Mariko Mori

Mariko Mori, Japan
Mariko Mori portrait


Mariko Mori’s practice explores universal questions at the intersection of life, death, reality and technology. The juxtaposition of Eastern mythology with Western culture is a common theme in Mori’s works, shown through layering photography and digital imaging, such as in her 1995 installation Birth of a Star. Later works, such as Nirvana, show her as a goddess, transcending her early roles via technology and image and abandoning realistic urban scenes for more alien landscapes. Worldwide, Mori gained recognition for her interactive installation, Wave UFO, which debuted at Kunsthaus Bregenz, in Bregenz (Austria) in 2003. The installation was subsequently shown in New York (USA) with Public Art Fund, Genoa (Italy), and was included in the 2005 Venice Biennale (Italy).

With Public Delivery Video festival Fairy Tales, 2015

Fairy Tales - Taipei Museum of Contemporary Art
Fairy Tales was a video art festival at the Plaza of the Museum of Contemporary Art, Taipei, Taiwan.

Lida Abdul, Afghanistan
Said Atabekov, Kazakhstan
Mohamed Bourouissa, Algeria
Chen Chieh-Jen, Taiwan
Cao Fei, China
Yang Fudong, China
Cyprien Gaillard, France
Dejan Kaludjerović, Yugoslavia
Mari Kim, South Korea
Kamin Lertchaiprasert, Thailand
Taus Makhacheva, Russia
Almagul Menlibayeva, Kazakhstan
Mariko Mori, Japan
Ahmet Ögüt, Turkey
Adrian Paci, Italy
Public Delivery, South Korea
Wang Qingsong, China
Walid Raad, Lebanon
Cheng Ran, China & Item Idem, France
Taps & Moses, Germany
Guido van der Werve, Netherlands
Erwin Wurm, Austria
Miao Xiaochun, China



Mariko Mori - Alaya, 2013 - still 1
Mariko Mori – Ālaya, 2013, 3 min 40 sec, Animation, Courtesy of SCAI THE BATHHOUSE, Tokyo and Sean Kelly, New York
Mariko Mori - Alaya, 2013 - still 2
Mariko Mori – Ālaya, 2013, 3 min 40 sec, Animation, Courtesy of SCAI THE BATHHOUSE, Tokyo and Sean Kelly, New York

Exhibited: Ālaya, 2013

The video consists of the digital Cibachrome prints that portray Mariko Mori’s representation of alaya consciousness. Highly influenced by Buddhism, she uses the marriage of technology and art to highlight our world and our relationship to nature.

I think that not only science and art but all the different disciplines that exist in the world can be really bonded; if we have more dialogue, we will be able to share some ideas. At this moment I think that’s a very important thing to do, because somehow in the past when everything was so divided, we didn’t have much conversation between these different disciplines. But there’s so much in common, and it’s so stimulating for each other. The more we collaborate and have a dialogue, the more we can see the bigger picture rather than have limited perception.

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