it has been over 26 years of using neon consistently as a creative medium. The process of creating an art piece for her often begins with coming up with a message, usually a thought or a feeling. This is then followed by bending light tubes to assume the curves and profile of what has been written. Many artists have used neon lights as a medium since the 1960s but while many preferred to use molded letters and neutral writing, Tracey Emin stands out because she has chosen to use her own handwriting. Art critics will admit that using one’s own handwriting is rather daring but also a way to stamp personality and individuality in all pieces created.
Fan Ho – Inferno, 1962
Fan Ho biography & triology
Photographer Fan Ho was born in Shanghai, China in 1931 and immigrated to Hong Kong in his teens where he then began to photograph the drama of city life, ranging from the teeming markets to desolate alleyways. A Hong Kong Memoir completes Ho’s trilogy that he began with Hong Kong Yesterday and The Living Theatre, in which he introduced viewers to Hong Kong during the 1950s and 1960s, using his exceptional eye for light, structure, and his patience, waiting for the right moment to take the photo.
FriendsWithYou – Happy Rainbow, Tuen Mun Town Plaza, Hong Kong, 2012
Highly interactive visual art has forged its way into the hearts and minds of the public. This new caliber of art is quirky, but it manages to so effortlessly fuse art, technology, and fashion in a trendy way that has us all captured.