Cheng Ran & Item Idem

Cheng Ran, China – item idem, France
Cheng Ran - Item Idem portrait

Cheng Ran was born in Inner Mongolia in 1981 and is currently based in Hangzhou (China) and Amsterdam. Cheng’s oeuvre consists of video and film, as well as photography and installation works. His video work is praised for its eclectic form in which films are integrated into the poetic culture of the contemporary age.

His works convey a young perspective on the unsolvable issues in life, such as problems regarding identity and the anguish felt by young Chinese people living through the globalized Chinese culture and cultural policy.

Cyril Duval, born in 1977, is working under the fictional alter-ego brand name item idem. As an artist and designer, he produces work situated within the intersection of conceptual practices, visual communication, industrial design, marketing/branding, and public art.

Duval’s work has been exhibited at MoMA PS1 (NY), Haus der Kulturen der Welt (Berlin); Garage Center for Contemporary Culture (Moscow); Mori Art Museum (Tokyo); NADA Art Fair (Miami), and the New Museum (NY). He is also the founding member & co-president of Shanzhai Biennial.

With Public Delivery Video festival Fairy Tales, 2015

Fairy Tales - Taipei Museum of Contemporary Art

Fairy Tales was a video art festival at the Plaza of the Museum of Contemporary Art, Taipei, Taiwan.

Lida Abdul, Afghanistan
Said Atabekov, Kazakhstan
Mohamed Bourouissa, Algeria
Chen Chieh-Jen, Taiwan
Cao Fei, China
Yang Fudong, China
Cyprien Gaillard, France
Dejan Kaludjerović, Yugoslavia
Mari Kim, South Korea
Kamin Lertchaiprasert, Thailand
Taus Makhacheva, Russia
Almagul Menlibayeva, Kazakhstan
Mariko Mori, Japan
Ahmet Ögüt, Turkey
Adrian Paci, Italy
Public Delivery, South Korea
Wang Qingsong, China
Walid Raad, Lebanon
Cheng Ran, China & Item Idem, France
Taps & Moses, Germany
Guido van der Werve, Netherlands
Erwin Wurm, Austria
Miao Xiaochun, China



7 min 18 sec

Exhibited: Joss, 2013

The video refers to papier-mâché offerings burnt in veneration of the deceased’s spirit in Chinese culture. In the contemporary context, this tradition reflects the consumerism of daily life.

The video gathers these afterlife possessions to offer a parade of consumer culture: from luxury fashion to electronic gadgets and fast food to pop-cultural icons.

References to Italian director Antonioni and Swiss artists Fischli and Weiss can be seen in the six-minute video. Exploding these paper objects with fire-crackers set in slow-motion, the artists blur the boundaries between celebration and destruction and give a hint of our contemporary fantasy.

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