Archive: 2013
A seemingly impossible installation – Tomás Saraceno

A seemingly impossible installation – Tomás Saraceno

Tomás Saraceno - In Orbit, 2013. Installation view, Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Düsseldorf
Tomás SaracenoIn Orbit, 2013, permanent installation at Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Düsseldorf

A massive installation by Tomás Saraceno titled In Orbit has to be one of the artist’s most notable and successful installations. At a height of more than 20 meters, Saraceno suspended a mesh construction within which audiences could move weightlessly on the net. The net construction, which was accessible on 3 levels, was designed to resemble a cloud setting or landscape.

Read more


Posted in Blog | Tagged , , , , , , | 1 Comment
Properties torched in the name of art – Ian Strange

Properties torched in the name of art – Ian Strange


Ian Strange – Film still from Suburban

Suburban by Ian Strange

Suburban is a complex film and photography installation that was created by New York-based Australian artist Ian Strange. Suburban was created by Strange as a result of a collaboration with a film crew and volunteers from different parts of America including Alabama, Detroit, New Hampshire, Ohio and New York. Over the course of three months Strange and the film crew photographed and filmed 8 different sites that featured singular suburban homes from different states.

Read more


Posted in Blog | Tagged , , , , , , | 2 Comments
Karina Smigla-Bobinski’s unpredictable paintings on museum walls

Karina Smigla-Bobinski’s unpredictable paintings on museum walls

Karina Smigla-Bobinski - ADA, 2010, Garage Museum of Contemporary Art in Moscow, Russia, 2013

Karina Smigla-Bobinski - ADA, 2010, Garage Museum of Contemporary Art in Moscow, Russia, 2013
Karina Smigla-BobinskiADA, 2010, Garage Museum of Contemporary Art, Moscow, Russia, 2013

ADA, a kinetic sculpture by Karina Smigla-Bobinski, stands out for being interactive and unpredictable; Imagine a giant ball that is filled with helium gas and its surface covered with charcoal spikes. The helium causes the ball to be suspended in the air and the charcoal sticks provide grips and a medium with which to create art.

Through numerous exhibitions ADA is getting immense attention from visitors and the best part is, you do not have to be an artist yourself to enjoy the experience. Visitors get to push the ball which moves freely in space because it is not attached to anything and as the ball comes into contact with the surrounding walls, the charcoal sticks draw ambiguous lines on them. The result of what is drawn is never predictable and it is perhaps this feeling of suspense that keeps visitors coming back.

ADA is a transparent globe that resembles a molecular hybrid. The helium inside it and the hedgehog like surface give it an autonomous bounce from wall to wall. The ball is covered with 300 charcoal sticks with a spacing of 10 inches from one another. The technique behind it was developed by Smigla-Bobinski purposely for this art piece. Moving the ball to create patterns on the wall is interesting but what is even more enjoyable to do is to watch as people try to control the ball with their weight.

While the charcoal sticks come into contact with the white walls, every stroke is unique because of the direction in which the ball is thrust, the force applied, the level to which it is bent and the angle of contact with the wall. You will be frustrated if you approach this activity with intelligence so visitors are advised to just flow with the energy of the ball as their energy floats with it.

The artist Smigla-Bobisnki might never fully understand the therapeutic nature of what she had created but here is a canvas that was started by an expert and is being completed by anyone who has the interest and time to play with a floating ball of helium.

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Karina Smigla-Bobinski - ADA, 2010, The Lowry, Manchester, UK, 2015
Karina Smigla-BobinskiADA, 2010, The Lowry, Manchester, UK, 2015

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Karina Smigla-Bobinski - ADA, 2010, Garage Museum of Contemporary Art in Moscow, Russia, 2013
Karina Smigla-BobinskiADA, 2010, Garage Museum of Contemporary Art, Moscow, Russia, 2013

Karina Smigla-Bobinski - ADA, 2010
Karina Smigla-BobinskiADA, 2010

Video


Posted in Blog | Tagged , , , , , , , , , , , , | Leave a comment
Artist mocks Jeff Koons highest priced work using garbage bags

Artist mocks Jeff Koons highest priced work using garbage bags

Gimhongsok - Canine Construction, 2009, bronze
GimhongsokCanine Construction, 2009, 164x231x90cm

This Canine Construction by South Korean artist, Gimhongsok is one that anyone would fall in love with, coupled with the enigmatic quality it has. This work is the sculpture of a dog remains one of the artist’s most well-known works in recent times. The creation involved using garbage bags, balloons, cardboard boxes, all assembled with expensive materials like resin.

Read more


Posted in Blog | Tagged , , , , , , , , , , , , , | Leave a comment
Chris Burden got enormous meteorite on eBay for this installation

Chris Burden got enormous meteorite on eBay for this installation

Chris Burden - Porsche with Meteorite, 2013, Photo by Benoit Pailley/New Museum
Chris BurdenPorsche with Meteorite, 2013, restored 1974 Porsche 914, 390 pound meteorite, steel structure installation, New Museum, New York City, USA, 2013
Photo: Benoit Pailley, New Museum

About Chris Burden’s Porsche with Meteorite

Chris Burden was not exactly an everyday artist. While his previous work usually involved a form of danger (see Shoot), his last works have still been about performance, but mostly involved creating very much advanced models of working machines. One of such of his works was sitting in the New Museum, NYC in 2013. At the New Museum, there was a large chunk of meteorite which weighed 365 pounds hanging from one end of a massive steel frame while a Canary yellow 1974 Porsche 914 hung from the other end.

Burden went to great lengths to make his machines come to live and a great deal of energy and intelligence is required. According to the story of how the meteorite machine came to be, Burden spotted the huge meteorite on eBay and it was available on free shipping too. He had never seen a meteorite that big and he went ahead to buy it without actually having any inkling whatsoever about what he would do with it.

Chris Burden whose most well-known work is Shoot, an art performance in which he had his own arm shot by a friend in 1971, had over the years grown into a stocky, vigorous 67 years old man. His works were usually huge and they always took very long time to bring to life but there is a clean elegance about them which Mr. Burden said he imbibed from the University of California.

Read more


Posted in Blog | Tagged , , , , , , , , , , , | 1 Comment
Spray paint & Old Masters create an interesting mix – Miaz Brothers

Spray paint & Old Masters create an interesting mix – Miaz Brothers

Miaz Brothers - Young Man 6, 130x99cm

Miaz Brothers - Master 8, 2013, 190x140cm, Acrylic on canvas
Miaz BrothersMaster 8, 2013, 190x140cm

The Miaz Brothers present a drastic new interpretation of portraiture, as the siblings, create large-format canvases using spray paint in a unique new way. Their series with the Masters focuses on the historic and notable figures from the time of the English Restoration, while evoking a new take on the Masters.

They explain that the use of spray paint is representative that we, as humans, “are composed of infinite particles in continuous evolution”. The spray paint creates a blurred effect that expresses the duo’s work: “dematerializing the lines, we gain a substantial indetermination of the picture. This skips any immediate reaction and provokes the viewer to use mnemonic associations instead for their own personal visual information encoding.”

The Miaz Brothers have a very particular method to their art; their style elements are dichotomized and further enact the concepts of temporality and transcendence. The Miaz brother’s paintings are made up of large haunting portraits, of ghostly figures that are only just visible. These works are based on the Old Masters, and with little more than that information, the viewers are given all that is needed to complete the narrative.

Their otherworldly work is without a doubt evocative and highlights our transitory actuality, and the interchange that is existence. The Miaz brothers also bring into conversation the many ideas surrounding perception and how each person’s perception varies from person to person so drastically. Every viewer sees precisely what they want or need to when viewing the portraits, whether they see a historical figure, or someone they know, each person projects their own associations and perceptions on to the blurred canvas. This is what is so refreshing about the Miaz brothers, they don’t tell you what to see, think, or feel- it is up to you to interpret the artwork, and no matter how you do, you are right.

Miaz Brothers - Young Woman 2, 163x130cm
Miaz BrothersYoung Woman 2, 163x130cm

Miaz Brothers - Young Man 6, 130x99cm
Miaz BrothersYoung Man 6, 130x99cm

Miaz Brothers - Young Man 2, 163x130cm
Miaz BrothersYoung Man 2, 163x130cm

Miaz Brothers - Old Master 16, 2014, 130x100cm, Acrylic on canvas
Miaz BrothersOld Master 16, 130x100cm

Miaz Brothers - Old master #31, 2014, 162x130cm
Miaz BrothersOld Master 31, 162x130cm

Miaz Brothers - Old master #30, 2014, 162x130cm
Miaz BrothersOld Master 30, 162x130cm

Miaz Brothers - Old master #19, 2014, 162 x 130 cm
Miaz BrothersOld Master 19, 2013, 162x130cm

Miaz Brothers - Old Man 4, 162x130cm
Miaz BrothersOld Man 4, 162x130cm

Miaz Brothers - Lady F, 2014, 162x130cm
Miaz BrothersLady F, 2014, 162x130cm


Posted in Blog | Tagged , , , | Leave a comment
Imran Qureshi’s gruesome-looking installation is much more harmless than you think

Imran Qureshi’s gruesome-looking installation is much more harmless than you think

Imran Qureshi – And They Still Seek the Traces of Blood, 2013 - Salsali Private Museum, Dubai, UAE, 2014

Imran Qureshi – And They Still Seek the Traces of Blood, 2013 - Salsali Private Museum, Dubai, UAE, 2014
Imran QureshiAnd They Still Seek the Traces of Blood, 2013, At Salsali Private Museum, Dubai, UAE, 2014
Photo: Salsali Private Museum

Imran Qureshi’s “And they still seek the traces of blood” (2013) has become renowned for its ability to invoke emotional responses from viewers as this intrinsic work is printed on thousands of crumpled sheets of paper and gathered to form a precipitous heap. The title of his work, “nd they still seek the traces of blood quotes a poem by Faiz Ahmed Faiz with reference to individuals who have been killed and buried without their lives honoured nor the events surrounding their deaths investigated.

Read more


Posted in Blog | Tagged , , , , , , , , | Leave a comment

Support Public Delivery

We are a non-profit dedicated to changing the status quo of the art world. We work with recognized artists, art spaces and organizations, but also visit remote places and work with communities who are often overlooked, trying to establish balance within the global conversation about creativity. Public Delivery brings you unique and fresh content, and often thought-provoking ideas, free to all.

But we can’t do it without you.

Come join us

Want inspiration in your inbox?

Public Delivery